Lord Of Otranto, By Sir Bertrand, And Romance Of The Forest

The short stories “The Fall of the House of Usher” by Edgar Allan Poe and “House Taken Over” by Julio Cortazar are two well known works of literature that encompass unique literary styles. Poe utilizes Gothic literature in his story, a style of writing that incorporates elements of darkness, gloom, drama, and intense descriptions. On the other hand, Cortazar uses Magical Realism and its realistic characters, setting, and fantastic and unusual events to tell his tale. Despite the two being completely different genres, they share many similar traits, specifically relating to fear.

Fear is in the core of every person. It is the defense mechanism that keeps us from danger. It is an unpleasant emotion internally warning us that someone or something is dangerous, likely to cause us pain. In gothic literature fear is a topic that the genre is soaked in. It is one of the main elements. Authors use literary devices to make a reader feel, think, and react in a certain way. Mary Shelley and Ann Radcliffe are both prominent gothic writers, with the works Frankenstein and The Mysteries of Udolpho respectively. They are both works that are thought of as key reads in the genre and both have a pervasive theme of fear throughout. The two women portray these very well using literary devices. Both authors explore fear as a theme. Mary Shelley’s novel

“Fear is not real. It is the product of thoughts you create. Danger is very real, but fear is only a choice.” Fear is not something that is always real, such as when Usher was scared but there was nothing to fear yet, but the danger at the end of the story, especially for Ushers friend, was something to fear for. In the Gothic Literature short story, “The Fall of the House of Usher” by Edgar Allan Poe, the setting is somber and creates an illusion of darkness. On the other hand, “House Taken Over” by Julio Cortazar, portrays the idea of magical realism in, which setting is more realistic and less gloomy. Although Gothic Literature and Magical Realism are similar, there are also many differences, especially in their settings.

Transformation plays a role in stories meant to scare us by playing with our imagination safety and mood of a story. Imagination appears in both Edgar Allan Poe’s, gothic fiction story “The Fall of the House of Usher,” by Usher’s isolated environment and in Joyce Carol Oates gothic literature story “Where is Here?,” by foreseeing who people are. Transformation also plays a role by it assists knowing our own selves are safe in a scary situation. This is shown in, “ Why do Some Brains Enjoy Fear?,” by Allegra Ringo and in “ House Taken Over,” by Julio Cortazar. Transformation plays with our imagination and our safety it also plays a role in the mood and setting. This appears in , “The Fall of the House of Usher,” and “The Dream Collector,”

Gothic writers are well known for their works that induce grotesque and demented images to enter a reader’s brain. However, blood and gore is not the only way that Gothic writers can make your skin crawl, and the hair on the back of your neck rise. Gothic literary works contain themes of supernatural occurrences, and entrapment to induce feelings of fear, and mystery into the reader.

Gothic Literature includes a gloomy mood and a dramatic description throughout the story. Edgar Allen Poe’s “The Fall of the House of Usher” is a good example of Gothic Literature because it has a gloomy mood which helps the story feel more eerie and also contains a dramatic description which makes the reader feel as if they are in the moment and living the event. For example, in Poe’s story,”...but the first glimpse of the building a sense of insufferable gloom prevademy spirit.”(13). He sets a gloomy and dark mood which is one of the requirements for Gothic Literature and describes it in a way that makes everything sound like a crucial event. He explains the building using words such as “spirit”

One of the spookiest experiences was when I was at the beach and the waves took me under. I got held under for a while and the force of the water made me hit my head on the ocean floor. Then it finally took me to shore. This scenario is related is related to the traits of Gothic Literature and Magical Realism because the ocean was violent and dangerous. These two genres are similar because they also have Realistic setting and details. However, Edgar Allen Poe’s “Where is Here”, is an example of Gothic Literature because there are many times that there is horror, or suspense in the article. When they describe how the stranger is around the house, or when they explain how he reacted when he went to the room, this is all Gothic Literature. (Hailey)

One of the spookiest experiences in Harley’s life was on a cold, dark Halloween night when Harley and her friends, Lauryn and Heidi, got chased by a clown for 3 blocks on a gloomy narrow road. This scenario relates to traits  of Gothic Literature and Magical Realism because, that experience was in a dark setting and contained weird incidents and a disturbing plot. Those two genres are similar because they both usually have unrealistic characters and scary plots. However, in Edgar Allan Poe’s “Fall of the House of Usher” is an example of Gothic Literature because, the story’s setting is in an isolated, creepy, and large house with odd characters and a frightening plot line, while Julio Cortazar’s “House Taken Over” is an example of  Magical Realism because the realistic characters are accepting the unimpressed narrative tone in an ordinary way of life. Gothic Literature is a style of writing that is characterized by elements of fear, horror, death, and gloom. Settings are usually in a isolated and haunted location in a big house or castle with trap doors, dark rooms, and secret passages. Characters are usually supernatural beings or monsters.

