Lord Of The Flies Inner Savagery Analysis

In scholarly studies, symbolism and imagery apply to enhance a reader’s knowledge of theme development. In William Golding’s Lord of the Flies, the general theme is the conflict between human inclination towards savagery and the rules of civilization. The purpose of symbolism and imagery is essential to the theme development of civilization versus savagery. Three symbols used to illustrate the theme of civilization versus savagery throughout the story are the conch shell, the conflict between Jack and Ralph and the hunter’s painted faces.

“There are too many people, and too few human beings.” (Robert Zend) Even though there are many people on this planet, there are very few civilized people. Most of them are naturally savaged. In the book, Lord of the Flies, by William Golding, boys are stranded on an island far away, with no connections to the adult world. These children, having no rules, or civilization, have their true nature exposed. Not surprisingly, these children’s nature happens to be savagery. Savagery can clearly be identified in humans when there are no rules, when the right situation arouses, and finally when there is no civilization around us.

The struggle between humanity and savagery portrayed through the events of William Golding’s Lord of the Flies demonstrates how simple it is for one to succumb to the mannerisms of depravity. This is impossible with the implementation of structure and order, as such concepts provide boundaries and keep man sane and behaved. Once the boys arrive on the island, isolated and expelled from society, they look to a shell to relieve them of this hardship, and to institute a form of government that will keep them from acting out. Despite the trust they put in the shell, it fails to hold them from corruption, only adding to the growing tension between all of the boys inhabiting the mysterious island. Through the escalating tension surrounding the

In many parts of the world, humans live in a civilized society where law and order are organized and enforced. But within a lawless society, savagery surfaces in an ungoverned setting of bloodshed and harm. In Lord of the Flies by William Golding, Civility and Savagery are differentiated with Ralph and Jack, Ralph establishes a community compared to Jack who damage and divide civilization. Because of how Jack and Ralph use their democratic and dictatorial authority, through the examples of the declined civilization, the increase of savagery and the different ways of power by Ralph and Jack.

Men, without rules, can be led towards destruction. Lord of the Flies depicts at first a group of boys trying to maintain order, and a later descent into savagery. One of the most direct, apparent examples of this is through Roger. Through the contrast of the self-restraint Roger has at the beginning of the novel and the murder he absentmindedly commits at the end, Golding illustrates how man’s desire for savagery is restrained only by the enforced civilization of society.

One of the most intricate themes in the novel is the survival instincts of human nature. The savagery that will soon overtake the children is first seen in Roger as he throws rocks towards Henry. “Roger stooped, picked up a stone, aimed and threw it at Henry-threw it to miss... Roger gathered a handful of stones and began to throw them. Yet there was a space round Henry, perhaps six yards in diameter, into which he dare not throw... Round the squatting child was the protection of parents and school and policemen and the law. Roger was conditioned by a civilization that knew nothing of him and was in ruins.” (Golding 62) As Roger throws these stones, the foundation of his character is built. He turns out to be one of the most ruthless boys who will hurt or kill

This begins to explain one of the main themes throughout the novel Lord of the Flies. For one to be uncivilized is to be barbaric and inhuman, without having a sense of culture and social development. When innocence or civilization is lost, levels of economic, social, technological, political, and cultural evolution differentiates from that of the normal, because ideas, values, institutions, and achievements of a particular society is changed. The boys in Lord of the Flies find themselves in a situation where their only option was to learn to grow up and learn to do it fast on their own. They have to learn how to survive and fend for themselves without the presence of any adult figures, and create a prosperous society for their own. They

In William Golding’s Lord of the Flies, Ralph and Jack’s power struggle is observed throughout the book. Ralph’s democratic leadership sharply contrasts Jack’s tyrannical and uncivilized rule. Ralph is stripped of everything and the line between him and Jack is blurred near the end because he gives in to savagery. Though all men will ultimately revert back to animalistic instinct and savagery in the absence of civilization, Ralph only succumbs to this when he loses his friends and when he is hunted; Jack succumbs all on his own.

