Longfellow Vs Keats

In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives.

While both Keats and Longfellow often reflect on their own unfulfilled dreams and impending deaths, the poems however contrast on their own dispositions towards death and the future. Here, Keats expresses a fear of not having enough time to accomplish all that he believes he is capable of doing, but as he recognizes the enormity of the world and his own limitations of life, he realizes that his own mortal goals are meaningless in the long run of things. On the other hand, Longfellow speaks of a regret towards his inaction for allowing time to slip away from him in his past and is at a crossroads for the ominous future that looms ahead of him. Through the use of light and dark imagery, and personification, Keats and Longfellow similarly yet also differently, reflect on their own ideas for death and the futures that lay ahead of them.

In Thomas’s poem, the tone is sorrowful with possible anger while in Longfellow’s poem it is more of an encouraging tone. At the end of Thomas’s poem, he becomes very personal and intense in the final stanza when he says “And you, my father, there on the sad height, Curse, bless me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light” (Stanza 6). This is a reference to his father, asking him to put up a fight against death no matter what it takes. Do not just succumb to it. This is where the tone shows somewhat of anger along with the sorrow throughout the rest of the poem, possibly directing his anger towards his father. Towards the end of Longfellow’s poem, the encouraging tone has a sudden shift into a tone of empowerment when it says “Be not like dumb, driven cattle! Be a hero in the strife! Trust no Future, howe'er pleasant! Let the dead Past bury its dead! Act,--act in the living Present! Heart within, and God o'erhead!” (lines 19-24). This basically says to live your life like it’s your last day on earth and do not follow the crowd. He is also saying that God is above so do not live in fear. Longfellow is telling you to stand out and make it all worth it, while not acting in the past or future, just act for today itself.

Robert Frost and William Shakespeare have been celebrated by many people because of their ability to express themselves through the written word. Here we are years after their deaths analyzing these fascinating poems about life and death. It’s clear they had similar thoughts about this subject at the time of these writings, even though their characters could not have been more opposite. For both poets, life is too

Two literary pieces, “Do Not Go Gentle into That Good Night” by, Dylan Thomas and “Because I Could Not Stop for Death” by, Emily Dickinson are both poems that discuss the topic of death. While there are some similarities and comparisons between the two poems, when it comes to the themes, both poets writing styles are quite different from one another which makes each poem unique. Thomas and Dickinson both use identical figurative language devices and other literature symbolisms as they explain their main themes which contrasts the differences to the concept of death. These distinct variations between poems are apparent in both the form, and how the choice of words is used in the poems. Both of the authors have presented two very different ideas on death. The poems are well distinguished literature devices, they share minor similarities and differences between each other and how they present the meaning of death to a toll.

The speaker believes that love is hard to come by and that he is sad that he may not encounter it, since death is just around the corner. The speaker then also talks of “unreflecting love,” thus depicting that the speaker has never experienced real love and is unlikely to ever experience it, because he is so worried about death’s fast approach. However, at the end of “When I have Fears,” the speaker reflects that his goals for literary prowess and love are “nothingness” in comparison to the grand scope of things. There is hope after death, and Keats’ narrator finds solace in this. Although he has not achieved everything he had wanted, the speaker is still appreciative of what he was able to do. On the other hand, Longfellow’s speaker in “Mezzo Cammin” takes on a much more sorrowful and negative tone. Using diction of “half of my life,” “years slip,” and “not fulfilled,” Longellow shows that the speaker is really dreading and mourning his day to go. It seems that the speaker’s fear of death completely and irresolutely hinders him from accomplishing any of his goals. He is too busy being pessimistic about his life that he is unable to live in the present. He is also unable to dream into the future. Unlike Keats’ speaker, Longfellow’s speaker is completely stunted in from any possible growth. He is too stuck in the Past and its images of “smoking roof, soft bells, and gleaming lights.” This hazy

The similarities in the poem deal with similar topics expressed throughout the poem dealing with Keats’ and Longfellow’s fear of death. Differences between the two include the structure and the different images, metaphors and diction that they give off along with their different train of thoughts while writing the two poems. Their thoughts of the subject of death are able to relate to a variety of people because everyone is just human and cannot last forever. Just as these two poems show similar ideas can branch off into many different ideas and interpretations. The desire to continue to

The theme of Dylan Thomas and W.B Yeats poems are about death. In Do Not Go “Gentle Into The Good Night” the author is telling his father not to die and to stay strong. He does this by repeating ”Do not go gentle into that good night. Rage, rage against the dying of the light.” In ” When You Are Old “The narrator said” And pace upon the mountain overhead And his face amid a crowd of stars.” The narrator is looking down on her from when he passed away.

Two poems that deal with the harsh reality of death, done tastefully and beautifully in very different ways. They have similar tones with different executions, Both convey the theme of loss though one feels more like a story and the other more like a speech, and both were written in the aftermath of a beloved president's assassination.

Write a critical commentary comparing and contrasting the two poems ‘Death’ and ‘It was not Death, for I stood up’

Comparing Wordsworth and Keats’ Romantic Poetry. Both Wordsworth and Keats are romantic Poets, they express ideas on nature and send us the message to respect it. They say we have to admire the beauty of nature in different ways. Wordsworh uses simpler language in his poems wether to express simple or complex ideas, by which we understand he aimed his poems to lower classes. Keats instead, uses much more complex language to describe and express his ideas, so we know he aimed his poems to the educated.

The twenty-four old romantic poet John Keats, “Ode on a Grecian Urn” written in the spring of 1819 was one of his last of six odes. That he ever wrote for he died of tuberculosis a year later. Although, his time as a poet was short he was an essential part of The Romantic period (1789-1832). His groundbreaking poetry created a paradigm shift in the way poetry was composed and comprehended. Indeed, the Romantic period provided a shift from reason to belief in the senses and intuition. “Keats’s poem is able to address some of the most common assumptions and valorizations in the study of Romantic poetry, such as the opposition between “organic culture” and the alienation of modernity”. (O’Rourke, 53) The irony of Keats’s Urn is he likens

In “To Autumn”, the season autumn is depicted as death, or as the Grim Reaper. Autumn is, however, an unusual reaper figure, in that they are not merciless, but patient and calm. Interestingly enough, the point of view Keats offers about death, is non-violent, not corporeal, and only implicit in the poem, through metaphors. Almost all human components are removed from the poem, and death is symbolized by nature only. It is put into a context where it occurs in the course of nature, and pictured as a consequence of riches, abundance, and fulfilment.

Poetry is an art form that has often been highly regarded. It brings together some of the most complex forms of writing in the English language. Two poems that focus on the same topic may sometimes, have completely different views and provide perspectives that may not have been considered by the other. Two of these Poems are Let Me Die A Youngman’s Death by Roger McGough and On Death by Anne Killigrew. The former poem by Roger McGough talks of how the speaker does not wish to die the peaceful death of an elderly person but rather the chaotic death of a young man. In death is nothing at all the speaker proposes that all should be as happy as before his death, and not view it in such a negative and secretive light.

During the New Year people would often undertake a change in their lives by trying not to do everything they would prior to that milestone. Although this analogy is not as extreme as the ending of the enlightenment, this is what poets John Keats and William Wordsworth did to completely turn away from that period. Not only did they change their lifestyles, but these Romantic expressivists managed to erase the beliefs and religions of the enlightenment and create their own truths and orders. John Keats and William Wordsworth shows Romantic expressivism by seeking meaning through nonreligious attributes, like poetry, to define what used to be a unanimous belief by substituting their own faith with given faiths. In Wordsworth’s “Lines Composed