Lope de Vega

1752 WordsNov 26, 20108 Pages
THE LIFE AND WORKS OF LOPE DE VEGA Lope de Vega (full name Félix Arturo Lope de Vega y Carpio) was well known throughout the world as The Phoenix of Spain. He lived his life to become one of the most important playwrights and poets of the Spanish Golden Century Baroque. Born in Madrid on November 25th 1562, he started showing his enormous talent for writing at an early age. During his lifetime he wrote over 1800 comedia pieces and hundreds shorter dramatic pieces of which around 500 were published. Lope de Vega transformed the Spanish theatre and took it to its greater limits. He died on August 27th 1635 and to this day his work remains popular all over the world. At the age of five, Lope was already showing signs of a genius in…show more content…
Even though he was now a priest, he still continued to have affairs with many women. During this time one of his most notable and long relationships was with Martha de Nevared, who he stayed with until her death in 1632. In 1934 he published a third book Rimas humanas y divinas del licenciado Tomé de Burguillos which was considered his masterpiece and the most modern poem book of the 17th century. In 1635, tragedy struck again when lope lost another son and his youngest daughter was abducted off the coast of Venezuela. Lope de Vega was infected with scarlet fever and died later that year, in Madrid, on August 27th. In his life’s work, Lope de Vega broke the neoclassical three unities (place, time and action). He showed that he knew the established rules of poetry, but excused himself from them stating that a “vulgar” Spaniard cares nothing about them. He wrote so his readers could easily relate and understand him, he stood as a defender of the common language of ordinary life. Unfortunately, the books he read, his literary connections, and his fear of Italian criticism all exercised an influence upon his naturally robust spirit and, like so many others he caught the prevalent contagion of mannerism and of pompous phraseology. Lope’s own records indicate that by 1604 he had composed, in round numbers, as many as 230 three-act plays, comedias. This figure rose to 1500 by 1632. Montalban, in Fama Póstuma (1636) make a total of 1800 comedias
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