Loss Of Innocence In The Wars Findley

     Through despair, Robert forces himself to keep with his ideals, which shows just how strong his resolve is. When Robert was in despair, he took his mind off his problems by keeping himself busy. After losing Rowena, Robert decides to join the army to replace taking care of Rowena, by taking care of the human condition. Later when Robert loses Harris, he busies himself by performing the last rites over his good friend. “This is not a military funeral. This is just a burial at sea. May we all remove our caps? (p107)” Later when Robert is attacked in the bath house, he finds that he is still trying to protect Rowena. He does this by lighting her pictures on fire to remove her from this cruel world. “Robert sat on the mutilated mattress and opened his kit bag. Everything was there – including the picture of Rowena. Robert burned it in the middle of the floor. This was not an act of anger – but an act of charity. (p172)” These show that even through despair, Robert manages to stick to his ideals.

iii. The site azcentral.com mentioned earlier also tells us that skulls are used to symbolize death and rebirth.

One of the horses breaks its leg and Robert is ordered to kill it. He shoots it once, but the horse is still alive and its mane is described as "a tangle of rattlesnakes" (68). The snakes symbolize the feelings of immorality that are welling up inside of Robert. He knows that killing an animal is against his moral values, but his role in the army is more important to him. He feels that he has "to show his nerve and ability as an officer" (66). Robert finally shoots the horse behind its ear and kills it. This is the first time he intentionally kills a living creature in the story.

War is a hellish battleground where many lives are taken. In war there is constantly images and events that happen which can change a soldier’s life forever. In the book All Quiet on the Western Front Remarque uses the symbols of boots, butterflies and horses to advance the main theme in the novel, that war takes young men’s innocence away.

Robert Ross, the protagonist of Timothy Findley’s novel The Wars undergoes a disturbing violation when his fellow soldiers rape him; this is a significant turning point for Robert’s character and a section of the book Findley uses to address many themes. Throughout the book we witness Robert maturing and experiencing many hardships that will help create the man he becomes. The most significant of these trials is the scene at the insane asylum because it is where Robert looses the last connection to his innocence and his faith in humanity’s virtuousness. Findley also uses this scene to address the topic of homophobia in that era, and

Sigmund Freud once argued that "our species has a volcanic potential to erupt in aggression . . . [and] that we harbour not only positive survival instincts but also a self-destructive 'death instinct', which we usually displace towards others in aggression" (Myers 666). Timothy Findley, born in 1930 in Toronto, Canada, explores our human predilection towards violence in his third novel, The Wars. It is human brutality that initiates the horrors of World War I, the war that takes place in this narrative. Findley dedicated this novel to the memory of his uncle, Thomas Irving Findley, who 'died at home of injuries inflicted in the First World War" (Cude 75) and may have propelled him to feel

In A Separate Peace, John Knowles carries the theme of the inevitable loss of innocence throughout the entire novel. Several characters in the novel sustain both positive and negative changes, resulting from the change of the peaceful summer sessions at Devon to the reality of World War II. While some characters embrace their development through their loss of innocence, others are at war with themselves trying to preserve that innocence.

Guided by his undying love for his sister, Robert’s call to action is intrinsically motivated by an ironic catalyst that leads to his own eventual death; the desire to preserve life. At the climax of the novel, Robert’s courage tempers out his Achilles’ heel of introverted moral justness. His ascendance to the position of officer is only natural considering that his resilience and persistence strengthen significantly as he begins to imitate the hero archetype upheld by most war novels, though his concealed struggles with morality and obedience as exposed by his actions confirm him to be a tragic hero. Even with his elevated position, Robert demonstrates many instances of nurturing as he develops into a strong man weathered by the war, as opposed to the typical hardening experienced by most men on the front lines. The telltale quality of morality demonstrated only by a tragic hero is a tragic flaw in itself, as it forces acts that would otherwise be self-indulgent to take on an air of humility. “The man with the broken legs was lying by the water’s edge. He was already the colour of death. … ‘Put that [gas mask] over his face.’” (124) Robert’s dangerous, selfless acts for those who are arguably hopeless are not only consistently futile, but they endanger him and jeopardize

The Wars, written by Timothy Findley, is a story about World War I, and consists of many shocking images passed over to the reader. Findley accomplishes to pull the reader into the narrative itself, so that the reader manages to feel an impact upon him/her-self about what is read. If it was not for this specific skill, or can also be seen as a specific genre, the novel would not have been as successful as it is now. Also, something that helps the book be so triumphant, there is the fact that Findley never overwhelms the reader with too many gruesome details about the World War I. Instead, he breaks the book down to help the reader calm down from everything that is happening. Throughout the essay, there is going to be some commenting on a

