Lord Of The Rings The Two Towers

From Homer to Calypso and everywhere in between, the journey through this course has allowed me to fully comprehend what myth is and redefine the term myth. In the beginning of this course I had described myth as “a collection of stories used to entertain readers through the use of literary devices”. This course has allowed me to change the way I define myth and change the way that I view myths relation to the present day.

Fairy Folk Tales are the most popular types of literature. The tale is an orally transmitted tradition by generations through the time; some events are changed to fit reality and society. Folk fairy tales deal with the dualism of the good and the evil. They are basing on a conflict between the good and the evil forces. The conclusion comes from aspirations of the human desire to achieve the justices. There are no known authors and sources for ancient literature. We have many versions of the story; they are credited by many authors later. Each tale is very like some other culture’s tale. Each culture has own tales, but all the tales are similar and different in some points. This essay will compare between two

The aim of this essay is to analyze whether or not the story of The Lord of the Rings can be connected to Tolkien's own private life, how his experiences may reflect upon the events and environments he describes in his storytelling, and what hidden meanings can be found in the books.

J.R.R Tolkien’s “The Hobbit” is the prequel to the “Lord of the Rings” trilogy..This book did what it’ ’’’s future predecessors failed to accomplish , keeping the reader at the edge of their seat.

Both J. R. R. Tolkien‘s The Hobbit and C.S. Lewis’s The Lion The Which and the Wardrobe are classic novels that are recognized as some of the best works of the 20th century. Tolkien was a famous writer from Bloemfontein, South Africa, born on January 3, 1892, while Lewis was born only a few years later in Belfast, Ireland on November 29, 1898 (Biography.com Editors). They have both had so many great affects on literature, and in particular the fantasy genre, because both The Hobbit, and The Lion The Which and the Wardrobe are of the fantasy genre, but surpass the typical fantasy stories that have become prevalent. Tolkien, a profound author, published The Hobbit on September 21, 1937 as a prequel to one of the most popular book series

American mythologist, scholar, and author Joseph Campbell popularized the study of patterns within heroic narratives in his 1949 book, The Hero with a Thousand Faces. Campbell’s theory, born from a lifelong study of heroic myths and narratives from around the world, is that the hero’s journey inevitably follows a common pattern of experience. By describing the universal stages (i.e., elements of the hero’s journey/story) that transcend temporal and cultural differences, Campbell’s theory manifests itself as the literary blueprint for the heroic narrative. Campbell’s theory of the narrative structure of the hero’s journey can be applied to J.R.R. Tolkien’s The Hobbit. Tolkien’s

J.R.R. Tolkien’s novel The Lord of the Rings: The Fellowship of the Ring is an epic adventure through the mythical world of Middle Earth and the kingdoms that encompass it. The world is in turmoil, a dark and powerful enemy named Sauron has returned. This story includes many diverse races throughout this vast continent. Hobbits, elves, dwarves, wizards, and men must once again work together to defeat this long-forgotten adversary. The ring of power has been found, and the Dark Lord desperately wants it back. The ever-present evil of the ring entices even the most selfless individuals’ desire to possess the ring and to utilize its power. True wisdom is the ability to recognize personal weaknesses and to resist the temptation of the ring.

This paper seeks to highlight the various mythologies used as source material by J.R.R. Tolkien, and how he attempts to create a mythology of his own through using various aspects from the myths and epics he studied. His desire to create a new and inventive mythology led to borrowing heavily from the myths and epics of Europe. This paper will show that through using the basis of other mythologies and epics, Tolkien creates an understandable and accessible mythology for his books. Throughout his writings, Tolkien weaves in various objects, aspects, and storylines from myth in order to provide readers with an understandable fantasy realm, while also providing a look at how these aspects can mesh together in a unique and fresh way. His use of

“The pent waters spread out into a long oval lake, pale Nen Hithoel, fenced by steep grey hills.... At the far southern end rose three peaks. The midmost stood somewhat forward from the others and sundered from them, an island in the waters, about which the flowing River flung pale shimmering arms. Distant but deep there came upon the wind a roaring sound like the roll of thunder heard far away… I hear the endless voice of Rauros calling.”

A stone-faced, determined warrior faces his greatest challenge yet: The infamous dragon. He patiently pauses and analyzes it, the sun illuminating the wrinkles bored deep into his flesh. Sword in hand, he lunges at the dragon, delivering one last fatal blow before his own demise. His sacrifice and bravery is enough to cement his legacy forever as he dies surrounded by his fortune. The epic poem Beowulf is about a hero who fights various supernatural creatures to save his people and forever be remembered as a glorious hero. J.R.R. Tolkien, in his powerful speech “Beowulf: The Monsters and the Critics,” asserts that the poem’s structure is important too, and that the order of the enemies Beowulf battles has significance. The English poem Beowulf has merit as an epic poem in that it portrays the characteristics of a hero, such as courage and loyalty; however, it is also a poem about the plight of man because it demonstrates man’s acceptance of his own limitations and inevitable death.

To discover the subtler implications of the creation, which will likewise give some understanding into the style and impact of the writing itself, different components must be considered. Considering the author’s adoration for nature of Worcestershire and of medieval times while soars pervasive in the life of the writer, why did the author defer the real interpretation of these contemplations and sentiments onto paper. Being influenced by his experiences, the author offers the story of the naive hobbit that is pushed into a complex world loaded with challenges alongside the novel also depicts Tolkien’s interest in learning of language and mythology.

Lord of the Rings: The Two Towers is the second instalment from the novel based series written by J.R.R Tolkien, which has been turned into an epic movie series by director Peter Jackson. Starting with The Fellowship of the Ring and concluding with The Return of the King. The movie was film throughout New Zealand, show cases the beautiful scenery the country has to show case. This film series is one of the biggest movies ever made making almost $3 billion at the box office. This making it one of the most successful trilogies.

The landscape of Middle-earth is integral to the structure of The Lord of the Rings, having both an active and passive impact on the narrative. These two binaries are not in opposition to each other, rather they work harmoniously to aid in steering the plot and drawing out allegorical meaning. For the purpose of this essay, my definitions of active and passive are thus: active implying geographical features with sentience or anthropomorphism that have a direct cause and effect influence on the plot; passive being the unconscious influence of the landscape and its metaphorical significance.

While it is certainly an exciting and well written work of fantasy, which cannot help but grip the imagination, all this would be for naught except for the poignancy of the themes which serve as its backbone. Foremost of these is Tolkien’s determination to show the natural world as the

Many authors communicate to the reader through fictional stories known as myths. These myths, set in a fictional place or time, are able to identify problems with society today. The popular novel The Hobbit is a great example of a myth criticizing society today. Although it takes place in a fantasy land and has creatures that do not exist, it criticizes how we as humans should live our lives as well as telling us what it means to be a hero. The Hobbit tells us that we should take risks and experience new paths to make us have a better character.