Lolita Essay

Vladimir Nabokov’s novel Lolita and Bret Easton Ellis’s novel American Psycho both show the stories of seemingly regular men based off of how they interact with people in their lives while in public view. The main characters from each novel are not normal functioning men of society. Humbert Humbert from Nabokov’s Lolita is a middle aged man who has an obsession with young girls around the age of twelve. Patrick Bateman from Ellis’s American Psycho is an incredibly narcissistic, egotistic, man who is an investment banker by day and serial killer by night. Both men have had a privileged upbringing.

Through searching inside the haze one will find their true self. In the book “The Ravishing of Lol Stein” by Marguerite Duras, the main character, Lol Stein, goes through a journey to express her true personality. In the passage, Lol has an affair with the narrator, Jack Hold, which shows her transition as a person the most. Her internal transition into becoming an entirely different person is highlighted by the author’s use of repetition, diction, symbolism, and dialogue.

The book Lolita is a highly controversial novel written by Vladimir Nabokov. Lolita tells the story of a man, Humbert Humbert, and his utter infatuation with a young “nymphet” named Lolita. The book and subsequent film adaptations, specifically Stanley Kubrick’s 1962 adaptation and Adrian Lyne’s 1997 adaptation aim to create a feeling of sympathy for the protagonist, Humbert Humbert. Through the use of first person narration, Humbert Humbert is able to manipulate readers with simple inaccuracies, making him an unreliable narrator.

On one side, the Lisbon sisters lose their grip on what innocence truly means, allowing themselves to get caught in the fast moving pace of their youth. Without any outlet for their self-expression, they take their own lives out of pain and grief. The religious references and lively imagery paradoxically describe the lack of morality and the ultimate loss of life. Lo is no longer “Dolores on the dotted line,” but Lolita through and through (11). Humbert ripped her childlike innocence from her delicate fingertips, creating a wandering soul without roots.

This results in the narrative perspective of the novel demonstrating how Humbert attempts to conceal his true nature through, in his own mind, clever ‘adjustments’ to how the story is presented and references to historical figures who shared the same desires as him- ‘Oh Lolita, you are my girl, as Vee was Poe’s and Bea Dante’s’ (Nabokov 1955), yet often reverts to a disposition in which he laments about his monstrous desires. Not only this, but the comparison to famous literary greats suggests that Humbert considers himself to be of their status and thus possesses an idolized version of himself, a self which can easily transform language into ploys to conceal his true nature.

The men who show their obsessions in Fear and Lolita do so in a more aggressive manner. Humbert, who has always had in interest in young girls, is instantly taken with Dolores, the 12 year old daughter of his landlady - “It was love at first sight, at last sight, at ever and ever sight.” She is the whole reason for his decision to stay at the house, as he is initially put off by her mother, the domineering Charlotte. Humbert takes extreme measures by marrying Charlotte for the sole purpose of staying close to Dolores. After Charlotte’s death, Humbert takes Dolores on the road for an indefinite road trip. He is so attached to her that he becomes easily panicked when he is faced with the possibility of her leaving him. This causes him to be incredibly possessive over her, limiting her interaction with friends her own age to prevent

The "hickey" and the rash around Lolita's mouth produced by Humbert's unshaven face signify her loss of innocence, but they also depict her as Humbert's prey and his victim. He is the "fairytale vampire" "feasting" on Lolita and leaving visible signs of his depredation on her childlike body. Indeed, these details come surrounded by a series of parallel phrases that emphasize the girl's innocence: "Nothing could have been more childish . . . nothing could be more harmless . . . nothing could be more innocent . . . nothing could be more naive."

