Louis Armstrong's Satchmo Summary

For this analysis on Louis Armstrong’s West End Blues, I am going to concentrate on Louis Armstrong and how influential he was in the birth of Swing. He was extremely innovative in the way he played his instrument. Louis Armstrong had a brilliant trumpet sound. His power, range, and his rhythmic approach are all trademarks of his playing in the 1920s and 1930s. West End Blues is still considered one of the most influential and classic pieces in the Jazz Industry. I will explain why by breaking down the song utilizing the five elements of music; form, harmony, texture, melody, and rhythm.

The “Great Migration” was from 1910-1930 and almost 750,000 African Americans moved into Northern cities; 175,000 moved to Harlem, which made it the largest black community in the country. This era was known for racial consciousness, racial integration, dramatic arts and painting. In addition, it was known for the explosion of music especially jazz and the blues. This outburst of confidence, expression, creativity and talent sparked the African American drive and created a “rebirth” of African American culture. A few of the famous influences were Langston Hughes, Claude McKay, Duke Ellington Johnson and Louis Armstrong.

Langston Hughes was one of the great writers of his time. He was named the “most renowned African American poet of the 20th century” (McLaren). Through his writing he made many contributions to following generations by writing about African American issues in creative ways including the use of blues and jazz. Langston Hughes captured the scene of Harlem life in the early 20th century significantly influencing American Literature. He once explained that his writing was an attempt to “explain and illuminate the Negro condition in America” (Daniel 760). To fulfill this task, he wrote 15 volumes of poetry, six novels, three books, 11 plays, and a variety of non-fiction work (Daniel 760). He also edited over 50 books in his time (McKay).

In June of that year he returned to New Orleans for the first time since he left in 1922 to join King Oliver's Creole Jazz Band. Armstrong was greeted as a hero, but racism marred his return when a White radio announcer refused to mention Armstrong on the air and a free concert that Louis was going to give to the cities' African-American population was cancelled at the last minute. Louis and Lil also separated in 1931. In 1932 he returned to California, before leaving for England where he was a great success. For the next three years Armstrong was almost always on the road. He crisscrossed the U.S. dozens of times and returned to Europe playing in Denmark, Sweden, Norway, Holland and England. In 1935 he returned to the U.S. and hired Joe Glaser to be his manager. He had known Glaser when he was the manager of the Sunset Cafe in Chicago in the 1920s. Glaser was allegedly connected to the Al Capone mob, but proved to be a great manager and friend for Louis. Glaser remained Armstrong's manager until his death in 1969.

If one was to go out into the street, walked up to a random stranger and asked them if they knew who Louis Armstrong was, chances are that they would be able to answer you correctly. Louis Armstrong (Aug 4th, 1901 - Jul 6th, 1971) was an American trumpeter, composer, singer and occasional actor who became one of the most influential figures in jazz. His career spanned many decades, from the 1920s to his death in 1971, and many different eras in jazz. He first came to prominence in the 1920s as a trumpeter and cornet player with no technique as well as being very skilled in scat singing, Armstrong was a foundational influence in jazz, influencing many later jazz artists as well as shifting the focus of the music from collective improvisation to solo performance.With his very well-known and recognizable gravelly voice, a technique that was later named “crooning”, Armstrong was an incredibly influential singer, demonstrating great dexterity as an improviser by bending the lyrics and melody of a song for expressive purposes on demand. Renowned for his charming and incredibly charismatic stage presence and voice almost as much as for his trumpet and/or cornet playing, Armstrong 's influence extends far beyond jazz music, and by the end of his career in the early 1970s at his death, he was widely regarded as a deep and profound influence on popular music in general. Armstrong was one of the first very popular

Louis Armstrong learned at a young age, not to let negative views direct your life. At the age of seven he worked for a Jewish family, and noticed how the whites treated them. It was not just the blacks in the early 1900’s that dealt with racial issues. But Louis saw one thing that left a long time mark on him. Many of the Blacks wanted Pity, but this family of Jews he worked for, did not, they made their way. This was something Louis would carry with him the rest of his life. Louis Armstrong’s influence was the style, structure, and joy of his art. It is something that can be seen in many musicians that listened to him. Listen to a Miles Davis cd, and you will hear the Great Satchmo. Yes it is Miles Davis, but the influence of Louis is there to be heard. Many of the musicians today you will also hear Louis’s influence, and not only in Jazz, Swing, Blues, but in any form. Louis Armstrong’s influence is one of the most powerful that has ever been, and may ever be.