Robert is ferociously raped and handled roughly in the darkness by the unknown males, and he describes that he is “spun around in the dark.” The confusion that he faces causes him to lose “all sense of gravity,” which emphasizes the intensity of this violent act. The severity of the rape scene is once again emphasized when Robert elucidates that his legs are “forced apart so far he thought they were going to be broken” and he is “struck […] in the face.” The rapists do not merely rape Robert; they viciously attack and beat him as well. After the

All things truly wicked start from innocence. A moral truth that finds its place among today’s society. Innocence is such a frail, yet valuable quality. The loss of innocence can lead to such disastrous consequences. The theme of the loss of innocence is a prevalent one found throughout the novel The Wars by Timothy Findley. It is noted particularly in regards to the protagonist, Robert Ross. Early on in the novel, he encounters such miserable situations that dramatically mature his character emotionally and mentally in such a short period of time. Such events include the sudden loss of a loved one, sexual encounters, and the murder of the

Many of the symbols in the novel remind Robert of his troubled past. Some of the symbols in the book appeal to both the reader and Robert, exacerbating his struggles. After finishing his training, Robert boards a ship headed for the war zone. When tasked horse injured onboard the ship, he is clearly troubled; as he is unsuccessful in killing the horse the first time, “[a] chair [falls] over in his mind” (Findley 60). The horse is a symbol of Rowena, an innocent person who dies because of her disability. During training, he feels socially obliged to go to a brothel with his peers, and experiences shame associated with the death of Rowena. Instead of watching over her, Robert was “[m]aking love to his pillows” (Findley 16). As a result, he is very insecure about his sexuality and his private life in general. The scene where he is sitting in the bathtub after Rowena’s death is symbolic of Robert giving up his childhood, concomitant with his innocence. The tub represents the womb; his mother tells him a story of his childhood one last time before he joins the army, becoming an adult in some sense. Through symbolism, one can make the connection between Robert’s troubled past, the cruel world he lives in, and his experiences in the war.

First, the main character, Robert Ross, was an innocent child at the beginning of the novel. He loved his sister, Rowena, and felt guilty not being able to save her. He then decided to enlist the army because he wanted to protect innocents in order to redeem himself to the death of Rowena. He got beaten up the night before he enlisted the army, “That night, Robert was lying in the bathtub, smoothing his aches and bruises with water…”(23). If he was in the army, he would have to fight people much stronger than Teddy Budge. Robert would not be able to fight them since the fight between him and Teddy was one sided already. However, Robert was only thinking about how he could redeem himself, but not his own capability to be a soldier. This showed how naive Robert was, he didn’t see the danger he was stepping into. Also, when Mrs Ross told

War is a dangerous game, many people would likely agree to this, however, very few have ever seen a battlefront. The truth is that war, no matter how awful we can imagine it, is always exponentially worse. In Timothy Findley’s The Wars, Robert Ross, the protagonist,­ faces a situation that he finds difficult to come to terms with, and when faced with a similar situation later on in the novel, he must take drastic measures to reconcile the uncertainties of the past situation. Timothy Findley suggests, through the life of Robert Ross, that one’s need to reconcile the uncertainties of past experiences dominate our actions when such situations come up again in our lives. In the words of Hiram Johnson, a US Senator during the First World War,

Throughout the book, Robert Ross was dependent on his sister, Rowena, and the animals he felt so connected to. Robert more than anything becomes a person who relies more on animals, than he does people. Robert’s reliance on animals starts because of his sister’s love for her rabbits: “ ‘Can the rabbits stay forever, too?’ ‘Yes, Rowena.’ ”(18) His dependence on animals only strengthens as the book goes on, and when Rowena dies, he turns to the animals for guidance and as a replacement for Rowena. On many different occasions, Robert displays his love for animals and disconnection from the real world: “Robert soon became completely disengaged from the other life on the upper decks. He even went below off duty.” (56) Robert shows his lack of connection with the other soldiers on board, and demonstrates his relationship he developed with the animals in the army. Robert’s connection strengthens with animals so much, that towards the end of the book he is willing to break military rules and attempt to save them: “I’m going to break ranks and save these animals.” (183) The heroes, we are custom to today, would not go against the rules to save a bunch of horses. Even though, most would not see Robert as being heroic, because he broke the rules, it was his intentions behind his actions. As