Lost In Translation Film Analysis

For my cultural activity, I watched a Spanish-language movie with English subtitles in order to better understand the film. The purpose of this paper is to express my reactions concerning the Puerto Rican film Casi Casi. In summary, Casi Casi is a high school romantic comedy about a boy who runs for Student Council President who is attracted to a girl who also decides to run against him. At the beginning of the film, my initial reaction was that the film was going to be very difficult to view and interpret due to the fact that it was produced in a foreign language that I am not fluent in.

Based off Charles Webb’s 1963 novel by the same name, The Graduate is an American romantic comedy/drama released in the United States on December 21, 1967 starring Dustin Hoffman, Anne Bancroft, Katharine Ross, and William Daniels. The film was directed by Mike Nichols, produced by Lawrence Turman and the screenplay written by Buck Henry and Calder Willingham. The film was produced by Lawrence Turman/Mike Nichols productions starting in March of 1967. Mike Nichols has also directed other well known films such as Catch-22 (1970), Working Girl (1988), and more recently Closer (2004). The film was distributed by AVCO Embassy Pictures nationally and United Artists internationally. AVCO Embassy Pictures studio, founded by Joseph E. Levine, the films executive producer, also claims production/distribution for other hit films such as Godzilla, King of Monsters! (1956), The Fog (1980), and Prom Night (1980). The movie was well received due to its $104 million dollar box office opening tab. The score was produced by Dave Grusin and the songs written by Paul Simon and Art Garfunkel.

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

Hotel Rwanda is a film directed by Derek George that tackles one of the most shockingly disturbing events in recent history, when the Hutu radicals of Rwanda initiated a frightening crusade of genocide, slaughtering thousands of minority Tutsis while people from other countries did nothing and acted oblivious to what was going on in Rwanda. George vividly adapted Hotel Rwanda in a way that the viewer from beginning to end saw the effects of genocide, political corruption, and the consequences of violence. Depicted in the early 1990s , the views on ethnic conflict in Rwanda and the sequence of events is really descriptive and sometimes hard to watch as George digs deep into what happened in Rwanda. The early scenes in town set the scene amazingly for what’s to come throughout the film and gives us vivid insight on the views and social standing of Rwanda in the 1990’s. Don Cheadle portrays Paul Rusesabagina in the movie playing the hotel manager, his wife in the movie played by Sophie Okonedo is a Tutsi and wants to help when the violence ensues. Their marriage throughout the movie supplies a great sub plot detailing how a relationship can stand through turmoil.

One of the symbolic representations in La Mission is where it takes place, in the mission district of San Francisco. It represents the traditional stance of Che the main character and compares it to the shift to a more hipster neighborhood with new people like Lena moving in who haven’t been in the neighborhood until recently. He also restores old cars into low riders which is historically Mexican American style of car. The music featured in this movie is a mix of traditional chorales, native drums and guitars mixed with newer more modern version that also show the transition that this community and culture are facing coming to terms with change and homosexuality that is culturally unacceptable.

This structure is commonly seen in any film or television production, as using the structure makes sure that the narrative is continuing to move forward, and is developing. The film plot line I will be studying and making an analysis on is The Lost Boys.

During the late 1940s and the early 1950s, the thought of communism instilled fear within many Americans because it was portrayed in such a way that confined diversity and corroded political culture while the United States was supposed to be the land of the free. This fear of communism was nicknamed the “Red Scare” and was fed by Joseph McCarthy’s accusations of hidden communist in the country. The Manchurian Candidate was a black-and-white American film released in 1962 that depicted the Cold War and the affects of that paranoia had on the nation. It was released at the peak of the Cuban Missile Crisis and the spread of communism. This film was about Raymond Shaw, the son of a right-wing political family, who was brainwashed to act as an assassin

During the end of the 3rd Century, the Playwright Plautus wrote many of the first Roman comedies. A Funny Thing Happened on the Way to the Forum is a musical comedy film adaptation of Plautus's comedies.Set in ancient Rome, many aspects of Roman theatre, including stock characters, were included in the film’s production. While the film is based off of multiple comedies, Plautus's Pseudolus character Calidorus is nearly identical to the film’s Hero. During the time Pseudolus was written, the Crisis of the Third Century led to up to 25% of Roman population being comprised of slaves(Southern). Of the many stock characters Platus included in his comedies, Calidorus/Hero, the son of Pseudolus’s owner and the stock character adulescens, best

