First of all I would like to clarify that Look Both Ways is not simply a ‘movie’. It is a film, a narrative film. And through depicting the life experiences of a few mundane Australians over a single scorching weekend, independent director Sarah Watt unearths some of the intrinsic enigmas which vex humanity so. Look Both Ways is essentially a mural of Watt’s mentality, and presents an in-depth reading encompassing the pitfalls of life, appealing to universal sentiments, qualms and anxieties. I, like many other people, have felt a real chord struck throughout the transcendence and development of Watt’s story. I watched it in a kind of engrossed fascination. It is poetic and merciless, quixotic and blunt. Death and our trepidation of abrupt …show more content…
Her internal animations seemed a reflection of my own preoccupation with death. And as visions of unadulterated annihilation arose to the forefront of my subconscious, I was confronted by the idea that other people could bear the same paranoias as I. Meryl’s subjective and self-deprecating response to the world is what materialised this concept for me. And through this, I was able to identify to the disabling paralysis preventing Meryl from a normal existence, symbolised by her unswerving visions of unexpected fatality. The animations of her being eaten by sharks, being swallowed by the ocean and being crushed by trains serve to expose how her fatalistic nature inhibits her ability to live in the moment. She is too caught up in what the consequences of her actions might be that she resolves to live through her vivid imagination and paintings. And when faced with the idea of a romantic future with Nick, she approaches it with obvious uncertainty and pessimism, visualising falling through the floor and contracting aids. You may notice that Watt reciprocates this self-chastisement when she positions Meryl crying and bleeding from the knees in the rain after narrowly avoiding death. Were you concerned at this point? Fretful? Sympathetic towards the encumbering consequences of Meryl’s anxiety? Well you’re not alone. Everyone has …show more content…
Existentialism is a philosophical concept ever present in an individual’s struggle to determine the nature of their condition as an independent agent. Watt probes into this conception where she expounds Nick’s inner turmoil. The actor of Nick (intriguingly Watt’s own husband- yes, I know) introduces us to Nick’s distressed character in a doctor’s office where he is fidgety, glassy eyed and sweating profusely. Nick soon spirals further into personal anguish when he learns of his testicular cancer, summoning a momentary flashback of his life’s progression; a techniques which alludes to the concept of life flashing before someone’s eyes before death. Nick’s imminent death positions us to identify with his private agony and situation, particularly after we become invested in his life through the fleeting glimpses of his previous experiences. The apprehension of a finite and unfulfilled life due to terminal illness is a sentiment universal to many, and Watt decisively plays on this to evoke empathy and mutual trepidation in us all. I must admit however, a feeling of self-reproach devoured me upon considering my own shortfalls and adversaries. Who am I to ruminate over pedestrian issues of deadlines and aching knees in distinction to the cataclysmic news of Nick’s testicular cancer? Herein lies the cinematic
In video 1 of Go Back to Where You Came From, Darren Hassan (a businessman from Adelaide) is questioning his new host, Wasmi, about the reasons he did not have his documentation. Darren’s original stance was noted that all those coming in the country without documentation should be expatriated (12:38). Furthermore, he alludes that they are intentionally destroying their documents and that their reasons for doing so are immoral. The communication between the two men was dialogic. Wasmi shares that his documents were taken by force and had he refused to comply he would have been killed. He continues to explain that had he not left Iraq, he also would have likely been killed. “Dialogue requires that one know the ground from which one speaks, meet the
Throughout history, technology has impacted society and its people. Technology is an invention that facilitates the means to achieve an objective. The book “Smarter Than You Think”, written by Clive Thompson argues how technology is changing our lives for the better. In Chapter 7 of his book, Thompson discusses the use of technology in classrooms and how they impact learning. Technology can enhance education by providing easy access to information, blended learning, and personalized education.
“Look Both ways” unearths intrinsic human vulnerabilities. It follows the life journey of ordinary Australian citizen’s, exposing a multitude of negative and positive human experiences. The first musical interlude, “Crashing- Gersey”, delves into the psychological and social dilemmas of each character. The melancholic yet sympathetic music renders the scene with a relative sensitive and intimate mood. Minimal dialogue and close range shots build on the concept of personal anguish and pain. All the characters are distanced in some way from others, further accentuating the idea of isolation and individual seclusion. The generally explicit voyeuristic nature of this scene, allows the viewer to explore the private lives of the main characters.
Sometimes in life things just happen and we have no control over them but we learn to move forward in spite of everything we face. When Nick receives his diagnosis for cancer, it frightens him greatly to the point where he begins to see death everywhere. He becomes adamant that his life could be lost to the same disease that took his father’s life. Not knowing how to deal with the news, he asks the
I disagree with Lauren Slater’s theory that throughout a person's life, one will only surround themselves with ideas and people similar to their own because, it is easy to see that people enjoy controversy and over the course of our lives, our beliefs and ideas can change.
