Loneliness And The Nose : Loneliness

Every individual has times in their life where they feel isolated and alone. When this occurrs a person will search for ways to connect or feel important.. The person will do anything they can to be noticed and appreciated. In the novel, Famous All Over Town, by Danny Santiago the main character, Chato, has many reasons to feel lonely. In almost every aspect of his life he is being let down in one way or another. He has to try to deal with a family on the brink of falling apart, he has to go to a school which doesn't teach anything "fun," and he has friends that are a bad influence on him. The novel reveals how he has to endure hardships, most of us do not have, to get through a day. By the end of the novel the reader begins to understand

The varying social interactions between status groups in Katsu Kokichi’s autobiography, Musui’s Story, convey a shift from the hierarchically strict Heian/Kamakura epochs to the more socially open late Tokugawa period. Throughout the work, Katsu illustrates his various dealings and communications with peasants, merchants, artisans and fellow samurai. While in theory a social hierarchy still presided, Musui’s Story dismisses the notion that social groups remained isolated from each other, as in previous Japanese eras, and instead reveals that people of Japan in the late-Tokugawa-era mingled with one another during their lives, regardless of their social status. Considering the

Chikamatsu Monzaemon’s play, The Love Suicides at Amijima explores the disgrace of Jihei and Koharu’s misbegotten romance, the underlying conflict of the hidden innuendos aimed at the Japanese social class and the sense of duty formed between two women from unseemmingly different backgrounds. In order to fully understand these themes, on must take into account the societal structure of Osaka, Japan in the 1720s. Within this culture, every individual was instilled the notion of familial obligation and had to adhere to the rules placed upon them by society. Chikamatsu Monzaemon does an ideal job of capturing these concepts within the play.

The Samurai’s Garden by Gail Tsukiyama tells the story of a young man who is sent away from his friends and family to a small village in Japan, in the attempt to get better from his illness. Through his self isolation, Stephen is able to learn from the two elderly people he meets there, and slowly comes to accept himself for who is he, regardless of what other people thought. Through the use of internal and external conflict in The Samurai’s Garden, Gail Tsukiyama uses Stephen’s character, specifically through his interactions with Matsu and Sachi, to convey the message that sometimes one will need to leave what they are comfortable with, and place themselves into isolation in the attempt to rediscover who they are while still knowing that

However, their love affair shows how much the historical aspects of the Meiji Era had a huge effect to the characters. Through the story, the difference in class, nation, and gender play a huge role. Mori Ogai’s style involving emotional and psychological observations allowed to understand the historical aspects during the Meiji

In the essay ‘The Box Man’ Ascher invokes many stylistic devices and rhetorical strategies to portray her message that you should accept loneliness. The devices she uses include the rhetorical strategy “Ethos” and the stylistic device Anecdote. She uses many more which will be discussed later in this essay. She portrays the message “accepting loneliness” throughout the whole piece and even provides real life examples to support her message. These Examples include The Box man, the Soup lady, and the Television lady. All of these examples are lonely Individuals however, they go about it at different ways. The Box man chooses to accept loneliness and the other two ladies don't accept it and therefore live miserably.

In this day and age, people tend to avoid being different. Fitting in with the status quo when it comes to physical attractiveness is considered the proper thing to do, yet in The Samurai’s Garden, the characters show their beauty in a unique way. Due to their circumstances, Sachi, a once beautiful member of a leper colony, Stephen, a young Chinese student diagnosed with tuberculosis and Matsu, a quiet man who chooses to live in near seclusion, are all regarded as outcasts. However, these challenges give them a chance to grow and mature into truly beautiful people, especially on the inside. Through unveiling Matsu and Sachi’s distinct personalities, Stephen discovers another dimension to beauty; through this, Tsukiyama conveys that the most

Musui 's Story is a samurai 's autobiography that portrays the Tokugawa society as it was lived during Katsu Kokichi 's life (1802 - 1850). Katsu Kokichi (or Musui) was a man born into a family with hereditary privilege of audience with the shogun, yet he lived a life unworthy of a samurai 's way, running protection racket, cheating, stealing, and lying. Before we discuss how Musui 's lifestyle was against the codes that regulated the behavior of the samurai, it is essential that the role of the samurai in Japanese society be understood.

