Losing It By Emma Rathbone

In the book Girl, Interrupted by Susanna Kaysen, Susanna Kaysen was only 18 years old when she agreed to enter a medium security psychiatric facility in Boston, McLean hospital in April 1967, after a failed suicide attempt. She insisted that her over dose on aspirin was not a suicide attempt, but after a 20 minute interview the doctor decided she needed to be admitted to a hospital. During her prolonged two-year stay at the hospital Kaysen describes the issues that most of the patients in her ward have to deal with and how they all differently deal with the amount of time they must stay in the hospital for. While in the hospital Kaysen experienced a case of depersonalization where she tried to pull the skin of her hands to see if there were bones underneath, after a failed escape attempt. Soon, after going to therapy and analysis she was labeled as having recovered from borderline personality disorder. After her release she realizes that McLean Hospital provided patients with more freedom than the outside world, by being free responsibility of parental pressure, free from school and job responsibilities, and being free from the “social norms” that society comes up with. Ultimately, being in captivity gave the patients more freedom then in society and created a safe environment in which patients wanted to stay in.

Everyone has had an embarrassing moment in their life at one point or another; slipping on ice in public or forgetting a coworkers name at the company picnic. Making a fool of yourself is bound to happen, especially in a setting outside of what you are accustomed to. Some people do not like reliving these moments while others have a gift for turning their embarrassment into a great story. Kellie Schmitt’s essay “The Old Man Isn’t There Anymore” is a perfect example of laughing at oneself. Throughout a cluster of Chinese do’s and do not’s, Schmitt tells the reader of one specific event and its comical conclusion. The essay is fun to read and relate to. Laughing with the author is made easy while she gracefully shares her missteps while she and her husband adapt to living in China. Learning new customs for an inevitable occasion most Americans probably are not privy too makes the essay most interesting.

The piece is classified as Aboriginal Australian literature. It was published in the 1960’s. The purpose of the text is to give hope in a new beginning after the events involving the racial tension between the Aboriginals and the white settlers. The poem is directed to the Aboriginal people of Australia who suffered from these events

The short story “Stone Boy” by Gina Berriault tells the tale of two brothers and one dark day in Corinth, Mississippi. Gina Berriault tells the story of Arnold Curwing, the 9-year-old pea-picker with a .22 Caliber rifle, his 15-year-old brother Eugene Curwing (Eugie), and their dreadful trip to the lake to pick peas that ends in tragedy (385). The “Stone Boy” that the title refers to is Arnold because he proves be a stonehearted person by showing no emotion, feeling no emotion, and communicating no remorse or despair for killing his brother Eugie by accident. Arnold is either a class-A sociopath or he is in absolute shock but either way he is cold as stone the whole time.

Jamie Fader’s book Falling Back which was published in 2013, is based on ethnographic research over three years, from 2004 to 2007, of black and latino males on the edge of adulthood and that were incarcerated at the Mountain Ridge Academy reform school located in a rural area: “within a dense forest in western Pennsylvania, is Mountian Ridge Academy … ninety-acre campus contains eight dormitories, each of which houses thirty-two young men between ages 14 to 18” (p.1). The criminal thinking approach was intended to help young people identify the patterns that had led them to delinquency and replace it with corrective and prosocial thoughts. These young boys had been involved in drug offenses and violence within their suburban communities and were now in the process of behavioral change in order to help them reflect and be able to make better decisions which would lead them to a better life.

Girl Interrupted is Susanna Kaysen 's memoir a series of recollections and reflections of her nearly two year stay at a residential psychiatric program at McLean Hospital in Belmont, Massachusetts. She looks back on it with a sense of surprise. In her memoir she considers how she ended up at McLean, and whether or not she truly belonged there. Each chapter focuses on one aspect of her experience. Founded in the late 19th century, McLean Hospital had been a facility for troubled members of wealthy and aristocratic families. By the late 1960s, however, McLean had fallen into a period neglect. This was a time of great change in the mental health care field. Kaysen grew up in a wealthy and prestigious family. Like most teenagers, she was rebellious at times, confused and unsure about her future. She didn’t want to go to college and slept with her high school English teacher. She witnessed firsthand the widening generation gap that was developing in the late 1960s. Older generations looked at Kaysen’s generation 's world with alarm.

In the book She’s Come Undone by author Wally Lamb, we travel on a journey with a young girl Dolores Prices, as she matures from early childhood to adulthood and all the terrible things that accompany her along her voyage. It was rather intriguing the Wally Lamb did such an excellent job of writing in a first person perceptive as a woman. He accredits his ability to his older sisters. Wally Lamb wrote this book to help emphasize one’s journey to self-discovery. This book’s theme heavily shows the loss of innocence and a coming of age story. Lamb was able to write in a way that many of us could relate to or may have found ourselves in similar situations. Regardless of Lamb’s purpose for writing this book, he was able to create a relatable

While reading the story Opening Skinners Box wrote by Lauren Slater there was a chapter that made me look at the world like I do and how sometimes the world relates to a story. The chapter was On Being Sane in Insane Places” while reading this chapter I seen and I was thinking that some of the things being said in the book was true. Sometimes people make wrong choices and they chose paths that lead them to bad consequence. Then we have those people that are born with this, bad consequences. Sometimes we have to face the world and how the world is. Sometimes it is not their fault that they are the way that they are. Some of them are just born that way because of their chromosomes that are way too much or some that don’t fully develop.

