Louis Glass Jukebox Research Paper

Advancements in technology also facilitated the spread of jazz music into mainstream society. Modern appliances allowed for people to have more free time. They filled this free time with entertainment. More disposable income also allowed for the purchase of phonograph records which brought jazz to areas where no bands performed. The radio was also important to the dissemination of jazz. Unlike many clubs, which were still segregated, radio was not. While many African American station owners struggled to survive in a white society they eventually managed to bring jazz music into the homes of both white and black households (Burns).

All through United States history our country has encountered numerous prosperous time periods where our general public as a whole has changed in a positive way. One particular decade that gainfully effected our nation was the nineteen twenties, which can likewise be alluded to as the Roaring Twenties or Jazz Age. The Jazz Age Positively affected American life and society because people were into this new style of music, jazz. Numerous other innovations during this period also changed the minds of the U.S. individuals, which basically modified the nations norms and ethics. It will become obvious how jazz music impacted life during the economically bloated roaring twenties. This paper will also talk about how music, movies, literature, vehicles, fashion, crime and new ethics brought about the Jazz Age, which basically could be named the most prominent, socially successful decade in United States history.

In the 1920’s, musical theater was “roaring” just like the economic situation in the United States. Florenz Ziegfeld was at his peak, buying shows and catapulting them to the forefront of pop culture. The most popular songs on the radio were songs that were written and performed in broadway shows.

“The rise of rock ‘n’ roll and the reception of it, in fact, can tell us a lot about the culture and values of the United States in the 1950s. According to historians James Gilbert, there was a struggle throughout the decade ‘over the uses of popular culture to determine who would speak to what audience, and for what purpose”. At the center of that struggle, rock ‘n’ roll unsettled a nation had been “living in an ‘age of anxiety’” since 1945” (p.15). Altschuler talks about how music and race interlock with one another. Rock had become a “highly visible and contested arena for struggles over racial identity and cultural and economic empowerment in the United States” (p.35). Other chapters within the book state the battles involving sexuality, generational conflicts, as well as other social issues. The author states ideas that are somewhat problematic. For example, he states that there is a myth that rock ‘n’ roll went into a “lull” following the payola hearings (the practice of record promoters paying DJs or radio programmers to play their labels ' songs) of 1959 and did not come about again until the arrival of the Beatles in 1964.

The 1920s was an age of drastic social and political changes. For the first time in history, more Americans started living in cities rather than on farms. Americans were wealthier than ever before. People from coast to coast bought similar goods, listened to the same music, did the same dances, and even used related slang. Numerous Americans were uncomfortable with this unfamiliar, urban, and occasionally racy “mass culture”. In fact, for a large number of people in the United States, the 1920s brought more conflict than celebration. However, for a minuscule handful of youth in the nation’s larger cities, the 1920s were roaring. Prohibition gave criminals a way to illegally make money; gangsters, young men who worked in criminal gangs, began selling on the black-market alcohol. Young woman emerged during the 1920s with different appearance, attitude, and behavior; with a bobbed haircut and short skirts.

After the First World War, many people were looking forward to good times. The 1920’s presented people with this time of fast-paced fun and adventure. Entertainment was the foremost part of everyday life during the 1920’s. Radio introduced a whole new practice of entertainment to people’s everyday lives. Likewise, through the utilization of the radio, people were able to experience a new medium to entertain themselves. Furthermore, the radio changed the face of society’s culture through its widespread use. In addition, radios provided people with a new, effective and efficient means of communication. Radio was a fundamental aspect in people’s lives during the 1920’s as it provided many people with news and entertainment in their

In the 1950’s, radio was struggling to keep ratings against the emerging new television craze. Music executives began to pay disk jockeys to play their music. It is called payola and it is still in practice today, although it is technically illegal. The record companies write off the legal fines imposed by the Federal Communications Act as an expense of promotion (Campbell p.88). Black artists in the 50’s were writing some of the most inventive and marketable music of the time, but their music was still not palatable to a white audience as long as it was played by black musicians. Record companies began buying the songs of poor black musicians and giving them to their exclusively

