Longing For The Sea Green Deep

Love should be born and live in fields, just like wild flowers. Love needs to be nurtured by water, with no concern about where and when the next rainfall will take place. Love needs to allow nature to take its course and trust in the sustenance that its surrounding provides. However, love refuses to take the easy path. Instead, love decides to live in kitchens alongside irritated cooks, dirty walls and screaming infants with impatient mothers. Clearly, love would be better off without concerns, growing in a field like an iris, patiently waiting for the next rainfall. However, love chooses to exist in chaotic environments filled with discontent and discord.

Ever since the beginning of time, love has played an enormous role among humans. Everyone feels a need to love and to be loved. Some attempt to fill this yearning with activities and possessions that will not satisfy – with activities in which they should not participate and possessions they should not own. In Andrew Marvell’s poem, “To His Coy Mistress,” the speaker encounters an emotion some would call love but fits better under the designation of lust for a woman. In contrast, the speaker of Robert Herrick’s poem, “To the Virgins, to Make Much of Time,” urges virgins to marry, to make a lasting commitment in which love plays a

It was really interesting that the author could pinpoint out these little feelings and describe what exactly happens in our body when we fall in love. Her reasoning she exhibited at certain places did that I was speechless and in other places it made me pensive and a bit skeptical of her reasoning. For many people who are not familiar with the scientific description of love is love a simple strong sensation when you meet the right person. Looking at it with a more scientific eye as Anastasia Toufexis does in The Right Chemistry, will tell you that love is a rather complex biological/chemical phenomenon something evolution has given us. Michael Millis gives the following explanation ''What seems on the surface to be irrational, intoxicated behavior is in fact part of natures's master strategy''1, which began in the African plains 4 years ago. This was according to me the key to human survival and it was here the romantic love started to blossom.Thanks to the fact that humans began walking on two legs and mad the entire body visible to one another developed this unique attraction forces, who developed the love into more than just a single reproductive act. Although assembly mates from behind was, and still is, the method favored by most animals, people began to enjoy face-to-face connections. Both appearance and personal attraction became a much bigger part of the equation.

The acceptance of love has the power of transforming an individual to demand of that same love. The social context of the 1850’s was seen to be emphasised on individual’s emotions and rebellion against established social rules and convections which was evident in her open declarations of love and demanding’s of love which was a concept of idealised love. The notion of idealised love transforming an individual is presented in the ‘Sonnets from the Portuguese’. Sonnet 14 as Elizabeth Browning urges her lover to not love her for any particular reason other than “love’s sake only”. In the Octave, the first line is EBB talking directly to whom she loves and she uses high modality in the word ‘must’, making it seem like she

Life is pink, or so says Louis Armstrong’s version of Edith Piaf’s beautiful French song, La Vie En Rose. Plato is arguably the most famous philosopher from Ancient Greece. The Symposium, one of Plato’s most famous works, is a brilliant piece of literature centered on a group of men telling their own versions of what they believe to be Love. The Goddess of Love however, is the main focus of Plato’s work more so than the act of actually being in love. This becomes the men’s main focal point for the duration of their speeches. Both the story and the song, depict versions of love of Love that are relatively common. In the soft tones of La Vie En Rose, the perfection of what being in love can become is heard clearly. Believing that everything is wonderful and it could never change is a symptom of the rose coloured glasses Armstrong is singing about. Socrates in believes that Love can be both horrible and bad. There are people who believe that love is the solution to all of their problems, and those who believe that there are bad aspects that come with being in love. Hundreds of years apart, and these two men are trying to send different messages about the same subject—love.

Love exists in the short story “The Bear Came Over the Mountain” by Alice Munro and in the short story “What We Talk About When We Talk About Love” by Raymond Carver. in Munro’s short story the plot is that of a mentally ill wife, Fiona, who falls in love with another patient while her husband still tries to hang on to their old love. Her husband eventually wants to have an affair with the wife of the man his wife is having an affair with. Their love changed because of their circumstances due to ill health. Carver’s story discusses the different definitions of love due to the type and quality of relationships; everyone has a different definition. Love also exists all over the world within different environments and cultures. The concept of love depends upon the environment in which it inhabits. Love is dependent on the life of the people in love and it also depends on their current environment. Nature and nurture are also huge factors into the development and process of love. What nature and nurture mean is whether it is due to how the person lives and acts along with their personality compared to whether it’s all in their genetics beforehand. Love is more on the nurture side instead of the nature side of human experience.