There seems to be a clear and concise message that Hellen Zenna Smith tries to get across in her novel Not So Quiet. That message implies no matter the war, it is a grizzly and destructive force and it can shake free even the deepest-rooted forms of social norms and values. Smith emphasizes this idea straight from the first part of the novel when Tosh shaved off all of her hair (14). She described how necessity took over in these women’s lives. This necessity caused most of the women to look at their roles in society differently. Some of the values and norms that are questioned in the text are, nationalism, femininity, sexual morality and social standing.

Throughout the course of any being’s life, they are greatly influenced by the people and environment around them. In the coming of age fictional biography, She’s Come Undone by Wally Lamb, the reader follows the protagonist Delores Price throughout her journey in life from the age four to forty. Delores goes through many trials and tribulations in the course of her life, which include witnessing abuse and infidelity, experiencing rape, alienation, the deaths of her loved ones, suicidal tendencies and rebirth. Many of the experiences and traumas as well as deaths Delores witnessed and was subject to made her personality revolve around dysfunctional relationships and left her lost on how to approach life.

In an age where the United States has been colored many different colors over the course of many years, younger Americans tend to be more ignorant when it comes to their family's heritage. Journalist, Christine Granados makes an effort to remind readers of their heritage in order to help the readers learn to cherish and appreciate their family's culture. While questioning her readers' own acknowledgment of their heritage, Granados utilizes a reflective tone when reminiscing about her adolescent life in the United States as a Mexican American and describing the impact of her adolescent years on her life as an adult in her article, "True Colors." Granados appeals to the sense of empathy by immediately leading off her essay by recalling her

Ghost Singer by Anna Lee Walters is a tale of the historical injustices suffered by Indigenous peoples and the modern consequences of those injustices. Although it is clear that the spirit people in the novel serve as the most outwardly fearsome people in the novel, it is important to take into account the overall systemic injustices that the characters of Native American heritage suffer under throughout the histories presented in the novel. Walters addresses fearsomeness and sympathetic characters through the use of dangerous characters and situations presented directly and indirectly to the characters. The fearsomeness of the characters and the sympathy felt for the characters is dependent upon the perspectives of the readers since these fearsome figures are “a cultural construct and a projection” of that cultures fears (Cohen 1). The fearsome figures in the novels are presented to initially be the spirits haunting the artifacts, but upon closer examination the larger more entrenched issue of outdated models of thought in relation to Indigenous peoples appear to be the most important fearsome figure. The protagonist of the novel is dependent upon the views taken, and the fearsome figures that the historians, such as David Evans, and characters are attempting aid the spirits, such as George Daylight. Walters addresses the fearsome nature of a system dependent on examining and judging indigenous societies based on white values, which is problematic since both cultures do not

Holding Onto the Air an autobiography by Suzanne Farrell takes the reader backstage in the dramatic life of the world-renowned Balanchine ballerina. From her childhood in Cincinnati to her retirement from ballet in 1989, Farrell's story is truly a remarkable one. The book describes at length her time with the New York City Ballet as well as her complex relationship with the legendary Balanchine. Although Mrs. Farrell goes a bit too far into the ballet descriptions, her beautiful imagery allows reader to experience the joy of performing on stage.

Rebecca Stead is fame as an American writer of fiction for children and teens. The achievement of her novels is not doubtful. She was born on January 16, 1968 and raised in New York City. Vassar College was the institution where she acquired her bachelor’s degree in 1989. Moreover, she has started to write since she was a child but she altered her career to become a lawyer. However, Stead started to become of writing subsequent to the birth of her two children. Her inspiration of writing children’s novel was from her son and her collections of story stories on her laptop. One day, her 4-year-old son by chance pushed her laptop out off the dining-room table and destroyed her piece of writing. Stead was very angry with her son and she went to the bookstore to find books which can inspire her to write. From that moment, her motivation and loving in writing began to boost up, and her debut novel was First Light which won The New York Best Times. Due to her great spirit in writing, she won The American Newbery Medal in 2010, Winner of the Boston Globe –Horn Book Award for Fiction, IRA Children’s Book Award for Young Adult Fiction, A Parents’ Choice Gold Award Winner and A National Parenting Publications Gold Award for her second novel, When You Reach Me, followed by achieving Guardian Prize in 2013 as the first winner for her third novel, Liar & Spy.

In the story “The Falling Girl” by Dino Buzzati, Marta a nineteen-year-old girl purposely bent over the rail and let herself go. As Marta fell towards the bottom, Buzzati decreased her speed of falling as if there wasn’t a such thing as gravity. Buzzati uses metaphors and visual imagery throughout this story to accomplish his goal of telling this story and conveying the message. This paper will analyze on how people viewed Marta during the beginning of her fall and how it changed once she got closer to the bottom. Her life’s progression, appearance and the visual image of the skyscraper will also be analyzed.