When a young doctor advises immediate surgery for a defective heart valve, the father resists, especially when an older doctor says that rest and medication might take care of the situation. Without surgery, he would die shortly, so in the end, he decides to have the operation despite the risks. So what emerges during the story, from the dialogues between Janet and her father, a brief excursion into the past is a portrait of her father. He is a working-class man, who cares for his daughter and other family members, but is unable to express his love and constantly comes across, instead, as somewhat critical. As he prepares psychologically for death, he briefly toys with the idea of the existence of the soul and the afterlife but rejects that possibility. In calm, he informs his daughter, Janet, about details concerning his house.
Cameron’s story reveals how even minuscule matters have the power to transport someone back to the present moment and spark the courage to begin accepting a tragic loss and take the initial steps on the road to recovery. This essay begins by exploring Jude's heart-wrenching journey as he witnesses his son's battle with cancer, an encounter that alters his perception of time and chains him to an endless loop of memories and grief. Cameron navigates her audience through Jude’s agonizing ordeal of helplessly watching his son, Noel, succumb to cancer. This harrowing experience alters Jude’s perception of time until “time [loses] all meaning” (5). Time gradually shrinks to the point where Jude begins “measuring [time in] moments” rather than years, months, or weeks (Cameron 4, 5).
The film “Look Both Ways” directed by Sarah Watt explores many ideas such as fear,
Franklin D. Roosevelt stated in his second inaugural address that “The test of our progress is not whether we add more to the abundance of those who have much; it is whether we provide enough for those who have too little.” The Great Depression was the deepest and longest-lasting economic downturn in the history of the Western industrialized world. In the United States, the Great Depression began soon after the stock market crash of October 1929, which sent Wall Street into a panic and wiped out millions of investors. The U.S. could not emerge from the pit of a national crisis without profound social and cultural changes. This era affected people through spending cutbacks and unemployment, but also brought the American people closer to their
As Laurell K Hamilton once said, “death is the last intimate thing we ever do”. It comes in different ways and at different times, but death comes for all of us. In Kate Chopin’s novel The Awakening, Edna is faced with enormous heartache and desperation that she feels she has no other choice but to take her own life. This is paralleled in The Tooth and The Lottery, two short stories by Shirley Jackson. Both stories feature a character who is met with their death at unexpected moments in their lives, but in very different situations. The event of death plays a central role in these three works.
Many are rich many are poor many have money many don’t. Have you ever had a moment where you did something selfish for desperation of money and karma hit you right back with a right hook?. And felt regret towards yourself. In the short story “Why, You Reckon” the author uses irony and dialogue, to show the audience that money can't buy happiness.
Some of the poems Emily Dickinson wrote, usually offered many different views of death that involve physical and emotional responses of the soul and body’s journey through nothingness, madness and even eternity. The greatness in her poems comes from the use of literary devices to give meaning to death and the different interpretations of the journey through death. Although Dickinson presents contradicting thoughts sometimes, it is clear that she believes that there are many types of deaths in a human being’s life. This paper compares and contrasts the theme of death in Dickinson’s three poems titled “I heard a fly buzz”, "Because I Could Not Stop for Death” and “After great pain a Formal Feeling Comes”.
The reader receives the impression that Nick’s self analysis of his own character tries to influence their opinion of him. Therefore the reader becomes inclined to question his judgements. Nick Carraway’s narration takes the reader into his confidence; he describes significant experiences in an almost voyeuristic way. Nicks narrative style uses elaborate and very mature vocabulary that gives extra depth and description to his account; drawing the reader further into the story. Additionally Nick’s tone creates a sense of authority and immediacy which encourages the reader to read on.
Ernest Hemingway wrote many largely autobiographical stories about a fictional character, Nick Adams. In each of the Nick Adams stories, Hemingway looks back on and displays his relationships throughout his life. By telling stories about key points in his life, Hemingway draws a strong picture of Nick Adams relationship with his mother, first girlfriend and most predominantly his father. Now, as a father, Nick makes connections between the past and present … the father and self. He also fears connection because he doesn’t know if his image of his father, and the part of the father which lives within him, should be embraced or killed.
Everyone is born to live and to die. People go through life fearing the inevitable which in the end is always death. Ernest Hemingway wrote two short stories that examine this idea of life and death through the use of a variety of different symbols. In both “Indian Camp” and “The Killers”, Hemingway examines these ideas by putting forth a character named Nick Adams. Nick Adams develops as a character throughout these stories ultimately learning lessons about life and death that will better his understanding of the world. Nick goes from having an imperfect immature understanding of death in the “Indian Camp” to a more mature and grown up understanding in “The Killers”. In “Indian Camp”, Nick believes that the only way one will die is if they kill themselves. Nicks father also brings Nick to the Indian Camp where his father will deliver a baby. Nicks father wants Nick to watch the birth and learn the importance of life, but instead the procedure takes a turn for the worst and Nick becomes disturbed by what he sees. In “The Killers”, Nicks understanding of death becomes more understood when he notices how Ole Anderson has given up on life and has ultimately taught Nick the lesson that death is inevitable. By his use of light and characters lying down in bed facing the wall in both “The Killers” and “Indian Camp”, Hemingway is attempting to show us how Nick develops a better understanding of light and death.