Lord Byron Manfred Quotes

When looking at Hamlet, one could say that William Shakespeare put the play together as a very cathartic tragedy. The emotional result of dealing with so many deaths brings on a plethora of emotions which are not usually felt in a typical play. Hamlet begins not with the normal prosperity and good fortune as do most tragedies, but with a more stifling and depressing sort of mood (Tekany 115). However, something else could be said about this play as well. The play centers on Hamlet and his existential characteristics, such as angst, isolation and his confrontations with nothingness. The exhibition of these characteristics proves Hamlet to be an existential character.

“Bartleby is blind but he sees. The lawyer has eyesight but he is blind. Unlike Bartleby, he does not know where he is. He is in prison without knowing it. He has learned nothing. He has gained no insight into himself or into his society, and he has gained no understanding of Bartleby’s rebellion. He has denied his own capacity to love. What remains is only the sentimentality that emerges in his final words of pity and self-pity. “Ah Bartleby! Ah Humanity!” (Melville, p. 45) (Shulman, p. 22)

Biblical allusion is another familiar theme throughout this play. Angels are celestial beings watching over mankind and his tragedy. Secondly, death could be interpreted as an end to suffering if seen from the viewpoint of beings from Heaven who live, which relates to the conqueror worm being labeled a hero. Finally, humans are portrayed as actors and entertainment for higher forces. Esteemed by heavenly forces, death provides the most significant transition in our lives. As the Conqueror Worm emerged, the flurry of activity in the show increased connecting motivation to do more in life through the inevitable crawl towards death.

The highly emotional scenes in Othello give the audience a means of catharsis for the audience. It is necessary for this to transpire within a tragedy. H.A. Kelly writes in his book “Ideas And forms Of Tragedy From Aristotle To The Middle Ages” that “the representation generates certain passions in souls that moderate themselves, to pitying or fearing.” The reader connects with the powerful emotions of sadness in the story. The overwhelming feelings allow the reader to let out the suppressed feelings in a way that is allegedly therapeutic. Furthermore, Professor W.A. Neilson of Harvard University says “This is in part due to the splendor of its poetry, the absorbing nature of the plot, and the vividness of the drawing of characters who marvelously combine individuality with a universal and typical quality that makes them appeal to people of all kinds and races.” In the tragic story of Othello and Desdemona, pain and heartache is a paramount emotion from the beginning through to the end of the play. For example, the story begins with Iago and Roderigo enacting their plan to tell Desdemona’s unknowing father, Brabantio, of her marriage to Othello. Brabantio then becomes irate with emotions of anger and betrayal. In scene III, he expresses these emotions while addressing the Duke and a handful of senators by saying “She is abused, stol’n from me and corrupted.” (Shakespeare) The reader can connect and

This novel is a classic example of many people's lives, which includes fear, jealousy, pride and their insecurities to name a few. The transformation of the narrator from before his reincarnation until afterwards is filled with tragedy and grief, but it is through the sacrifice of his own life that he is permanently freed from his jealousy and egotism. His "punishment" or his purgatory seemed to prove how good of a person he was all

Introduction: The novel Voss was written when White returned from War and worked on old records and reached to the actual experience of German explorer Ludwig Leichhardt. In one of his letters he spoke of the novel, “When I returned here (Australia) after the war and began to look up old records, my idea seemed to fit the character of Leichhardt. The letter was, besides, merely unusually unpleasant, where Voss s made as well. I always wanted to write the story of a grand passion (1).

