Lord Of The Flies And Animal Farm Essay

Two individuals may seem similar in appearance and outward self but it’s the inner character and diverse qualities of a person that distinguishes between two people. Many have the notion to think that since two people have the same outward identity then both will get along and be the best of friends, however, this is where the dilemma arises. George Orwell, an author of Animal Farm writes a tale about two pigs by the name of Snowball and Napoleon and how their bond destroys through disagreements and jealously towards each other which later on builds an eruption on the farm. Animal Farm is an allegory of the Russian Revolution that occurred between 1905 and lasted up to 1917 due to the controversies that occurred between the Bolsheviks

In the beginning of the novel, Jack’s mask represents hiding from himself and to hide from the responsibility of the real world. Jack is standing over the water when he begins to create the mask out of different colors of charcoal. Once he creates his mask, he sees himself in the reflection of the water, “he began to dance and his laughter became a bloodthirsty snarling. He capered toward Bill, and the mask was a thing on its own, behind which Jack hid liberated from shame and self-consciousness” (Golding 64). He becomes a different person and hides from his true self. A sense of anonymity arises to help relieve

The author of Animal Farm, Orwell, tells a story of a farmyard tragedy and the deadly lives of a group of animals. Due to the disappearance of humans, Napoleon abuses his power and gradually transforms into a human. Orwell also used animals to clarify that humans are corrupted due to power. The author of Lord of the Flies, Golding, shows a similar story where it is about life and death situation for a group of lost boys on a island that is trying to establish a democracy while on the island. Both authors of novels, Lord of the Flies and Animal Farm demonstrate the comparison between the theme of human and animal nature in settings where traditional authority absent.

After a few tries, Jack and the hunters finally catch a pig. The boys and Jack brutally attack it and kill it. This is the first step of Jack's decent to primitive savagery. We see the loss of innocence because Jack has killed his first living creature, and also had a loss of innocence sexually. Now we see Jack become very confident in his hunting ability and we start to see him act more like a hunter. He now wears a mask over his face and always wants to hunt. The author has this to say about Jack and his mask, "the mask was a thing on its own, behind which Jack hid, liberated from shame and self-consciousness" (62).  With the aid of the mask, Jack is now transforming into a different person. He seems to be happier as a hunter. The author also lets us into Jack's mind, for his thoughts on his first kill, "His mind was crowded with memories; memories of the knowledge that had come to them when they closed in on the struggling pig, knowledge that they had outwitted a living thing, imposed their will upon it, taken away its life like a long satisfying drink" (70).

In the story “Lord of the Flies” by William Golding, he shows how the boys lost all innocence and civilization. The boys went from having innocent child minds to taking lives of other people, acting savage, and losing all civilization due to problems on the island. The boys had forgotten where they came from and became savage in order to survive; it was the need of survival that caused the loss of innocence among the boys.

This mask depicts Jack’s identity from the book Lord of the Flies. Starting from the bottom of the mask, there is a quote from Jack which is one of the last things he says before leaving Ralph’s group: “I’m not going to play any longer. Not with you”. This quote is significant to Jack because not only does it show the end of the impact on Jack that the tamed and edified society Ralph has developed, it shows how childish he is. Before Jack says this, he puts Ralph’s conch on the grass in front of him and cries.

Oftentimes authors will use symbolism through the characters in order to represent a larger encompassing theme. William Golding’s book Lord of the Flies is no exception to this pattern—as various characters in the book have such allegorical meanings. In the case of Jack, he could be said to represent the evilness in humanity, proven by three established concepts in the story: the true nature of his hunting tendencies, the progression of events that happen in his dancing rituals, and his interactions towards other symbolic figures. These three reasons, furthered by evidence shown throughout the novel, fit Jack into a role of symbolic evilness (add something here).

For example, in order to camouflage himself from the pigs, Jack decides to paint his face with clay and charcoal. His masked features are so appalling that it frightens Bill, Samneric, and Roger. “He [Jack] began to dance and his laughter became a bloodthirsty snarling. He capered toward Bill, and the mask was a thing of its own, behind which Jack hid, liberated from shame and self-consciousness” (64). Jack is menacingly “capering” toward his hunters, incredibly excited by his ingenious idea. The mask is symbolic of Jack’s barbarity materializing, no longer lingering within him. Behind the mask, Jack is free from principled behaviour therefore he can act as ruthless as he wishes, without the fear of being reprimanded. Coincidentally, as Ralph and Piggy are discussing the causes of controversy on the island, Jack and four of his hunters appear suddenly, painted for war and naked. They have come to steal fire in order to cook the pig that they killed. “The forest near them burst into an uproar. Demoniac figures with faces of white and red and green rushed out howling, so that the littluns fled in terror” (140). Their ghastly appearance and savage-like shrieking is terrifying to the civilized boys. The “faces of white and red and green” symbolize Jack’s inhumanity spreading to more of his followers, gradually replacing their morality with disdain. With the masks on,

The boys chant, “Kill the beast, cut his throat spill his blood!” in chapter 9, while they horrifically murder Simon because they believe him to the beast. Golding never properly explains what exactly the beast is, though his heavy use of symbolism can give many clues. Whatever the beast is, it’s horrible enough to drive the boys to murder. Throughout Lord of the Flies, the beast takes many forms: it begins as fear, then morphs into war, which then combine to demonstrate the savagery of human nature.

Finally, I am finished with middle school. Anxiously thinking about the first day of high school, I knew that it would be hectic and wild, but I was ecstatic. Of course, the night before I could not sleep. I lay awake dreaming about how my first day at John Paul II will go. How will it be meeting new people and seeing old friends from last year? Will high school be hard? Will I get lost? I kept thinking about the unknown and worst possible outcomes. My first day of high school was unexpected.

Could civilization live a normal and stable life, without any rules and orders to obey? Could you picture, New York City, with no laws to follow and everyone doing as they please? Just imagine the disasters that we will experience. In the novel, Lord of the Flies, written by William Golding, we see how each individual character reacts differently to the exposure of complete freedom from an organized society. Also, awe see how this separation from a structural society causes chaos among all these different characters.

The physical appearance of Jack also changes greatly within the novel. Golding portrays Jack’s fixation with hunting to cause this. At the beginning of the novel, his image is described as like the other choirboys, wearing shorts, a shirt and a black cloak, “finished off with a hambone frill”. However, we see that in Chapter three, his physical characteristics have now changed from a choirboy to a hunter. This is shown where it says, “His bare back was a mass of dark freckles and peeling sunburn…he was naked.". His image also becomes

In George Orwell’s novel Animal Farm, a major turning point in the novel was when Napoleon used his secret police force, his dogs, to exile Snowball. Snowball had previously been trying to improve the animal’s lives for the future by building a windmill. After Snowball was exiled, Napoleon became leader and everything immediately went amiss. Orwell stated that: "Somehow it seemed as though the farm had grown richer without making the animals themselves any richer- except, of course, for the pigs and the dogs" (p.86). In other words, no one was benefiting from the animal’s labours apart from the pigs and the dogs because the amount of authority the dogs and the pigs, especially Napoleon had, was corrupt. Frighteningly, if Snowball had been

wanted to be leader and thought he was the best for the job. Already he had

Not every leader is power hungry. Some leaders are good with power but others can never get enough. They are never satisfied with how much power they have. They want more and more, no matter the sacrifice . In William Golding's Lord of the Flies and George Orwell's Animal Farm, secondary characters, who play the roles of spokesmen, enforcers, and followers, bolster the power of the leaders, there by ensuring the leaders' success.