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Look Both Ways Analysis

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First of all I would like to clarify that Look Both Ways is not simply a ‘movie’. It is a film, a narrative film. And through depicting the life experiences of a few mundane Australians over a single scorching weekend, independent director Sarah Watt unearths some of the intrinsic enigmas which vex humanity so. Look Both Ways is essentially a mural of Watt’s mentality, and presents an in-depth reading encompassing the pitfalls of life, appealing to universal sentiments, qualms and anxieties. I, like many other people, have felt a real chord struck throughout the transcendence and development of Watt’s story. I watched it in a kind of engrossed fascination. It is poetic and merciless, quixotic and blunt. Death and our trepidation of abrupt …show more content…

Her internal animations seemed a reflection of my own preoccupation with death. And as visions of unadulterated annihilation arose to the forefront of my subconscious, I was confronted by the idea that other people could bear the same paranoias as I. Meryl’s subjective and self-deprecating response to the world is what materialised this concept for me. And through this, I was able to identify to the disabling paralysis preventing Meryl from a normal existence, symbolised by her unswerving visions of unexpected fatality. The animations of her being eaten by sharks, being swallowed by the ocean and being crushed by trains serve to expose how her fatalistic nature inhibits her ability to live in the moment. She is too caught up in what the consequences of her actions might be that she resolves to live through her vivid imagination and paintings. And when faced with the idea of a romantic future with Nick, she approaches it with obvious uncertainty and pessimism, visualising falling through the floor and contracting aids. You may notice that Watt reciprocates this self-chastisement when she positions Meryl crying and bleeding from the knees in the rain after narrowly avoiding death. Were you concerned at this point? Fretful? Sympathetic towards the encumbering consequences of Meryl’s anxiety? Well you’re not alone. Everyone has …show more content…

Existentialism is a philosophical concept ever present in an individual’s struggle to determine the nature of their condition as an independent agent. Watt probes into this conception where she expounds Nick’s inner turmoil. The actor of Nick (intriguingly Watt’s own husband- yes, I know) introduces us to Nick’s distressed character in a doctor’s office where he is fidgety, glassy eyed and sweating profusely. Nick soon spirals further into personal anguish when he learns of his testicular cancer, summoning a momentary flashback of his life’s progression; a techniques which alludes to the concept of life flashing before someone’s eyes before death. Nick’s imminent death positions us to identify with his private agony and situation, particularly after we become invested in his life through the fleeting glimpses of his previous experiences. The apprehension of a finite and unfulfilled life due to terminal illness is a sentiment universal to many, and Watt decisively plays on this to evoke empathy and mutual trepidation in us all. I must admit however, a feeling of self-reproach devoured me upon considering my own shortfalls and adversaries. Who am I to ruminate over pedestrian issues of deadlines and aching knees in distinction to the cataclysmic news of Nick’s testicular cancer? Herein lies the cinematic

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