A great poem shocks us into another order of perception. It points beyond language to something still more essential. It ushers us into an experience so moving and true that we feel at ease. In bad or indifferent poetry, words are all there is. Edgar Allan Poe’s poem “Annabel Lee” is a great poem, not because it is popular or it is classic, but because of its underlining message. “Annabel Lee” is a poem of death, love, and beauty. It captures the narrator’s interpretation of these three ideas through his feelings and thoughts for one woman. The narrator, Edgar Allan Poe, becomes infatuated at a young age with the character in the poem, Annabel Lee. Even after she passes away, his love for her only increases and only becomes

Furthermore, as Lolita can be considered an open text and this paper is concerned with bringing female perspectives to the forefront of the novel, it is reasonable to apply traditional feminist theory to the text to examine Humbert’s marginalisation of women. In particular, this reading will be formulated through applying the work of second-wave feminist Kate Millett, which focuses on exposing the reprehensibility of patriarchal oppression. To begin, Nabokov consistently constructs Humbert to display misogynistic views. To illustrate this, in the scene where Humbert recalls his sexual excitement when Dolores laid across his lap, he fantasizes about being ‘a radiant and robust Turk…enjoying the youngest and frailest of his slaves.’ Due to the reader’s knowledge of Humbert’s affinity for ‘nymphets,’ whom he defines as girls between the age of nine and fourteen, it can be deduced that these ‘slaves’ are female. The word ‘frail’ holds connotations of debility, fragility and vulnerability. Through these negative associations, Nabokov has positioned readers to understand that Humbert views women as inferior to men. This holds relevance to Millett’s theory of female inferiority, through which she explains that ‘the female’s inferior status’ is ‘ascribed to her physical weakness or intellectual inferiority.’ Millett published her work in 1969 during the second wave feminist movement, whereby women demanded equality and challenged patriarchal ideologies regarding sexuality,

The two passages, written by Humbert Humbert, describes two of his ‘nymphet’ loves. In the passage, both Annabelle and Lolita gets introduced. Read the passages carefully. Then, write an essay that compares H.H.’s perspective of the two characters to show his feelings on both of them.

Dogs are known to have over 200 moveable or semi-movable joints in their body, and they must have comfortably freely moving joints throughout their life. Dr. Steve Allday, equine veterinarian specializing in lameness and sports medicine was the first developer of LubriSynHA. Dr. Allday’s idea was to keep synovial fluid healthy by protecting it from normal wear and tear by providing what he called “around-the-clock support of joint fluid.” Synovial fluid, or more commonly known as synovia is a fluid found in the cavities of synovia joints. Their purpose is to reduce the amount of friction between the surfaces of bones.

A student and an athlete, Lauren has demonstrated over the past three years a determination and true passion for learning in the classroom and on the field. As her counselor for the past three years, Lauren has been a stellar role model. True to herself and others, she is respected by both peers and staff alike. A leader in and out of the classroom, Lauren sticks to her morals and values and is committed to helping others.

It not only threatens, but also breaks through. Betrayed by love once in her life, she nevertheless seeks it in the effort to fill the lonely void; thus, her promiscuity. But to adhere to her tradition and her sense of herself as a lady, she cannot face this sensual part of herself. She associates it with the animalism of Stanley's lovemaking and terms it “brutal desire”. She feels guilt and a sense of sin when she does surrender to it, and yet she does, out of intense loneliness. By viewing sensuality as brutal desire she is able to disassociate it from what she feels is her true self, but only at the price of an intense inner conflict. Since she cannot integrate these conflicting elements of desire and gentility, she tries to reject the one, desire, and live solely by the other. Desperately seeking a haven she looks increasingly to fantasy. Taking refuge in tinsel, fine clothes, and rhinestones, and the illusion that a beau is available whenever she wants him, she seeks tenderness and beauty in a world of her own making.

Lolita becomes ill, and is forced to go to the hospital. Humbert comes into the hospital one morning only to find that she has been checked out of by another man.

Vladimir Nabokov, one of the 20th century’s greatest writers, is a highly aesthetic writer. Most of his work shows an amazing interest in and talent for language. He deceptively uses language in Lolita to mask and make the forbidden divine. Contextually, Lolita may be viewed as a novel about explicit sexual desire. However, it is the illicit desire of a stepfather for his 12-year old stepdaughter. The novel’s subject inevitably conjures up expectations of pornography, but there in not a single obscene term in Lolita. Nabokov portrays erotic scenes and sensual images with a poetic sensibility that belies the underlying meaning of the words. The beautiful manipulation of language coerces one to understand Humbert’s interdict act of