Looking For Alibrandi By Melina Marchetta Essay

Josie’s family from Looking For Alibrandi are remarkably close to her and shape who she feels she is and how others perceive her. Josie takes others

In the dystopian worlds created by the film director Andrew Niccol and renowned author George Orwell, notions of control and freedom are explored. Both worlds contain an overarching power that governs the rest of the population and restricts freedom of individuals, these powers also aid in the progression of technology, which further act to control individuals. The characterisations of the protagonists of each text portray the lack of freedom from the perspective of those that are affected. Both authors use a variety of techniques to portray themes of control and freedom in their texts.

“Freedom Writers” is a powerful film that is based on a true story about a teacher named Erin Gruwell, who struggles to connect with her students to make them believe that they can succeed in life, and to show them that their lives, experiences, and knowledge is valuable, all while attempting to unify them and to overcome racial segregation and gang violence that is part of their daily lives. Gruwell focuses on introducing the concepts of discipline and obedience in her classroom. She gradually begins to earn their trust and buys them composition books to record their diaries, in which they talk about their experiences of being abused, seeing their friends die, and being evicted; Gruwell refers to the composition books as “The Freedom Writers Diary.”

     The madrigal is a distinctive type of secular song that originated in Italy. It was an aristocratic form of poetry and music that flourished at small Italian courts. In the piece, Cruda Amarilli, Monteverdi uses many musical devices that are typical of a madrigal. The lyrics in this song are repeated, the music accompanies the text in interesting ways, and there is a wide range of vocal notes. After listening to the piece just once you can immediately feel the unrequited love Monteverdi is displaying through his words and music. The music and instrumentation in this piece aid the voices to establish form and mood through word painting. He uses word painting and cadences to develop a theme of unrequited love.

Adolf Hitler once said, “The best way to take control over a people and control them utterly is to take a little of their freedom at a time…until past the point at which these changes cannot be reversed.” The motif of governmental control manipulates the individuals in Brave New World by Aldous Huxley. Society within Brave New World is conditioned to follow specific guidelines and to possess the same beliefs. The bureaucracy dominates the population of the New World socially, mentally, and physically. The motif of executive authority and domination assists in establishing characters, mood and atmosphere, and the additional theme of using technology to manipulate characters.

When someone hears the phrase “held captive”, usually wild animals come to mind. No one ever really thinks of humans as being held captive. However, in Daniel Quinn’s 1992 novel Ishmael, the character of Ishmael tries teaching the story’s narrator to think of ways in which he has been held captive by both internal and external forces. Society has a way of making people feel like they need to do certain things to be successful, so basically society is holding people captive by holding them back from living the way they want to. As humans, we also have ways of holding ourselves captive. Ishmael compares our captivity with a form of blindness. Throughout the novel, Quinn helps the reader realize what they are blind to and what they are

Have you ever thought what the world would be like if everything was controlled and you had limited access to everything you have now? Conformity, censorship and equality have big parts in Fahrenheit 451, The pedestrian, and Harrison Bergeron, but do not have big rolls in life today.

Ray Bradbury’s Fahrenheit 451 and Kurt Vonnegut Jr.’s “Harrison Bergeron” are both stories of a dystopian society where laws are in place that restrict everything a citizen can do and their basic human rights. Characters in Fahrenheit 451 are restricted by the threat of being removed from society, where the characters in “Harrison Bergeron” actually have physical restrictions placed on their bodies. Bradbury and Vonnegut show that the dangers of these kind of restrictions lead to conformity, and ultimately a loss of human individuality. Conformity in these two societies means that the citizens are part of the community, but are being brainwashed by a government that controls their lives.

The world that is overrun with tyranny creates the capacity for people to be forced to live in inhumane conditions. This often involves a leader who silences people by restricting their power and limiting them to a lifestyle that is unsatisfactory compared to the elite in society. Through the novel 1984 and short story 2081, authors George Orwell and Kurt Vonnegut introduce readers to the idea of inhumanity by means of mentally incapacitating citizens and holding them at equal rankings through means of oppression.

In the novel “looking for Alibrandi, written by Melina Marchetta,” there are many different situations and feelings that Josephine Alibrandi goes through, in order to figure out who she really is as a person. Josie also has to deal with the normal up and down roller coaster ride of being a teenage girl. At the end of her journey she has very different views on certain topics to the original thoughts that she had at the beginning. Josephine has to cope with different aspects of peer pressure, religion, sexuality, illegitimacy but also family relationships and secrets and death. She finds out a lot more about herself and her family and friends than she

Several conflicting frames of mind have played defining roles in shaping humanity throughout the twentieth century. Philosophical optimism of a bright future held by humanity in general was taken advantage of by the promise of a better life through sacrifice of individuality to the state. In the books Brave New World, 1984, and Fahrenheit 451 clear opposition to these subtle entrapments was voiced in similarly convincing ways. They first all established, to varying degrees of balance, the atmosphere and seductiveness of the “utopia” and the fear of the consequences of acting in the non-prescribed way through character development. A single character is alienated because of their inability to conform – often in protest to the forced

Freedom. A goal. A liberty. A myth. So many descriptions for a single concept. Yet the main idea is the same: to be free of restrictions, free to be whatever you wish. It is a life necessity, one that was, unfortunately, and still is, restricted throughout history, resulting in many chasing after its acquisition. Humans currently live in a time, in several nations, where freedom is a right, a necessity of life freely given. However, throughout history, freedom has been kept to only a minority, resulting in individuals struggling to change society for freedom to be distributed to the majority of people, a battle that took years, centuries to accomplish. This fight for true autonomy took many forms, both violent and peaceful. Literary works, in particular, have been major agents to this cause, serving as both reminders of those struggles and remembrance to readers of the endeavors those authors sought to accomplish. Two particular works, The Awakening by Kate Chopin and The House on Mango Street by Sandra Cisneros, spearheaded movements for freedom by tackling the prejudice of gender roles, expressing through their novels’ characters and experiences the arguments for individual freedom and the challenges that must be conquered to achieve those goals for future generations.

Domination is the state of being controlled. Domination takes place in everyday life but it takes time and effort for one to realize the weight of this oppression. It is after realization only that one can free themselves from it and exert control over their lives which is fueled by free will. This is clearly exemplified in the novel, The Case Against Satan, as Ray Russell illustrates this idea through the character of Susan Garth. The main character, Susan, lost her mother when she was ten years old. Ever since Susan lived with her father who has full control over her life. Moreover, Susan is possessed by a demonic creature who controls her desires. Through these ideas, Russell explores Susan’s transformation from a girl who is possessed and

The issue of absolute control versus absolute freedom is a common theme that has pervaded many topics of discussion throughout history. Whether it is the individual deciding his own fate, or exactly how much discipline is needed to raise children successfully, structure vs. freedom is a pervasive theme that will still present in major issues with neither being the best possible choice. In fact, having only one or the other would be absurd. Rather, an equilibrium must be reached that balances the two extremes and ensures both the collective safety of the whole while still protecting the necessary individual freedoms that every person possesses

Marinetti’s manifesto which demonstrates an adoration and respect for the Fascist aesthetic come from his belief in the ideology behind it. He finds beauty in art and other representations of characteristically fascist ideals such as violent militaristic nationalism and the use of technology to claim power and superiority. One such representation of an aesthetic attribute Marinetti lists in his manifesto is the automobile that gifts the world “the beauty of speed [using its] great pipes, like serpents of explosive breath” (Marinetti 4). Not only does the artist champion the machine as the key to advancement and improvement of the human race, he also imagines that it possesses violent capabilities. The fascist regime in V for Vendetta share