Lolita by Vladimir Nabokov

An unreliable narrator is a character who is telling a story, but is not completely accurate or credible due to problems with the character 's mental state or maturity. The unreliable narrator holds a distorted view of the events taking place. This distortion gives readers a chance to offer their own interpretations to the story being told. Unreliable narration is valuable to the reader and satisfying to the author because the audience must look beyond what the narrator is portraying and view all the elements of the read to understand the author 's message. The Cask of Amontillado by Edgar Allan Poe and The Yellow Wallpaper by Charlotte Perkins Gilman are great examples of unreliable narration.

How would you deal with living in a community in isolation, feeling lost with those around you, and having your whole life changed with one drop of blood? FOUR by Veronica Roth displays all this with a story of a young man named Tobias Eaton. This book demonstrates the drama and strategy which keeps readers involved. From being placed in one environment from birth and choosing something precisely different, readers can see what Tobias had to go through. The main elements of this book are conflict, style, and mood.

He, obviously, is the narrator, and the person whom we see the story through. He gives us his opinions on the matters at hand, and we see the book through his viewpoint. The traits described above allow him to be such a great narrator, for he can get people to confide in him, and relay this information to the reader.

Furthermore, Humbert further provides a dishonest narrative through his creation of a ‘grotesque theatrical character’ (Courtier 1996), in order to disassociate himself from the monster he truly is. This is aided by how Nabokov uses a diary-like structure to allow Humbert to experiment with his own format, for example ‘Main character: Humbert the Hummer. Time: Sunday morning in June. Place: sunlit living room.’ (Nabokov 1955) which resembles a script that Humbert himself has created when in reality he is reciting yet another lust-filled encounter with Lolita. Throughout this passage, and the novel, Nabokov switches from third person to first person narrative which further illustrates Humbert’s confusion over his desires, and how he

An unreliable narrator is a narrator that necessarily cannot be trusted by the way they talk, and or the way they describe the way certain events occurred. You cannot believe everything an unreliable narrator says. Edgar Allan Poe’s narrators in “The Black Cat” and “The Tell-Tale Heart” are unreliable because they are both mentally ill or have a serious problem with drinking. When reading a story you want to know all the details correctly and an unreliable narrator can change your understanding of the story, which both of the narrators do in the two short stories. The narrator's show a lot of evidence that they are both unreliable because of their sicknesses.

At the beginning of the story, the narrator provides a brief description of himself that allows readers to reflect upon his character and morality. He introduces himself as someone who believes that

“But, I 'm already resigned to this fate / Looking over my life, I recall / If it hadn 't been / for the loneliness / I 'd have no companion at all. ” This stanza from “Loneliness”, by Lora Colon evokes the negative impact a lonely fate has on a person. Words like “resigned” and “loneliness” establish a sense of depression and resignation. During the times of the Great Depression, many people felt similar feelings of melancholy and stoicism. Jobs were hard to come by, and realistic dreams of success were scarce. John Steinbeck’s novel, Of Mice and Men, allows readers to see the life of the Great Depression. The two main characters, George and Lennie, search for jobs, like many other migrant workers. They dream of owning their own land, however, Lennie’s habit of getting in trouble prevents their dream from being reality. After he accidentally causes more trouble at their new job, George is forced to kill him out of mercy. Throughout the novel, Steinbeck shows that even if one meticulously plans out the road to their American Dream, fate will inevitably intervene and lead one to desolation and loneliness.

The narrator is limited for the benefit of the telling of the story. The impact of events, emotions, realizations, thoughts, etc., all have a more personal, intimate quality to them when relayed through the lens of someone who knows only as much as the reader does at any one moment (although the story is written in past-tense, the quantity of information at any time during the narrator's recollection equals that of the reader). This attribute gives the tale immediacy and suspense.

A unreliable narrator is someone who lies and deceives, the reader. In addition to that a narrator who is insane is also a unreliable narrator. In the short stories that we have read, including Strawberry Spring, by Stephen King where a mentally ill college student starts going on a killing spree during the strawberry spring where the winter warms and there is a lot of fog.The Yellow Wallpaper, by Charlotte Perkins Gilman is which is about a hallucinating woman in a large estate where she is being held by her husband and being captivated in a room for her 0“sickness” of having oppressive thinking and ideas., and A Tell Tale Heart, by Edgar Allen Poe which is about a madman who watched a old man sleep for 7 days straight in the night and then killed him on the 8th because of his “vulture eye”. All of the narrators are mentally insane, therefore rendering each narrator unreliable. Each of which being in their own way. The most unreliable narrator is from A Tell Tale heart by Edgar Allen Poe because he is in denial about his mental health and rationalizes criminal behavior.

The narrator is a man that faces many internal and external conflicts within himself, identified as the primary conflict: man vs. man. The first-person narrator faces many internal conflicts within himself. Also, he faces external within him and his brother and their struggles. One example, in the story where we can clearly see his

The most unreliable narrator is Springheel Jack in the story “Strawberry Spring” by Stephen King. Strawberry spring is about a young man who goes around killing young women at his school but due to his split personality disorder (schizophrenia) he has no memory of committing these crimes. The narrator in “The yellow Wallpaper by Charlotte perkins is more reliable do to her being to informing and descriptive throughout the story she is does a great job

The narrative is told in an omniscient view that gives us an insight on how the characters see the world. One example from the story is after Victor encounters Thomas Builds-the-Fire for the first time, Victor goes home and : “He held his head in his hands and thought about Thomas Builds-the-Fire, remembered little details. . .so many stories”(37). Victor contemplates asking for help from Thomas since they do not speak so much anymore. Also, an omniscient view is effective to show what the characters are experiencing.

Vladimir Nabokov’s Lolita is notable for its controversial subject: the protagonist and unreliable narrator. Through the years since the book was published there has been an emencice amount of controversy on the actual contents of the book, but when applying the psychoanalytic literary lens an entirely different understanding of the text is presented. Through an abstract point of view, an intense inner conflict in the narrator, and an unusual definition of beauty, the text evokes an intense emotional response from readers that can not be expected from the initial perspective of the book.

Pale Fire has spawned a wide variety of interpretations and a large body of written criticism, which Finnish literary scholar Pekka Tammi estimated in 1995 as more than 80 studies.(Wiki) Although no “correct” interpretation exists, a strong case can be made for interpreting the novel in terms of Kinbote’s insanity. His mental decline, paired with his academic unfulfillment, sparked by harsh criticism by his colleagues leads him to murder John Shade in order to obtain the author’s most recent poem and redeem himself through its thoughtful commentary and analysis. This interpretation entails that the world of Zembla is entirely fictional and the comically careless assassin Gradus is nothing more but an impersonation of Kinbote’s delirious

To some degree, every artist creates his or her own artistic life preserver, and in doing so resequences and conserves their own artistic DNA so that it may be transferred onto another generation. Vladimir Nabokov’s memoir Speak, Memory, is not only that preserver, but the tug boat that it holds onto, heavy and cramped with the memories and history that Nabokov retells his readers against the currents of time. Speak, Memory operates thematically, not chronologically. Nabokov returns anew to his early childhood and pulls in, as it were, the memories associated with certain themes. Then he turns, changes directions, and sets off again. One such theme that resonates throughout the novel is that of exile and deteterritorialization, both