London by William Blake and Upon Westminster Bridge by William Wordsworth

People imprint themselves on their surroundings; they inject fleeting moments into the veins of their environments, boiling the blood that swims hot through every crevice, echoing and lingering indefinitely. According to Wisker houses are the principal locations where the presence of its residents leave lasting imprints on the structure (2011, 4). Novels To The Lighthouse by Virginia Woolf and Pride and Prejudice by Jane Austen both use domestic environments as important sites to emphasise and reflect their characters by deploying the literary techniques of language and style from their respective eras. Woolf as a Modernist writer from the early twentieth century uses experimental techniques and the supernatural genre that was prevalent

Walt Whitman 's poem, "To a Locomotive in Winter" and Emily Dickinson 's "I Like to See It Lap The Miles" are two different poems about the same subject, the steam engine. Where Whitman uses solely free verse, Dickinson’s poem more closely follows standard writing practices, with very structured line breaks. Another key difference in these works is the speech they use; Whitman uses "old English" laden with thee and thy, whereas Dickinson uses fairly modern terminology. Whitman describes the elegant and powerful grandeur of the locomotive from the shining brass and steel to the twinkling of the wheels. Dickinson describes the arrogance and nuisance of it as she imagines it staring down upon the

With an overwhelming amount of power, humanity becomes lost in the desire to control. In the novel Night by Elie Wiesel and the connection “A Spring Morning” by Ida Fink, both authors demonstrate a common theme of dehumanization by using literary devices such as: specific diction, symbolism and tone.

The poem as a whole appear to be a metaphor for, or symbolic of the depression and loneliness felt by the speaker . In the very first line “I have been one acquainted with the night” (I. 1), tells that the speaker knows of the ‘night’ (a metaphor for loneliness and depression). The speaker also personifies the night by being ‘acquainted’ with it. In the second line, the usage of the word ‘rain’ is a metaphor for life’s problems, which the speaker seems to be immersed with . In the third and fourth lines, the speaker uses hyperbole when he says “I have outwalked the furthest city light/ I have looked down the saddest city lane” (I. 3; II. 1), a feat not humanly possible, because the farthest city light would suggest the end of the city, and the word ‘saddest’ is a relative emotion. The words “city light” is also symbolic of a community and friends, which the speaker is trying to

Blake’s poem, “London” represent how the city life has taken away the freedom of the people. Blake uses skills of alliteration, imagery, and word choice to create his poem. In the first two stanzas, Blake uses repetition to

Two poems titled “From the Dark Tower” by Countee Cullen and “As I Grew Older” by Langston Hughes. Both of these poems came from the Harlem Renaissance Era and they deal with the hard times African Americans faced in society beginning during the 1920’s. Hughes and Cullen put together these ideas in two different methods; however, the underlying messages were very alike.

Poets also fell between the cracks of realism within the grand sidewalk of adolescence. Not surprisingly, Carroll was a big hit in this realm of writing, with one of his most famous poems "Jabberwocky," a great example of Victorian Culture used within writing. Nevertheless world renowned poems like Robert Frost's "Nothing Gold Can Stay," and William Wordsworth's "We Are Seven," fit within this theme as well within the great gaps of time between these pieces. The odd one out of the three undoubtedly is "Jabberwocky" with strong portmanteaus language, "combined words", and also the arrangement of words in way which would cause a subconscious analysis known as a two-fold technique, where the replacement of words in their sentences is needed to

Blake appears convinced in his poem London that all in the title city are affected negatively, controlled by industrialisation. Writing of the Thames being filled with waste makes the audience realise that Blake’s city was grim with the stench of industrialised homes and factories. He writes that he, as he walks along the forlorn river, “mark[s] in every face [he] meets, Marks of weakness; marks of woe”, faces of those lost to the Hell of the city, the disdain of living in a town controlled by industry and Christianity. Shackled by “mind forg’d manacles”, London is apparently a society void of intellectual and physical

Nature is the strongest thing in this world that everyone takes for granted. It holds the power to create life, but also destroy in mere seconds. In the modern world, we try to figure out and use nature in a way that can benefit us, but not how we can benefit it. With a constant search for nature and its resources, it causes humans to less mindful of the wilderness around us and how no matter what, at the end, nature will outlive all of us. Humans think they can outsmart nature with their new technology and progress, but we also end up having to turn back to nature for help in order to survive. In Jack London’s story, To Build a Fire, we follow a man into the wilderness

Exposure gives a soldiers point of view on the front line, based on Wilfred Owens experiences of his time in the war in 1917, and he displays war of being a place of suffering. He says ‘nothing happens’ four times throughout the poem. The soldiers appear to be to be help prison in some sought of No Mans Land between life or death, this particular poem going around in a circle because when it ends they are in the same position as they were in the first stanza.

In A Farewell to Arms, For Whom the Bell Tolls, and The Sun Also Rises, Ernest Hemingway uses damaged characters to show the unglamorous and futile nature of war and the effects it has on people. Hemingway wants readers to know that war is not what people make it out to be; it is unspectacular and not heroic. Hemingway also feels that war is futile by nature and that most goals in war have almost no point. He also shows readers that military conflict often causes people to have shallow values and to hide their pain for their own protection.

The connection created between Pride and Prejudice by Jane Austen, and The Last Man by Mary Shelley permits the readers to increase their thoughts about the nature of the society, especially its importance in the lives of women and how social class works in society during the romanticism era. Moreover, these novels increase our imagination about how different people at different times have particular clarifications of what it means to be human. It is essential to understand how different social and historical backgrounds interpret the world in certain ways. This is specifically significant if someone’s wants to know how and why a particular novelist held the ideas and

The two poems that have to deal with the philosophies of human nature are William Blake’s “The Tyger” and Walt Whitman’s “Song of Myself.” Blake’s poem is based off the Romantics and Walt Whitman is an American Naturalist that is based off free verse a form that he created.

Fate can be very complicated in life. Fate is determined by not only God, but the decisions people make. Fate can be either good or bad, as it is the end result of prior events. Often in literature we see fate as being grouped with death. Sophocles once said that “the greatest griefs are those we cause ourselves”. When people guide themselves or others to their downfall it is one of the most powerful control of fates. This can be proven in the literature works of Antigone by Sophocles and A Streetcar Named Desire by Tennessee Williams. Where the characters are tragic heroes and what makes them tragic heroes is that they accept defeat for their beliefs.

A Comparison Between William Wordsworth's Upon Westminster Bridge and William Blake's London The English Romantic period spanned between 1789 and 1824. This period was not so-called until the mid 19th century when readers began to see six different poets as part of the same movement. These poets were William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Shelly and John Keats.