Lois Lane Women's Independence

To overcome this obstacle, writers portray feminine

The chapter, From Rosie to Lucy, by James West Davidson and Mark Hamilton Lytle, is about how the feminine mystique changed drastically from the era of WWII to the era of the baby boom. The shift was attributed to men’s influence on the women through fashion trends, magazines, and TV shows. The main purpose of the chapter is to show that the propaganda through TV and society affected individuals, and more specifically the feminine mystique.

Literature is not simply a reflection of society; it is in actuality much more powerful. Literature draws upon society and creates its own meanings and images. It possesses the power to either nourish or discourage societal values and ideals. Hence, stereotypical views on gender relations in society are reinforced by literary depictions of men and women. The American literary canon is a collection of books that are widely accepted as influential in shaping Western culture. Stereotypes are evident throughout these texts, and often serve to justify the continuance of traditional roles. More specifically, women seem to be the target of cataloguing and other negative depictions. Classic books that are identified as part of the American literary canon tend to portray female characters in a way that emphasizes their inferiority. The depiction of females in classic American literature promotes a stereotypical view of women in American society.

The tension found inside and between Rose Almond and other characters in V for Vendetta develops her character development and is significant not only to the long-debated differences between a graphic novel and a comic but also to the portrayal of women in this graphic novel. This is significant because V for Vendetta portrays women as submissive, incapable of providing for themselves without a man, and driven by their own emotions which shows that the content in graphic novels (i.e. tension and character development) that makes them different from comic books is not given the same attention or thought for women as it is for

Right of the bat, the 1950s saw magazine and publishing companies facing an exponential growth in popularity. Due in part to the public’s fear of both the “Cold War” and the “Korean War”, family oriented magazines like The Saturday Evening Post and Look continued to post articles highlighting current events, fictional stories, family life and illustration. As they grew to the top of the consumer market, women became the primary demographic for these magazines. The most prolific magazines in the women's market where Ladies Home Journal, Woman’s Day, Woman’s Home Companion, Good Housekeeping, Redbook, McCall’s and Cosmopolitan. (www.illustrationhistory.org)

Throughout the 20th century, women began to rebel against the social norms it started out slowly and was met with much objection. A couple of people belittled the way women were acting, and some even proposed it was a disease. There were many that did not want to believe that their wives were changing and they denied frequently what was happening. Soon enough, writers began to drop subtle hints here and there in their novels about the changes in women and America, [9:39:29 PM] Ariel : at that time, was beyond furious with the recognition that women received in the novels. American conservatives went out of their way to ban all novels that disrupt the traditional view of how women should act. Unfortunately for the conservatives, women

Society always keeps the idea of heroes alive through media. Girls inspired by movies or television shows dream of knights in shining armor saving the day. These same shows often represent the women as weak and dependent on men. Men fight the bad guys and save the day while the women work behind the scenes giving information to the men. The gender stereotype of men protecting the women often reveals itself in television shows, especially in one episode of a television show called The Flash. The episode from The Flash titled “The Flash Reborn,” illustrates the gender stereotype of men as the protector of women and this negatively shows a stereotype of beautiful women that cannot take care of themselves.

It is important to teach children about gender roles since it is something that society holds in regards, but most of the time in literature it is done unequally. The portrayal of gender in literature is based off of the expectations of society and places bias on gender. Boys are portrayed as strong, adventurous, independent and capable and often play the roles of fighters, adventurers and rescuers. Girls are portrayed as sweet, naïve, dependent, sensitive and emotional and play roles such as caretakers, princesses and mothers. The roles of gender portrayed in literature are often a reflection of the views of society and do not offer objective insight. Even though it is important to teach children about gender roles, the fashion in which it is done in does not allow children to see beyond those expectations. If a young girl is constantly read stories about a woman’s role as a housewife, homemaker and mother, she will assume that’s what is expected of her and will not know society will allow her to be anything she wants to be.

In addition, we will explore the context in which the members of the group communicate with their intended audience using mass communication. The last part will try to examine the recent changes in the comic-book world in regard to giving the traditional male superhero role to a female lead and what changes might it bring forth by breaking some of the female gender stereotypes and norms.

    Throughout the years, different forms of literature  have generally stereotyped women and shown them as weaker than men. They have played archetypes such as the mother or the lover, which have traits less desirable than the roles men would take. These archetypes tend to limit their personalities and they become characters that are solely there for inconveniencing the hero and creating obstacles. Throughout history many people have made efforts to change these archetypes and make them more desirable. Even though archetypes for women have been shown as weak, it has changed throughout the years.

Throughout the history of storytelling, there have always been storybook characters that inspire and motivate young readers to become more engaged and knowledgeable about the struggles that some people go through. Reading has always been a pastime of mine; while reading I collect new friends in wonderful places that otherwise I could only dream of. Each of these characters that I have befriended and connected with over the years, has shaped my personality in some way or another, and choosing just one seems an impossible task. Although women’s rights have skyrocketed in the past century, overall the world is still predominately male-orientated, but the world of books has no bounds for inspirational women. Countless authors have written

In the article “The Wonder Woman Precedent: Female (Super)Heroism on Trial”, Julie O’Reilly makes a clear argument that females have to constantly prove themselves worthy while men just get to choose to be heroes, no questions asked. In the article “Two Way a Woman Can Get Hurt: Advertising and Violence”, Jean Kilbourne argues that there is violence in our culture, particularly sexualized violence controlled by the media. With the help of Kilbourne’s article, it emphasizes clearly that women are seen as a joke while men are taken seriously and presume authority.

This topic is extremely important as it revolves around the subject of feminism and sexualism, two topics that need to be taken more into consideration when reading a novel. The portrayal of female characters in novels that are read around the world are very impactful towards the female portion of the world as it places them in a spectrum of what they should act and look like to meet the standards of society. Focusing specifically on the development of the female characters and how they are just as powerful as men is an interesting idea to navigate around, focusing on the feminist portion of the novel. In current academic studies there has been substantial amount of works that are about women empowerment, with authors that believe the exact same, such as Purple Hibiscus and The Help.

In today’s comic books, women are represented as sexual objects, not as mature, strong, or as smart as men are depicted in the same stories. Women appear in comics for the simple purpose of flaunting their bodies which boosts sales and based on the demographics of the target audience

Author and civil rights activist Maya Angelou once said, “How important it is for us to recognize and celebrate our heroes and she-roes!”. When one thinks of comic books, it is very likely that the subjects that come to mind are Marvel’s Spiderman or DC’s Batman. Although comic books are stereotypically thought to be mainly about super heroes, there are a wide variety of subject matter they could be written about, such as romance. In the 1950s – 1960s, it was common for these romance comics to exploit the social norms of that time and emphasized the subject of gender roles. While the men in comic books were usually illustrated in a brave heroic manner, the women would be portrayed to be what would now be considered a stereotypical “trophy wife”. As a young child reading these comics and taking in these images, they are slowly molding their ideals to believe that what they are reading and seeing is what is accepted and normal in their society. By coding gender norms into the texts, authors are helping mold the ideology of its readers to believe that it is acceptable for both genders to follow specific rules that accommodate to the believed social norms of the time.