Lord of the Flies by William Golding shows how the world is man eat man. Golding

The boys enjoy the thrill of hunting, but when Roger demands that the group murders a sow by entering “right up her ass!” (Golding 135), it is a turning point for his character. Not only is he intrigued by the killing, but Roger is truly stripped of his innocence. Godling describes the death of the pig in sexually violent language because throughout the novel, it has been appropriate to strive for sustenance, but Roger’s willingness to abuse the animal is unnecessary, and it displays the drastic change in his personality since he first arrived on the island. The sow was the beginning of several destructive actions, and Roger continues to gain power amongst the tribe. He becomes active in every chase, and he throws rocks to exemplify the power he has over those that are weaker: “Roger was dropping them, his one hand still on the lever. Below him, Ralph was a shock of hair and Piggy a bag of fat” (Golding 180). Roger’s description of Piggy as a “bag of fat” mentally dehumanizes those that are not similar to him, and effectively detaches him from the restraints of decency. Without the fear of consequences, “Roger, with a sense of delirious abandonment, [leans] all his weight on the lever” (Golding 180). Roger is aware that Piggy is standing below him, but his willingness to attack the moment with “delirious abandonment,” clearly implies

In William Golding's Lord of the Flies the central and recurring theme, civilization vs savagery, is very evident and obvious. Throughout the novel, Golding associates civilization with good, while associating savagery with dark and evil. Due to the intense and driving force of the novel, civilization and savagery clash against each other as the novel progresses. Golding also lets the two main characters represent this theme. Ralph, the protagonist, represents leadership and has a civil wellbeing, while Jack, the antagonist, stands for the desire of power and savagery. “We’ve got to have rules and obey them. After all, we’re not savages. We’re English, and the English are best at everything” (Golding 42). Jack agrees with Ralph in this statement about how the boys must obey and follow the rules given, however, as the novel progresses, Jack starts to become a savage and butts heads with Ralph. Nonetheless, the novel moves forward and the boys still retain their civil sides. In Chapter 3 the main conflict intervenes and the first verbal conflict takes place. As Jack and Ralph argue it is apparent on which side each of the boys take and the division of the boys starts to take action. Ralph advocates to build huts, while the bloodthirsty Jack, demands that the boys hunt for food. But because Jack and Ralph are children they are unable to successfully express their feelings and ideas during the debate. Chapter 4 and Chapter 5 present a new challenge that the

In the world, one's will to hunt and kill for survival has the most compelling impact on society, it is a behavior that destroys civilization. Barbaric behavior can stem from any situation and if it is just right, one might be willing to do the unthinkable and unforgivable if it means they will live on. In the novel Lord of the Flies the author Sir William Golding uses the boy's yearning to have dominance as to what causes savage behavior and the reason for what destroys the groups attempt to remain civilized.

Though it is true that Ralph does not escape the darkness festering inside the boys on the island, his savagery is what ultimately saves his life in the end.

Stranded on an island with complete strangers. What would you do? Attempt to restore order and rebuild civilization or tap into your natural human instincts and hunt? In William Golding’s Lord of the Flies, this fight between civilization and savagery play out. For most boys, they attempt to remain civil, but for Jack Merridew, the antagonist, this decision is simple. Jack hunts and kills anything in his path. Whether it be a pig or human. In Golding’s Lord of the Flies, Jack descent to savagery is tracked to display man is inherently savage.

Lord of the Flies, an allegorical novel by William Golding, holds truths about mankind’s true nature of existence. The novel explores the savagery in all men that lies dormant, yet when society’s rules cease to exist, the boy’s innocence perishes along with it. The boys attempt to band together and mock the society that they came from, but not understanding the complexity of the situation, results in their society falling into ruins. On the island the boys are returned to man’s primitive nature, without rules or discipline, and they slowly drift into anarchy. Without proper guidance, the boys resort to cloaking their innocence with body paint to survive. With the body paint coating their skin, the boys bury their old personas within and allow themselves to commit acts that society would frown upon. When Jack’s tribe uses the facade of body paint to dissociate themselves from civilization’s morals, they denote that hiding one’s true identity liberates them from the constraints of society.