Armstrong had elevated music and Jazz to a whole new level. “Armstrong’s contagious humor and flamboyant style made him an ideal goodwill ambassador for American music” (Copton, 632). His style encouraged soloist's art to assemble within jazz, which increased opportunities for black people. “People learned to appreciate both jazz, and African American music even more, because of this man... Armstrong played music up until the day he died at 70 years old, on July 6, 1971” (Musicians- The Harlem Renaissance). His ideas influenced millions of perspectives on African Americans and music, people started respecting his style of music and many also began acknowledging and admiring black people’s music to a new extent. Just like the others, Armstrong often faced racial inequality. However, a few others accompanied him and found a way to crack the racial barrier through music, art, and

The person I chose to do my project on is Louis Armstrong. I chose Louis Armstrong because I wanted to do my project on a singer as well as a musician. I chose him because he was one of the few people that I knew about, also because I did some research on him and listened to his music and I thought that he was interesting to write about. My main three things that I’m going to discuss about Louis Armstrong will be his life, his music and influence on others. I’m going to describe how and where Louis Armstrong’s grew up and how he started out his career as a trumpeter. I’m also going to write about how he went through life and how that affected him in the future. Lastly, I’m going to discuss with you how he had an influence on others. I’m going to explain how he impacted the world with his music and how that affected so many people to this day. Louis Armstrong made a great impact in the world and I’m going to teach you all about it.

Louis Armstrong's diversity and adaptability is widely recognized as one of the most influential aspect in jazz music. Louis Armstrong's musical influence is still the fundamental base for modern jazz today. "Louis Armstrong is jazz. He represents what the music is all about.” — Wynton Marsalis perfectly sums up his contributions. His diversity sets him apart from other jazz artists because he managed to stay relevant throughout different musical eras like, the ENOJ era, The Swing Era, Blues etc., until the end of his career. The accomplishments he has achieved throughout his life and the hardships he has gone through has shaped his persona, contributing to how he will become as an artist. His instrumental style, singing, career throughout musical eras, accomplishments, and etc., contribute to how adaptable and diverse he is.

Many great performers have come out of the jazz industry, but the most widely known is Louis “Satchmo” Armstrong. Louis began playing at a young age when he was growing up in New Orleans. His greatest inspiration was Joe “King” Oliver. He began following him and eventually Oliver became Armstrong’s mentor. Armstrong practiced his instrument and eventually he became the jazz great everyone knows today. Armstrong’s unique singing and masterful improvisation transitioned jazz from the traditional style to a newer, more rhythmic style. He popularized scat singing and was the first musician to have his solo on a recording (Rodgers 85). The solos Armstrong performed along with his popular scat singing helped make jazz musicians more popular along with making the fans take notice of Armstrong and jazz itself (Rennert 8).

Many people knew Louis Armstrong as the “first real genius of jazz”(Shipton 26). He was born in New Orleans, Louisiana on August 4, 1901. Louis was the illegitimate son of William Armstrong and Mary Est “Mayann” Albert. He was abandoned by his father, a boiler stoker, shortly after his birth and was raised by his paternal grandmother. Then, at the age of five, he was returned to the care of his mother, who at the time worked as a laundress. Together with his mom, they moved to a better area of New Orleans. This is where Armstrong first fell in love with music; he would listen to people playing any chance that he would get(Tirro). He would attend parades, funerals, churches and go to cheap cabarets to be able to hear some of the greats play

Watching Louis Armstrong’s live performance in Berlin during the year 1965 was a pleasure, especially because I am a great fan of his music. Throughout the concert in Berlin, Armstrong and his chamber orchestra played 13 different pieces. With the exception of Jewel Woods’ entrance on vocals for two songs, the makeup of the chamber orchestra did not change throughout the concert. As a result, the cello, clarinet, drums, piano, trombone, and trumpet remained vital parts of each song throughout the concert.

Aside from the typical cultural, social, and political factors influencing any musician’s style, an early life filled with poverty and hardship also shaped Louis Armstrong’s musical development. Some even theorize that it was Armstrong’s difficult upbringing that made his music so wise, so unique, and so revolutionary. Armstrong was an African American child growing up in the slums of New Orleans, close to abandonment, impoverished, and with too few constant people, resources, or homes. However, had his upbringing been different, his musical talents may never have been established to grow and thrive into one of the most internationally influential jazz musicians ever. When Louis Armstrong was placed in a boys’ home as a young boy, he was presented with the opportunity to play the cornet. He took up work in Joe (King) Oliver’s house, doing chores in exchange for musical lessons, developing into a

Louis Armstrong is a man of many talents and skills known for creating a new environment, especially in his home town of New Orleans. He was born into poverty on August 4, 1901 in the streets of Back o’ Town (Meckna). He’s a professional jazz performer who played with Oliver and Henderson. He started as a soloist for Henderson after marrying Lil Hardin. He has many nicknames in which some are Satchmo and Pops. He also played as a second trumpet for King Oliver. He interprets and contributes to the genre of jazz, creates great form through his performance in the “Hot Chocolates,” and his work represents a whole for equality and the civil rights movement.

On October 4th, I watched Louis Armstrong Live in Concert in Berlin in 1965. In this concert, I noticed Armstrong played a variety of songs with a variety of different tempos. The first song he played was more adagio and right after that his song picked up in tempo and changed to a more allegro with a vivace, lively feel to it. Each one of Armstrong’s songs had a different feel to it.