Live theatre review of Bouncers Essay

The audience is able to instantly understand what is happening in a scene and how it impacts on what has happened and what is occurring in present time. The play uses its style perfectly with its use of extended dialogue to convey meaning and tell the story. The audience can get lost in its story as there are no confusing abstract themes to throw them, everything the story is about is laid out before them and this helps with understanding the dramatic meaning as the dramatic meaning is very serious and realistic, just like the storytelling style.

Throughout the play two actors role played multiple characters. Each actor morphed into another character. They had impressive versatility of their characters and played each role with emotion. The facial expressions they exercised appeared to contribute to the

The director wanted to convey the strong and relevant message of the play to the audience, therefore naturalism became essential. As a verbatim piece, the director aimed to avoid overacting and stay true to the characters original intention. Therefore, when adding characterisation, I was careful about being too extravagant with my blocking, body language and facial expressions. For example, Romaine Patterson delivers a powerful monologue, supporting LGBT rights 'I decided that someone needed to stand toe to toe with this guy and show the differences.' The director and I discussed only adding minor movement for Romaine, to avoid overacting. I worked with the director on the timing of my movement. In the last section of my monologue, I was required to wear angel wings and raise them when saying 'And we're calling it Angel Action.' Therefore, we rehearsed the timing, to achieve a natural and polished movement. The director required actors to transform into new characters onstage. The costumes were positioned on stage behind the actors, so transitions were efficient. This Brechtian technique required actors to apply small changes to their costumes to help represent new characters. These fast-paced transitions exhibited my ability to portray several

Merrick Theatre & Center for the Arts presented the musical, Cabaret on Sunday, May 6th, 2018. The book was written by Joe Masteroff and it was based on the play called I Am a Camera by John Van Druten. The music and lyrics of Cabaret were composed by John Kander and Fred Ebb, respectively. The Broadway production was directed by Harold Prince and the Merrick Theatre production was directed by Daniel C. Higgins and produced by Joe Mauro. Not only does the Merrick Theatre perform shows, but it also hosts birthday parties, have theatre classes and summer camps.

Because this is Restorative Comedy, the acting needs to be light-hearted but enjoyable, the actors should embrace the explicit nature of the play and express a comedic comfort on acting on such a subject. The cast not in this scene will sit around the edge of the round of light, creating a smaller stage; they will act as the audience mimicking the reactions and emotions that are expected in order to create a more understanding atmosphere within the audience. The male actors who are playing female roles, only Angelica in this scene, are wearing a garment of female clothing from the props cupboard, a feather boa or a hat or jewellery – lipstick? The female actors playing male roles (Antonio, Page and Pedro) will have their hair tired up in a bun, if possible and wear the beige shirts found in the store cupboard over their black trousers and tops as well as the suit jackets that we will supply. This scene occurs during a Masquerade Ball so each actor should either be wearing or holding a mask. In this scene, the stereotypes of gender are accentuated and emphasized. This will be done through the use of body language, hand gestures and the manipulation of voice. The female actors will stand with their legs apart and the hips thrust slightly forward, when possible they will use large hand gestures when they speak. The voice should be in a lower register to usual, if this is possible, and should be projected so that the audience feels an air of authority. The male actors should try to talk quieter and be less dominant on the stage, they should use simple modest hand gestures and at times, when the play allows, should become

Our drama assessment was to watch the play “Woman in Black” at the Fortune Theatre in London. The original 1950’s play starred Orlando Wells and Michael Mears as the two main and only characters and directed by Robin Hereford.

The use of drama, comedy and violence in scenes were alternated abrubtly, it wasn't easy to watch and it left me unsure about what the play was about and its message to the audience.

What do you do when an opportunity is knocking? Do you take advantage of its benefits? Or do you avoid taking the risk because you are afraid of life changes? Rich Orloff’s play Someone’s knocking, depicts the central theme of accepting opportunity into our lives as an escape from our fears of the outside world, and from our comfort zones. Orloff’s goal is to empower and encourage us to take risks to experience and explore what life has to offer. In addition, the theme is also directed towards women who are in an oppressive marriage with controlling husbands, hindering their opportunities in life, as well as their freedom to voice their opinions. The play uses satire and witty humor to convey its message to the audience,

1984, directed by Robert Icke and Duncan Macmillan attempted to capture audiences with the adaptation of the novel written by George Orwell in 1949. With Tom Conroy as the protagonist Winston Smith and Ursula Mills as Julia, Winston's love interest and rebel against the ministry. Thrilling and captivating this play has audiences sitting on the edge of their seat.

When reading Annie Baker’s “The Flick,” it was difficult to avoid the level of engagement that the author planned for with an audience. It is said that Annie Baker who now lives in New York has become one of the freshest voices in American theater. There are several deliberate choices that Annie Baker arranges in relation to the action and the characters that contributes to the success of the play. “The Flick” acts like a mirror that forces us to reflect and take a profound look at ourselves and the world we live in. In unison, when all of these elements are combined the culminating result is a play that does not necessarily need to be seen to be labeled as exceptional in the way Baker accounts for engagement with an audience.

The Senior Dance concert, 9 o’ clock showing consisted of seven dance pieces. The first piece was called “Heavy Dew”, this piece was comprised of a six-person group dance. The backdrop was a blue shading. The sounds in this piece were waterfalls, and rainforest sounds. The movements made me feel as though the dancers were creatures in a wilderness or a rainforest, it was fast paced. For the first part of the performance the group of girls are dancing in front of the audience together, then as the music turns to be more serious and intense, there is just one dancer on the stage. Then, once all the dancers come back onto the stage, the music starts to soften and slow down again and the lights begin to dim for the remainder of the performance.

He used a time period of social distress and turned it into an empowering performance for the world to experience. Anyone who was fortunate enough to see this play could visualize the highlighted dramatic devices used throughout the performance. The writer of the RENT play has recently passed away but the experience and take away his play gives still lives on through the viewed audience. Analyzing the play RENT and focusing on the dramatic devices gave me personally as a viewer a much deeper love for this magnificent

The play being discussed in this critique will be Troupers by Maverick Theatre Company. It was written and directed by Dr. Anne Healy and arrangements by George Chave & Jeff Lankov. It was performed between October 12 to October 16. Scenic design was by Michelle Harvey, costume/makeup design was by Laurie land. Lightning and sound design was handled by Jared land. It featured Alex Pope as man one, Arturo Martinez as man two, Johnathon Sicard as man three, Austin Bender as man four, Michael Harper as man five, Cole Shuffield as man six, Francisco Grifaldo as man seven, and Bradley Atuba as man eight. Women who was featured in this play were Paulie Cocke as women one, Elizabeth Stevens as women two, Haley Boswell as women three, Jenny Redmond as women four, Victoria Raines as women five,

to notice her. It also seems like it is a mask for her to hide behind,

This semester I have experience many live musical performances. Some of these performances have let me down but for the most part, these performances have been everything I ever expected. My two favorite performances this semester were Festival Vallenato and Ultra Music Festival. Although these two types of music are different in every way possible, the people and the performers are exactly where I feel I am in the right place.