Loneliness is the state of being alone with no human or living creature near you; the emptiness inside a person. Katherine Mansfield’s short story “Miss Brill” and Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” use similar literary element of situational irony, and provide insight into the protagonists’ own conflicting struggles with society through social norms. Both short stories protagonist characters in “Miss Brill” and “The Yellow Wallpaper” struggle with their identity, their place as a woman in society, and loneliness in different ways because of their age. The two short stories are similar in their use of irony and conflict.

In the novel Kokoro, Natsume Sōseki uses his character Sensei to represent how guilt can weigh too heavily on a person. Throughout the story, Sensei's interactions with the Narrator, both verbal and nonverbal occurrences, showcase how guilt leads to other negative emotional experiences, such as loneliness and misery. Sensei's internal struggle with guilt shapes the entirety of his adult life and the unfolding of the events in the book. This paper aims to show the implications that Sensei’s guilt has upon his life, especially his relationships with others.

Nō drama plays an important role in Japanese literature. It was an important entertainment in the old days. It also was significant in reflecting the Buddhist view of existence.1 Most of the Nō dramas were written according to popular novels or prose works. In this essay, I would like to introduce two Nō dramas, Atsumori and Nonomiya, as well as the respective sources references.

At some point in one’s life there is not only contentment or grief, but a state of loneliness. Loneliness is a part of human life, although some suffer from isolation more than others. Being lonely can lead to depression or create a different persona in oneself. Struggling through isolation can eventually kill one’s soul, expecting no hope or ending up in dangerous situations. The novella Of Mice and Men by John Steinbeck portrays the theme of loneliness especially through two characters. Crooks and Curley’s wife experience the state of isolation as they crave for a friend or someone they can talk with. Steinbeck urges readers to feel pathos when analyzing Crooks and Curley’s wife through the nature of their isolation, their actions and

In the essentially dual religious system in Japan, ideologies and traditions play a heavy role in the everyday life of the Japanese people. Shintoism and Buddhism intertwine and complement themselves in Japanese culture, despite Buddhism coming in from mainland Asia. A particularly powerful idea from Buddhism is mono no aware, the realization and acknowledgment of the impermanence and its place in the world. This idea that nothing stays the same forever manifests itself heavily in Japanese literature, whether in personal writings or fictional works. Despite spanning hundreds of years, each work was shaped by and include manifestations of mono no aware. I intend to underline and pinpoint instances that mono no aware is influencing these works, and discuss similarities and differences between them. In this paper, I have three works that I will explore, each one corresponding to a different time period before the pre-industrial revolution; The Diary of Lady Murasaki comes from the classical period, Essays in Idleness from the medieval, and the immensely popular play Chushingura from the pre-modern era.

As Sensei put it: “I was overcome with the feeling that I and the others, who had been brought up in that era, were now left behind to live as anachronisms” (Kokoro, 257). Secondly, with the death of emperor, he is forever stuck in the past era, unable to move on to new values and a brand new society. Thus Sensei is isolated because his chooses to identify with a bygone time and he can no longer freely communicate with the present. It is hard for someone who lives in the middle of modern age to feel the loneliness and desperation caused by modernity during a modernization process so rapid that it rendered archaic the values of that era which conceived it. He expresses this loneliness when he writes to the

More than half a century later, Carson McCullers’ themes of loneliness and isolation still speak to today’s readers. The work “Reflections In a Golden Eye”of Carson McCullers drew a lot of criticism, but was anything but unsuccessful. Carson McCullers’ problems with her health and family brought upon manors of writing, she expressed her loneliness and isolation, showing issues relating to bisexuality, infidelity, hostility, and murder. Lastly she made a large impact in the readers and other writers that became familiar with her work. By exploring the depths of Carson McCullers’ work, one can come to realization that it made such an impact in its own unique way.