"The Fall of the House of Usher" by Edgar Allan Poe has a gothic horror story setting. Gothic means that the author emphasizes the mysterious, the horrible, the ghostly and the fear that can be aroused in the reader. Everyone knows that a gothic story or a ghost story will often have a setting that will be in an old, decaying mansion far out in a desolate countryside. The mansion will be filled with cobwebs, strange noises, bats, and an abundance of secret panels and corridors, in which people might be running and screaming in terror. The author uses every literary trick to give us an eerie sensation or to scare us if we hear an unexpected noise. The

Gothic literature has a different way of captivating the reader. Page by Page, gothic themes are present that create mystery and evoke suspense. The Night Circus, a novel by Eric Morgenstern, “The Devil and Tom Walker”, by Washington Irving, and “The Oval Portrait”, by Edgar Allan Poe share two important themes: eerie setting and isolation. All the stories connect through a lesson that passion can become harmful.

Gothic elements are utilized in short stories to emphasize the literal and nonliteral meaning and to allow the reader to use their imagination. In the short stories, “The Devil and Tom Walker” by Washington Irving, “The Raven” by Edgar Allan Poe, and “Prey” by Richard Matheson, the following gothic elements are commonly seen: supernatural forces and entrapment. The authors implement these elements in order to allow the reader to use their imagination and to show the internal and external conflicts the character feels.

Novel in particular and literature in general is more than just a work of fiction but in fact the hidden reflection of a specific historical era. Although, Frankenstein, Wuthering Heights and Dracula were written in different times and each leaves its readers with different emotion and contemplation stages, they all share an affinity: the presence of Gothic elements. Indeed, these novels are designed to lead their reader into thrilling journeys through spooky dark setting, suspense horrifying plot, and claustrophobic atmosphere. These elements, though appear in various forms throughout these three novels, still excellently accomplish their mission of enticing the readers to be caught up in the narrative.

Known as the king of thrills and chills, Stephen King has impacted the world by providing frightening yet entertaining novels. Stephen King has set a new bar for gothic literature by changing the way the reader sees it. The plots of gothic literature novels typically involve people, as well as ghost and other paranormal phenomena who become involved in complex and often evil schemes. Today, gothic literature is primarily based on the ten gothic elements. Although, many critics do not believe Stephen King’s work is gothic literature, his work does in fact provide the majority of the ten elements of gothic literature making his stories indeed gothic literature.

All too often the gothic literature genre is reduced in its interpretation to gloomy weather and archaic haunted houses. These patterns do exist, but they do not define the genre. Gothic literature found its niche in the 18th and 19th centuries, and during the Victorian era it served a more nuanced purpose than simply to scare readers. Many gothic authors used a monster as a vessel to symbolize topics that the Victorian era sensibilities would label as “monstrous.” They are the incarnation of the taboo subjects society is trying to repress. In Bram Stoker’s Dracula and Edgar Allan Poe’s “A Tell-Tale Heart”, the authors use Freudian symbolism along with literary symbolism to demonstrate the repercussions of repressing “id” desires.

The central theme of all Gothic novels is the presence and symbolism of the Gothic castle. Depiction of ruinous abbeys, monasteries, subterranean passages, vaults, secret panels, and the trapdoors is a standard method of achieving the atmosphere. Howells sees the Gothic castle as being ‘a shadowy world of ruins and twilight scenery lit up from time to time by lurid flashes of passion and violence ’(6). Therefore, the gloominess of the exterior and interior environment is illuminated by intense emotional and passionate moments of the characters that inhabit the castle. As Sage claims, the castle is ‘the lair of the villain’(166), and it is an accurate reflection of his dark and frightening character. Gloomy, dark, and dangerous, the castle reflects the emotions and psychological experience of many of the novel’s characters.