Casablanca, the crowning achievement of director Michael Curtiz, which was released in 1942, is a film that had to work against the pressing concerns associated with World War II to stay relevant in both cinematic and general audiences. The writing, which was done by Julius J. Epstein, Philip G. Epstein, and Howard Koch, had to be inspirational yet uncontroversial. With actors like Humphrey Bogart as Rick Blaine, Ingrid Bergman as Ilsa Lund, Claude Rains as Captain Louis Renault, and Paul Henreid as the French revolutionary Victor Laszlo, Casablanca has a respectable cast. The movie initially appears to fit the film noir genre because of its smoky backdrops with muted colors,

The “Lost Battalion” film was a great film about World War One. It showed a lot about the horrors of the war. It also brilliantly depicted the reality of the war.

Paradise Now is a 2-hour film released in 2005, it depicts a perspective alternative in a highly controversial topic of suicide bombers or also known as a ‘martyr’. The movie takes place in Palestine during the Israeli occupation and illustrates the mundane life and frustration felt by the main characters Said and Khaled due to the oppression experienced during the conflict. A key feature that is also portrayed is the reasoning, and almost justification of an attack on that level. However, the perpatrators can be seen showing feelings of hesitance and even inquisitiveness in relation to the afterlife that they are promised and whether violent resistance is the last option. This paper, will discuss how “Paradise Now” provoked my views and

In “The Departed”, which takes place in South Boston, State Police are tasked with bringing an end to Irish American organized crime. One of the stars of the movie is the great actor Leonardo DiCaprio, who plays undercover cop Billy Costigan. The cast is packed with high demand actors; one of them being Irish mob boss, Jack Nicholson, playing Frank Costello. Costigans counterpart is Colin Sullivan, played by Matt Damon. Both men just-graduated from Massachusetts State Police Academy; Sullivan is on the side of the mob, and joined the police force to be an informer for the mob boss. There is a key interplay between each man, and the people they are trying to deceive. The stakes are high, as each operative becomes entrenched in their double life,

“Lost In Translation” is one of those movies that seek to be something having something extra something that is more than a regular movie. Moreover, it does so effectively without being pretentious, all through the movie it does not seem like it is trying too hard to be something other than what is there. It is skillfully written, well directed and it boasts of a solid cast not very spectacular but full of good actors. Jointly, this eventually results in an enjoyable and interesting movie. The important thing is that it has a message to it. Bill Murray and Scarlett Johansson play two individuals lost in the new and unfamiliar surroundings, restlessly moving around a Tokyo hotel in the middle of the night, who fall into

Throughout this class, various discussions and blogs have been used to analyze the different elements of films such as theme, cinematic techniques and genre. It is time to bring all of these separate elements together in the analysis of one specific film, according to class text, “analyzing levels of meaning below the surface story can greatly enhance enjoyment as well as understanding of a film” (Goodykoontz & Jacobs, 2014. p. 10.03). There are several different approaches to film analysis including formalist, auteurist, and generic or any combination thereof. Utilizing a genre theory lens, the 1956 film The Searchers will be analyzed addressing contextual information, story/plot, aesthetic choices, social/personal impact and how these areas come together to develop the film.

Narrative films are crafted with the prime purpose of stimulating emotion for its viewers to experience and to communicate an overarching message. All films released are produced with objectives to express, which can range from, exposing audiences to concepts that they may be uneducated on or completely unaware of, to employing a fresh perspective on pivotal subjects. Some films even endeavour to introduce audiences to unfamiliar cultures and lifestyles. The 2006 film ‘Babel’ directed by Alejandro González Iñárritu, is a film that effectively presents foreign cultures to audiences who are unaccustomed to these ways of life. Babel is a multi-narrative film that shows four groups of people located in four different countries, Morocco, Japan,