Sonnet 43 Elizabeth Barrett Browning Essay

“Beauty is whatever gives joy”(Millay). Edna St. Vincent Millay followed this motto throughout her life, creating beautiful poems for the sake of joy. “Love is Not All (Sonnet XXX)” is a prime example of such beauty. From her childhood, to where she grew up, to what literary era she lived in, Millay’s writing portrays who and what she is: an alcoholic, bisexual, inspiration of her time. Edna St. Vincent Millay, born with a rebellious attitude to a supportive mother, wrote in her modernistic views, “Love is Not All (Sonnet XXX)” with the idea that love is not as important when facing hunger and pain..

“Love Poem” by John Frederick Nims is an excellent of example of an author using many types of literary terms to emphasize his theme of a love that is imperfect yet filled with acceptance. In, this poem Nims uses assonance, metaphor, and imagery to support his theme of “Imperfect, yet realistic love”.

Poetry is oftentimes associated with the subjects of love and romance. Poets throughout the ages have used this medium to express their deepest emotions in the most eloquent of ways. Whether the poet is a man or woman is irrelevant. Poets of both genders have succeeded in expressing a heartfelt love to another with a poetic language that speaks volumes in a relatively short amount of text. Two poets from two separate eras each wrote a poem with just such a theme. Anne Bradstreet in “To My Dear and Loving Husband” and Edgar Allan Poe in “Annabel Lee” created magic by writing these poems that express a love for another that transcends time and place.

The couplet of this sonnet renews the speaker's wish for their love, urging her to "love well" which he must soon leave. But after the third quatrain, the speaker applauds his lover for having courage and adoration to remain faithful to him. The rhyme couplet suggests the unconditional love between the speaker and his

Love is not always an easy adventure to take part in. As a result, thousands of poems and sonnets have been written about love bonds that are either praised and happily blessed or love bonds that undergo struggle and pain to cling on to their forbidden love. Gwendolyn Brooks sonnet "A Lovely Love," explores the emotions and thoughts between two lovers who are striving for their natural human right to love while delicately revealing society 's crime in vilifying a couples right to love. Gwendolyn Brooks uses several examples of imagery and metaphors to convey a dark and hopeless mood that emphasizes the hardships that the two lovers must endure to prevail their love that society has condemned.

She continues to list her idealized love in Sonnets 43 and 14, stating that love should be pure as men “turn from praise”, a love which people endure because it is right and correct. She again through imagery demands the purity of genuine love that can grow through time and endure “on, through loves eternity”. This clearly explores the idea of aspirations, hope and idealism within the sonnet sequence.

In Sonnet 13 by Elizabeth Barrett Browning, the beloved wants the speaker to transcribe the feelings that she has for him in a sonnet. However, even though she knows that her feelings are real, she is not yet comfortable with declaring her love in such a way. In her sonnet, Browning compares what she is feeling to a lit torch in rough winds: “And hold the torch out, while the winds are rough, / Between our faces, to cast light on each?— / I drop it at thy feet” (3-5). In this metaphor, the torch acts to enlighten what is between both Browning and her beloved. Except, with external forces (such as the rough winds) battling against her increasing emotions, she feels as though she must focus on protecting her feelings. By the end of this quote, Browning drops the torch, thus representing the fact that she can’t go through with describing what she feels for her beloved. Ultimately, she tells her love, “My hand to hold my spirit so far off / From myself—me—that I should bring thee proof / In words, of love hid in me out of reach” (6-8). Here, she states that she can’t go through with risking herself. For now, he will have to settle with silence as his only answer. Simply by evaluating Browning’s response, we can see how much she cares for her beloved. First off, she worries about the possibility of risking or changing the strong emotions she has. Additionally, she believes that, given her profoundly heartfelt emotions, she will not be able to accurately depict their significance.

"Love Is Not All" is a Italian or Petrarchan sonnet, with fourteen lines of rhymed iambic pentameter. It has one stanza and it uses the rhyme scheme of a Shakespearean sonnet with three quatrains and a couplet. Each line contains between 7-10 words, the average line containing nine words. The poem includes the two main elements of a sonnet, an octave and sestet. The first six lines of the poem are the octave. During this section of the poem, the author has a negative tone towards love. Her diction includes words like “not” or “nor” to stress the idea that love is unnecessary. The switch or climax of the poem occurs during the seventh line, and is marked by the word “yet”. This choice of diction foreshadows the second idea of the poem, that love has some value. The eighth line starts the sestet of the poem and changes the tone of the poem to a more optimistic outlook.

“the sonnet-ballad” by Gwendolyn Brooks is a Shakespearean sonnet that uses imagery to paint a picture of death/war stealing a lover’s happiness by portraying that the man is seduced away. This passage portrays that the lover cannot be happy for her significant other has been taken away by death/war. War has a negative effect on women, and the relationships with their lovers. When death takes away a woman’s lover, they must overcome sorrow and anguish of their loss.

I will consider the way in which the two poets deal with the idea of love as timeless.I will also explore themes of authenticity and identity in their poems about love. In addition I will consider the extent to which their gender may have affected their view of love.

Edna St. Vincent Millay’s “Sonnet IV” follows many of the conventions of the traditional Petrarchan sonnet. It follows the traditional rhyming scheme and octet, sestet structure. However it challenges the conventions of the typical subject of the Italian sonnet, unrequited love. In the octet at the beginning of the poem Millay uses images that give a sense of transience and in the ending sestet of the sonnet she contrasts the sense of impermanence given earlier with the idea that the speaker cannot forget the smiles and words of their ex-lover. This contrast between permanence and transience illustrates Millay’s interest in a fugacious relationship with everlasting memories. After further analysis of Millay’s highly structured rhyming scheme which puts emphasis on the last words of each line. She uses these words to further express her interest in exploring impermanent relationships by using words that are associated with an end or death.

Throughout the poem, To My Dear and Loving Husband, many lines explain how I feel about love. This poem is written to express a woman's love for her husband. This poem expresses so much emotion and feeling. "My love is such that rivers cannot quench," (page 115) is such an excellently written line that describes how much emotion is put into just one four letter

The last stanza in this poem considers the woman's physical description and moral character. Her “so soft [and] so calm” flow radiates peace and goodness.

Elizabeth Barrett Browning's "How Do I love thee?" This poem by Elizabeth Barrett Browning is one of many she penned for her husband Robert Browning. Using the basic form of an Italian sonnet with its fourteen lines and strict rhyme scheme - she manages to produce a surprisingly passionate poem.

Elizabeth Barrett Moulton-Barrett was born March 6, 1806 in Durham, England to Edward Barrett Moulton-Barrett and Mary Graham Clarke. She was the eldest of twelve. Her father made the family fortune from a sugar plantation. In 1809, the Barretts moved to an estate called Hope End in England. Elizabeth Barrett’s childhood was spent happily at the family’s home in England. She had no formal education, learning solely from her brother’s tutor and from her continuous reading. She managed over the years to learn Greek, Latin, Hebrew, French, Italian, German, and Spanish. She learned rapidly and began writing at an early age.