Love is a powerful thing. It is a force within the universe that cannot be dictated or demanded. Love is free. It is not something that can be bought or sold and has no boundaries. Some will experience love several times in their lifetime, while others will search the earth to find it perhaps just once.

Love is a feeling that cannot be defined in words. It’s an expression; an unsolicited expression. It is a feeling that comes in our heart in an unanticipated manner. It is indeed an expression which never follows the laws of nature. The passions seems to be inflated when someone happens to fall in love. Love is unpredictable, it cannot be justified, but can just be intensified.

love doesn’t exist. This quote also helps to show how the speaker’s grief over his beloved’s

“‘Tis better to have loved and lost than never to have loved at all” (Miriam-Webster 253). This quote has been used for centuries as both persuasion in favor of loving and also as comfort in times of heartbreak and loss. However, is this statement completely true, or does it offer false hope to anguishing lovers? In fact, are the rules and costs of loving and being loved so great that in fact it is actually better to never have loved at all? When pondering these questions, one must first consider the rules of loving and being loved to determine the physical, emotional, and psychological costs they entail. In order to do so, one could use Andreas Capellanus’ The Art of Courtly Love as a guideline for the rules of love.

In the novels The Green Glass Sea by Ellen Klages and Mississippi Trial, 1955 by Chris Crowe the theme, never give up on doing what is right, is shown by Hiram telling the police about R.C, Hiram’s willing to testify in court, and Dewey’s willing to accept a family loss. The author expresses the theme through the conflicts and the character’s personality.

Love is perhaps one of the most contested issues in the world. No one has a precise definition of what love really should look or feel like. Most people have resorted to use their own experiences in love to effectively derive its true meaning. Through these experiences, philosophers have argued that the definition of love varies greatly depending on whether it was given by a man or a woman. This is however not the case. As proven by the narratives of Beauvoir and Sartre, the definitions of love derived from the experiences of both men and women are quite similar. Consequentially, Beauvoir’s account of the woman in love sheds important light on Sartre’s conflicting thought about love. By first highlighting the concepts of love as stated by Beauvoir, this text seeks to establish how Beauvoir’s account of love lays a vital foundation for Sartre’s.

Love is not a physical thing that can be utilized in the world for it does not provide health, shelter, and food yet it is paramount to the point that it can lead to death. In “Sonnet XXX of the Fatal Interview”, by Edna St. Vincent Millay, the poet tells her readers about her experience of how love is not a necessity in life. Millay says that even though love does not fulfill a physical need such as thirst or hunger yet it is worth something more. Overall, love is more paramount than anything for Millay does not give away love nor it is for shelter, food, or peace. In “Sonnet XXX of Fatal Interview”, Millay uses repetition, personification, and tone to reveal that love is important even though it does not fulfill life’s necessity such as

He also believes falling in love is not a conscious choice nor does it encourage personal growth. The feelings that come from the idea of falling in love eventually cease and by following the “myth of romantic love”, one can experience damaging consequences by realizing their “one” they thought they are meant to be with was not bound by true love as previously thought. Ultimately, he identifies that the only good thing to come from falling in love is that it makes someone care about another individual enough to want to truly love them.

The modern concept of love owes a great deal to the Humanist tradition of the Renaissance. The humanists focused on perfection and exaltation of this life as opposed to the afterlife. In Tristan and Iseult the seeds of Renaissance love are present in the Middle Ages. To the modern eye, it is a mystery how the period of the Middle Ages produced the seeds of the diametrically opposite Renaissance. Yet it is necessary to understand this transformation if one is to fully comprehend the forces that helped produce the modern consciousness. Courtly Love is a transitional concept that emerged in the Middle Ages. It is transitional because it emerged early and acknowledges God as the creator of love,