Loss Of Innocence In The Wars And The Maus

     Many times throughout Robert’s life, all those whom he thought were close to him, while he tried stick to his ideals, had betrayed him. When Robert lost Rowena, he felt that he had failed at his duty and he feels he must make up for it by joining the army.

Robert's ethics return to him and take priority over military obedience when he tries to rescue horses from the cruelties of war. Robert disobeys Captain Leather's orders and tries to free the horses from the barn that is threatened by falling shells. Unfortunately, the horses die before he can save them all and Robert is filled with anger, shooting Captain Leather between the eyes for causing their death. From this moment on, he rebels against anyone who does not respect his love for animals. This rebellion continues when he barricades himself in a barn with the horses and shouts, "[w]e shall not be taken" (212). It is Robert's strong connection with the horses that leads to his downfall, because the "we" implies to Major Mickle that Robert has an accomplice, and for that reason an attack is ordered. Robert burns

Robert Ross, the protagonist of Timothy Findley’s novel The Wars undergoes a disturbing violation when his fellow soldiers rape him; this is a significant turning point for Robert’s character and a section of the book Findley uses to address many themes. Throughout the book we witness Robert maturing and experiencing many hardships that will help create the man he becomes. The most significant of these trials is the scene at the insane asylum because it is where Robert looses the last connection to his innocence and his faith in humanity’s virtuousness. Findley also uses this scene to address the topic of homophobia in that era, and

In the novels The Book Thief and The Boy in the Striped Pajamas, childhood innocence in times of war is very evident in Rudy from The Book Thief, and Bruno from The Boy in the Striped Pajamas. Though childhood innocence can be endearing, in these books it leads to their death. With both Rudy and Bruno their innocence keeps them from understanding the war. Rudy risks his life, without knowing, to save Liesel and Bruno hails Hitler, with the understanding it is just a way to say goodbye. Not only do they not understand the war, they both maintain their innocence despite the war. Rudy idolizes somebody that during that time was unacceptable. Bruno befriends somebody, but doesn’t understand who he is and what his situation is. These books also

The second theme is the unromantic reality of war. Richie and most other soldiers enter the war with illusions about what the war will be like. Like most other civilians, he learned what war is from movies he watched and stories that he heard and they portray battles as heroic and glorious, the army being organized and efficient, and the warfare depending on skills and

War is often misinterpreted as an exciting occurrence filled with glory and acts of terrific heroism. In reality, it is brutal and serves as an effective simulation of hell. Timothy Findley's The Wars depicts an inhumane world where individuals are taken out of their elements and are forced to struggle to hold onto their humanity amidst the horrors. The lack of rules in war targets and destroys every aspect of what it means to be human. It heavily interferes with one's motivations, desires and purpose of living. The war also targets one's innocence and brings about suffering both physically and mentally.

The Wars, written by Timothy Findley, is a story about World War I, and consists of many shocking images passed over to the reader. Findley accomplishes to pull the reader into the narrative itself, so that the reader manages to feel an impact upon him/her-self about what is read. If it was not for this specific skill, or can also be seen as a specific genre, the novel would not have been as successful as it is now. Also, something that helps the book be so triumphant, there is the fact that Findley never overwhelms the reader with too many gruesome details about the World War I. Instead, he breaks the book down to help the reader calm down from everything that is happening. Throughout the essay, there is going to be some commenting on a

Despite the fact that the German has let the rest of the soldiers escape unharmed, Robert’s innate violence triggers the death of an innocent soldier. Thus, Robert’s actions reveal the inherent savage nature of humankind.

The first book, “Maus: A Survivor’s Tale” begins with Artie, Vladek’s son, interviewing him about his time in the army during World war II. he intends to use Vladek’s story in a book he is writing. When Vladek starts telling his story he says to Artie, “I was, at that time, young, and a really nice, handsome boy.” (Spiegelman 15) So, in the beginning of the story Vladek admits that he is different now than he was before. He stated that before the war, and before he joined the army, he was actually a nice guy. But the war changed him so much that he is now more hostile and grumpy, which is showed by the amount of arguments that he has with Artie. Vladek then tells Artie about one of the battles that he fought during the war. he had just gotten taken into the army. His platoon were in trenches on one side of the river, and the German army was on the other side. Vladek said “Why should I kill anyone?” and then dug himself deeper into

Robert was once a timid individual who valued his privacy. And as noted with the encounter with Heather Lawson, we see that Robert is awkward around women. However, after thrusting himself into war he can no longer hide himself or his capacity for sexuality and violence. With the experience with Ella at the brothel he feels ashamed and now has been exposed, at such a young age, to a morally corrupting way of life. He has leaped so far, from ‘making love to his pillows’ to encounters with a prostitute. His morals are disintegrating; his childlike innocence is fading. His character is altering dramatically. When he sees his ‘role –model’ Taffler engaging in homosexual actions he is shocked, enticed and disturbed. This reaction gives way to anger and violence. The world as he knew it, one in which he could hide, no longer exists.

Robert Ross is a sensitive, private boy; last person you would expect to sign up to fight in World War One. In The Wars by Timothy Findley, symbols are used in conjunction with Ross’ story to cause readers to reflect on symbols in their own lives, and to allow then to dive deeper into the world of an innocent boy who is placed into a cruel war. The various symbols in The Wars provide for a graphic and reflective reading experience by emphasizing Robert’s connection with nature, his past, and his experiences during the war.

First, the main character, Robert Ross, was an innocent child at the beginning of the novel. He loved his sister, Rowena, and felt guilty not being able to save her. He then decided to enlist the army because he wanted to protect innocents in order to redeem himself to the death of Rowena. He got beaten up the night before he enlisted the army, “That night, Robert was lying in the bathtub, smoothing his aches and bruises with water…”(23). If he was in the army, he would have to fight people much stronger than Teddy Budge. Robert would not be able to fight them since the fight between him and Teddy was one sided already. However, Robert was only thinking about how he could redeem himself, but not his own capability to be a soldier. This showed how naive Robert was, he didn’t see the danger he was stepping into. Also, when Mrs Ross told

War is a dangerous game, many people would likely agree to this, however, very few have ever seen a battlefront. The truth is that war, no matter how awful we can imagine it, is always exponentially worse. In Timothy Findley’s The Wars, Robert Ross, the protagonist,­ faces a situation that he finds difficult to come to terms with, and when faced with a similar situation later on in the novel, he must take drastic measures to reconcile the uncertainties of the past situation. Timothy Findley suggests, through the life of Robert Ross, that one’s need to reconcile the uncertainties of past experiences dominate our actions when such situations come up again in our lives. In the words of Hiram Johnson, a US Senator during the First World War,

Robert Ross’ whole life he grew up in a household where they did what was expected of them, rather than what was right. The type of people that Findley place in Robert’s life is what molds him into the type of character he becomes. Timothy Findley manipulates what a hero is supposed to be, by making Robert Ross a distorted kind of hero. Robert Ross exemplifies anti-heroism throughout the text because of his need to be a savior but inability to do so, his morals and his connection with animals.

The idea of loss of innocence is a stage in our lives where we change into something that could better us and can also cause mental stress. This idea is shown in Rambo directed by Ted Kotcheff, Saving Private Ryan directed by Steven Spielberg, Tomorrow when the war began by John Marsden and Fury directed by David Ayer in the portrayal of soldiers. In the movie Rambo the soldier is escaping the corrupt police officers and is being chased by them because he was observed as a threat due to the reputation of the US army in vietnam by killing innocent vietnamese civilians. How this is relatable to loss of innocence is because of being beaten by the police officers because the police that were supposed to be protecting were assuming about the allegations