The 1920s was the beginning of a decade of change in the American arts. Jazz, along with such inventions as the phonograph, radio and sound movies, transformed the music industry. By the end of the decade, 40% of all Americans had radios in their homes. Not surprisingly, 58% of households in New York City owned a radio. New York became the center of the music world, and at the center of New York was a small area called Tin Pan Alley. Radios initially provided the young century's second uppercut to the music publishing business of Tin Pan Alley. Burton Lane was part of a well-known Cape Town-based duo, who delivered a powerful, emotive and distinctive blend of acoustic rock stated, "Tin Pan Alley was a real alley on East

Research paper Thesis : The 1920's brought much advancement to today's society especially in technology the most important of which were music . be music important to you ? Music doesn't repel to everyone . Music has a huge impact on society even beginning of the Harlem Renaissance to today . Music has an immense impact on society even beginning of the Harlem Renaissance to today . Music is important to adolescents as well as adults . It is a way to run away from their problems . There are many styles of music . The 20's was known as the " Jazz Age " . This decade was known as the " Jazz Age " because jazz was very popular and just set out showing off the skills in jazz music . Jazz is a popular term to be described as miscellaneous events in life . In the 1920's jazz was entertainment . Jazz also represents rebellious behavior and biracial culture . The 1920's was the time of Prohibition . The Prohibition Amendment of the 1920's was ineffective because it was unenforceable , it caused the explosive growth of crime , and it increased the amount of alcohol ingestion . The crime rate increased because the Prohibition destroyed legal jobs , created black market violence , diverted resources from enforcement of other laws and increased prices people had to pay for prohibited goods . Jazz was not just music ; it was a pattern of communal expression . Jazz was different because revealed the rules-musical and social . It featured improvisation over a traditional structure . The

The jazz music of the 1920’s is one example of the scandalous lives of the elite and their elaborate parties that broke barriers for the innovation of American culture.

The Swing Era: Last week, we discussed the role that jazz music played in shaping different areas of popular culture from women’s clothing to fine art. In comparison, how did swing music impact society? Discuss the political, economic, and especially the social influences on society in your response. In week 1 I learned that jazz music brought a lot of changes especially for women.

The broadcasting and recording industries did not solely represent the conquering racial assumptions of the 1950's, they internalized them and helped to continue them. Racial conventions permeated the organization and structure of the music industry at every level. The very existence

The Jazz Age was more than merely a musical revolution—“The Jazz Age denotes not only a period of early big band, but also the events and fashions of an era”. During this decade a number of modern developments were invented, which included an expanded telephone service, network radio, electric inventions, and records set in aviation. These modern developments had a profound effect on American culture, creating a rise in leisure, specifically mass leisure. Automobiles, movies, and the radio overtook the lives of Americans, becoming necessities and part of everyday routines. This period also marks the beginning of films with soundtracks, an audio component, marking the rise of the musical and giving the American people

The 1920’s was a very upbeat and interesting decade. People know it as the “Roaring Twenties”, or “The Jazz Age.” It was the time of Prohibition, the introduction to jazz music, and partying. Prohibition was the illegal production and distribution of alcohol. Many people were against drinking, but there were still the many that enjoyed a drink once in a while. Bootleggers were people who illegally sold and produced alcohol so other people could enjoy it in secret. People went to speakeasies, which were secret hidden bars that sold alcohol they got from the bootleggers. Young women began rebelling by cutting their hair short, wearing dresses

The intended audience for the early rock and roll of the 1950's and 1960's were that of a teenage audience while blues, jazz and country were aimed toward the more adult crowds. With the maturation of an unprecedentedly immense and prosperous teenage audience, rock and roll music developed the sound of young America and soon spread about the world. Folklorists like to sentimentalize blues music as being an unadulterated expression of culture, but documented blues music was carefully promoted to its intended audience from its very beginning. As early as the 1920s, music intended at African-Americans was labeled as “race music”, and the best way to publicize it was in the pages of African-American newspapers. These newspapers had a wide transmission