Again, a main protagonist, Henry, links to the theme of death through some key events involving a character who was once alive in the novel but is now dead. This theme is evident when Henry’s “friend” named Trot, dies in an unexpected car crash. “Trot was dead. Dead. The word, although Henry had not said it out loud, began to take on some form, as if it was solidifying. He’d never had to deal with the word, or the world like this before. Trot was dead. He was gone. Now. Gone. Henry sat, hands draped, the silver case of his watch glittering at the corner of his eye. He felt weak and infinitely clueless.” (pg. 174) This quote establishes how Henry was completely and utterly shocked about the death of his friend. He couldn’t even bring himself up to saying the word. This shows a huge similarity to how individuals react to the death of a friend in today’s society. Metzenthen strongly represents the theme of death using Henry’s character. Similarly, with Henry, we sense that he is weary and heartsick over the thought of death. Throughout the novel, the author is able to illustrate the idea of death, and show how many people in today’s society also see it as a horrible and heartbreaking

Manfred tells us how he perceives his fate and expresses feelings similar to those of Victor. Manfred feels doomed in his cruse and after several attempts to escape it sees no other option than death itself. Victor perceives the same for himself in the later half of Frankenstein.

Time and time again people have proved that fury and anger kills the civilized and rational thinking that humans possess and wreak havoc by their unintentional actions that occurred in the heat of the moment. Romeo and Juliet is one such example of the consequences that result from letting fury manipulate a person. When Romeo and Juliet both release uncontrollable and animalistic emotions, it caused great damage to city of Verona. Throughout the scenes where the fury of young Romeo and Juliet are in full force, Friar Lawrence is nearby attempting to quell the emotions that cause great distress, by using his position of trust with great weight. Although Friar Lawrence is highly trusted by many characters, he proves optimism and wisdom is not able to save people from

Even though Lord Capulet, from the play The Tragedy of Romeo and Juliet written by William Shakespeare, is trying to do what he thinks is best for Juliet, Lord Capulet starts off as a loving and caring father but slowly graduates into an ignorant and insensitive father because when confronted by Paris, Lord Capulet tells him that Juliet is too young to marry and that in a few years, if she says yes, then it is possible. When Tybalt dies, Capulet moves up the wedding to the upcoming Thursday without Juliet's consent. Lord Capulet loves his daughter but does not know much about her true thoughts or feelings. Because of his ignorance towards her feelings, Juliet starts to resent her father and becomes a disobedient and dishonest daughter. Capulet

Hamlet is a suspenseful play that introduces the topic of tragedy. Throughout the play, Hamlet displays anger, uncertainty, and obsession with death. Although Hamlet is unaware of it, these emotions cause the mishaps that occur throughout the play. These emotions combined with his unawareness are the leading basis for the tragic hero’s flaws. These flaws lead Hamlet not to be a bad man, but a regular form of imperfection that comes along with being human.

In act 3 scene 1 of William Shakespeare “Hamlet” the main protagonist, Hamlet, recites a soliloquy “To be, or not to be.” Throughout his lines Hamlet explains the concept of suicide and why people choose to live long lives instead of ending their suffering. The main point he speaks on is the mystery of one’s afterlife, they never know for sure what happens when they die. For this reason, his speech does a good job highlighting the plays underlying themes of pervasiveness of death, and tragic dilemma, and tragic flaws.

The author of the play Everyman views death from the Catholic point of view. The moral message to live each day with the goal of eternal life in Heaven in mind sets the tone of the play. Everyman illustrates that every man’s soul needs to be saved before death or he will not have eternal life with God. The author views death as the foundation of man’s spiritual journey with God in Heaven or as the initiation of the soul’s damnation. The author portrays death as God’s messenger. The play underscores a message that the treatment of death is similar for every man, as he is held accountable for his actions and deeds in life upon facing death. Additionally, the only way to avoid death is to strive towards achieving ever-lasting life with God in

There is no denying that Shakespeare is a definitive playwright. He has presented us with classic works that have set the precedent for drama and the theatre. Among Shakespeare’s more notable plays are his tragedies. In the tragedy his protagonists are often given flaws in their character and hence, are suitably named tragic heroes. The downfall of these protagonists is often a result of their own character flaws and unfortunately, they suffer a doomed and unhappy ending. While the tragic hero is flawed they must also be honorable and worthy of the audience’s understanding and sympathy. On a quest for righteousness the tragic hero often goes through immense suffering which is why the audience can feel bad for him. For the most

Throughout “Manfred,” Manfred refuses to give away any power he retains over himself. Even at times when relinquishing some of this power would aid him in alleviating his suffering,