Loss Of Innocence In Caviar

The importance of cherishing the invaluable individuals in one’s life is apparent in Matthew Teague’s personal journey of his wife’s battle against cancer and a genuine friendship. “The Friend” depicts emotional appeal, comparisons, and vivid imagery to portray the significance of valuing loved ones. There is no single definition for a loved one. A spouse, children, family, friends, the reciprocated love can build everlasting bonds, but why is it so important to treasure the relationships we have? Just because they are family, it may not signify that we love them; just because they are acquaintances, it does not necessarily indicate that we have a type of love for them either. The pure love we possess for someone is rare and never chosen or obliged, so this valuable love should be nurtured, for people are bound within unpredictable time limits. Nichole’s, Teague’s wife’s, diagnosis of cancer was a realization for him that his days with her were numbered. Along the way, Dane Faucheux, the couple’s friend, was devoted to aiding the Teague family during their struggling time. Faucheux’s undisputed support for Teague and his family surprised him numerous times throughout their experience. This love in the sublime story is seeped with appreciation for those Teague values in his life. The realization and worth of his deep endearment for his family and friend is transferred to the reader, and he or she begins to realize the reality of the given time to value those who are most important.

Poverty and hardship are shown to create vulnerability in female characters, particularly the female servants, allowing powerful men to manipulate and sexually abuse them. Kent illustrates how poverty perpetuates maltreatment and abuse in a society like Burial Rites using the characters of Agnes’ mother Ingveldur and Agnes. Agnes’ mother is forced to make invidious choices as her children are “lugged along” from farm to farm, where she is sexually exploited by her employers. In spite of these circumstances, Agnes’ mother is commonly referred to as a whore in their society which abhors female promiscuity yet disregards male promiscuity as a harmless character trait; as in the case of Natan, who is merely “indiscreet” despite all his philandering. Born into poverty, Agnes experiences similar sexual coercion and manipulation from her “masters” and yet is labelled “a woman who is loose with her emotions and looser with her morals”. The severe poverty of Agnes is explicitly demonstrated to the reader by Kent through the intertextual reference of her entire belongings - a very dismal, piteous list to be “sold if a decent offer is presented”. Furthermore, Kent contrasts the situation of Agnes, a “landless workmaid raised on a porridge of moss and poverty”, to the comparative security Steina has experienced using a rhetorical question from

The first passage reveals the parallel suffering occurring in the lives of different members of the family, which emphasizes the echoes between the sufferings of the father and the narrator. The narrator’s father’s despair over having watched

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

In “Desiree’s Baby” and “The Story of an Hour” there are two distinguishable women who are dependent on and controlled by their husbands both physically and emotionally. In “The Story of an Hour” Mrs. Mallard is restricted by the institution of marriage while, in “Desiree’s Baby” Desiree is confined to her husband because of her dependency on him.

In Nathaniel Hawthorne 's “The Birthmark”, we find the tragic story of a woman named Georgiana who sacrificed her life for the sake of appeasing her husband, Aylmer. What did Georgiana do that it was more favorable for her to die than to continuing to displease her husband? Georgiana, who was otherwise hailed as incomparably beautiful, had a birthmark on her face. Aylmer desired this to remove this birthmark, which he considered the one thing keeping her from being “perfect”, from her face. In an attempt to remedy his wife’s “imperfection”, Aylmer makes an elixir for her to drink. While this elixir successfully removes the birthmark, the same elixir also causes Georgiana to die soon after. This story brings to light several examples of how society belittles women and puts their desires below the desires of men.

In conclusion, Fitzgerald uses this tragic story to express his feeling about the American Dream of the American people during the 1920's. The characters in the novel are being used to reflect the gradual demoralization of the people in the society. Every person living in this

Though Newsom supposedly purchased Celia with the intention of fulfilling “a sexual partner”, it was likely that Celia did not feel the companionship following that term (21). In the manner that McLaurin phrased it, Celia was more of an object of accessible abuse rather than a comforting replacement for Newsom’s wife (21). However, Celia birthed two

In “Desiree’s Baby” the morale of the story is “we often get into trouble when we assume” (Mayer, Gary H.). The husband even though he claimed to have loved his wife rejected her in a time of need, the result of it he ends up losing his wife and son. When the

The character of the mother executes the tell-tale signs of counterfeit happiness when she tells the murderous story of the narrator’s father’s brother. “‘Oh honey,’ she said, ‘there’s a lot that you don’t know. But you are going to find out’” (36).

Sin, a dark and powerful force, twists the soul and warps the mind to the point where it leaves society with unconquerable difficulties in everyday life. Nathaniel Hawthorne, quite successfully, uses literature to its full potential in order to express sins presence in life. He uses the short story, “The Birthmark” to express this theme. In this story, a man by name Aylmer for the first time sees a small defect in his otherwise beautiful wife, Georgiana. When Aylmer mentions it to her, she feels hurt, but it does not seem to affect her self-image. However, as time went on, the birthmark started to bother her causing her to believe she was flawed and in need of fixing. With the assistance of Aylmer's servant, Aminadab, Aylmer creates a miracle drug that would cure his wife of her imperfection: the birthmark. The possibly deadly drug incites fear in her husband; however, the blemish on her face troubles her, as well as her husband, to the point where she believes her life means nothing unless she could get it removed. After much meticulous preparation, the wife takes the cure. At first, everything seems well as her birthmark faded, however soon everything goes wrong, and Georgina has a terrible reaction. Soon after taking the cure she dies, leaving Aylmer heartbroken and alone without his wife. In, “The Birthmark,” Nathaniel Hawthorne brings to light sin’s presence in society through the use of allusions, symbolism, color, and beauty.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

This fragmentation of his identity begins as result of a ‘secondary’ trauma (Willis, 2002). Titus experiences a second trauma in knowing that his children have suffered traumatic deaths and injuries (Figley & Klebe, cited by Willis, 2002). This ‘trauma infection’ (Willis, 2002) demonstrates how his children are connected to; and a part of his identity. This connection is also shown in ‘our bitter woes’ [3.2.3] with the possessive pronoun ‘our’ conveying the collective, inter-connected trauma of Titus and Lavinia. The oxymoron ‘speechless complainer’ also illustrates this, in Titus understanding Lavinia’s need to verbally lament, as he does. Therefore, when his sons’ die; part(s) of his identity die; when his Lavinia is mutilated and raped;

First, a significant event takes place in Naomi’s life in which she portrays silence. At the simple age of 4 years old, Naomi is repeatedly raped by Old Man Gower. The next door neighbor, Old Man Gower, “begins to undress me. I do not resist.” As an innocent child, Naomi keeps silent about these events because she wants to protect her relationship with her mother; furthermore, Naomi states, “If I tell my mother about Mr. Gower, the alarm will send a tremor through our bodies and I will be torn from her.” In an attempt to keep the love and shelter her relationship, Naomi remains quiet about these horrid incidents. At the young age of 4, Naomi learns to believe that silence will guarantee no problems.

"Desiree's Baby" is not a mere tragic short story by which a reader may be entertained by its ironic and catastrophic ending. It is a story of a crime and brutality against women of all generations to come, depicting vividly how a woman may suffer and conceal her anguish for the sake of others. It is a story of innocence slain mercilessly by the unscrupulous power of harshness that directly governs human societies.