Love And Love In Selena Gomez's 'Round And Round'

Suicide can sometimes feel like the only way to pacify the pain. It is as if something is eating away parts of you slowly and intently and the only way to relieve the constant pain, is to die. Tiffany Hunter and Pierre L’errant are two very different characters with both equally unique yet queer personalities. Although Pierre and Tiffany are not the best of friends, their contrasting characteristics somehow complement each other. They both have similarities in their plans of suicide as well as differences that help them make the correct decision on where they want their life to go in future. Although they both made different decisions at the end, they assisted each other to settle on the right choice. Drew Hayden Taylor develops a theme of despondency and isolation from peers and loved ones in the novel “The Night Wanderer.”

Straying away from life as a whole only to be alone, some may say is the strong way to heal themselves when dealing with extreme grief or a major crisis . In the book Wild, twenty-two year old Cheryl Strayed thought she had lost it all. Dealing with the loss of her mother, her family torn to pieces, and her very own marriage was being destroyed right before her very eyes. Living life with nothing more to lose, lifeless, she made the most life changing decision of her life. Strayed never seems remorseful on her decisions to up and leave everything behind while deciding to flee from it all. This being her way of dealing with life, it shows her as being strong; a woman of great strength and character. She shows personal strength, which is

Cheryl Strayed’s story “The Love of My Life”, offers a wonderful, in depth character study into the life of a self-absorbed sociopath, who “strays” from her picturesque marriage after the death of her mother. What makes this piece so unique and interesting to read, is Strayed’s ability to provide a true reflection into her inner conscious and persona as she performs an imaginative mental gymnastic routine to piece together a worthy purpose for her actions. It’s rare that somebody so detached from reality can write so well, and it’s for this reason that “The Love of My Life” is a masterpiece of the modern day narrative. Her voice is one of a kind, and through the use of popular writing techniques, she is able to capitalize on it to engage the reader.

Loneliness is usually a common and unharmful feeling, however, when a child is isolated his whole life, loneliness can have a much more morbid effect. This theme, prevalent throughout Ron Rash’s short story, The Ascent, is demonstrated through Jared, a young boy who is neglected by his parents. In the story, Jared escapes his miserable home life to a plane wreck he discovers while roaming the wilderness. Through the use of detached imagery and the emotional characterization of Jared as self-isolating, Rash argues that escaping too far from reality can be very harmful to the stability of one’s emotional being.

In the novel by Charlotte Bronte, "Jane Eyre", there is a constant battle of love versus autonomy in Jane, the main character. At points Jane feels as if she would give anything to be loved. Yet over the course of the book Jane needs to learn how to gain affection of others without sacrificing something in return.

Charlotte Bronte, in her most famous novel, Jane Eyre, carefully utilizes different characters to influence and shape Jane’s personality throughout the story. Bronte uses varied actions and emotions to do this, but one of the main actions is abuse. Though not in every setting in the novel, abusive tormenting people are spread throughout the story that change Jane and her future. These ill-mannered actions can completely change Jane’s mindset, personality, and life-story. In Charlotte Bronte’s Jane Eyre, cruel male protagonists alter Jane’s character through physical, psychological, and emotional abuse.

In a society like the one we live in today, we are used to seeing many people each and every day. The thought of being in complete isolation from society may seem very abnormal to us but it in fact, it is completely normal. Many people live in isolation as it is defined as being in your own little bubble of people. These people could include family, a small group of friends or just one individual with themselves. This is prominent even in school as everyone has their own little circle of friends that they hang out with and essentially “live in isolation” with. In the novel, The Road, the theme of isolation is taken to the extreme as all the two main characters have are each other in a desolate world of nothingness. Isolation can be beneficial

In the novelette “Of Mice and Men”, the author John Steinbeck utilizes two main themes of loneliness and isolation alongside the theme of hope. It is human nature to crave someone to call a friend, or have someone to talk to. Being lonesome can cause any human being to go crazy inside, and no one wants to fight a battle alone. On the contrary, too much hope can cause the isolation that everyone dreads. Excessive amounts of hope can blind you from other important matters going on in the world around you, and you lose sight of everything but that fantasy. In “Of Mice and Men”, some persona are led to their downfall after being isolated from society; this is manifested through characters, foreshadowing and setting.

Charlotte Brontë’s coming of age novel, Jane Eyre, deals with the struggles of womanhood and finding strength in the toughest of times. Jane Eyre is a young woman who, throughout the novel, becomes stronger and more independent. In Essaka Joshua’s critical essay, “‘Almost my hope of heaven’: idolatry and messianic symbolism in Charlotte Bronte's Jane Eyre,’” he analyzes the idolization of character’s as gods; however, in Judith Leggatt and Christopher Parkes essay, “From the red room to Rochester's haircut: mind control in Jane Eyre,” they analyze the idea of mind control in Jane Eyre.

“I am no bird and no net ensnares me; I am a free human being with an independent will” (Bronte, Jane Eyre 293). In the Victorian time period Charlotte Bronte lived the unequal life as a woman, like many others. The only difference is Bronte did not believe in living in inequality, and she wrote about her hardships in her literature. In her book, Jane Eyre, the reader can see many similarities in her main character’s life and her own. Jane Eyre has many ways of showing how Victorian women were expected to be and act, included in the life of Jane. Bronte also continues her portrayal of the inequality of women and the decision of love versus autonomy through two of her poems, “Life” and “The Wife’s Will.” Charlotte Bronte displays the inequality in life of women in the Victorian era by taking her life and revitalizing it into themes of her works, by providing a journey of discovery of love or autonomy.

In the novel Jane Eyre (1847), Charlotte Bronte creates a character, Jane Eyre as a protagonist to narrate her life in Northern England during the nineteenth century. Bronte is able to interpret Eyre’s experiences through the use of harsh imagery throughout the novel. Bronte’s purpose is to show the development of Eyre’s character and her discovery of love in order to describe how a person can come from nothing yet still have self respect and principles. Although there are many adversaries in Eyre’s life, her financial circumstances are what sets herself from everybody else in the novel.

Jane’s approach could be considered romantic and embodies conventional feminist concepts; she remains headstrong and stubborn in the face of injustice. The representation of Jane as a strong, independent woman upholds the belief that woman can achieve their goals. Jane does precisely this; she marries Rochester, becomes a part of a family as well as gains financial independence. The way in which Bronte represents Jane is emphasized through her narrative stance. The reader is presented with a firm and rebellious character, her diction is simple and assertive. She addresses the reader directly and is able to identify and challenge the problems she faces with determination. Furthermore Jane is able to identify and comment on how she feels woman are subjugated by their society; she denounces that “woman are supposed to be very calm generally: but woman feel just as men feel […]” (Bronte

Bronte takes the fire and transforms it to illustrate the image of sexuality and passion. By doing this, she also proposes the way in which internalized feelings of opposing ideas give into self-depleting energy through the loss of self-control. Here, Jane has the fear of becoming like Mrs. Reed. She comes to the realization that if this is not what she wants to be like, then she must keep her passions under control. Otherwise, she could become "black and blasted after the flames have died." This is presented to embody what Victorian society believed to be true and is a fine example of everything that it despises, which is namely the expression of passion. The fulfillment of self becomes the foundation of society's views, on which the fears of women and their passionate behaviors are laid.

Charlotte Brontë’s Jane Eyre is a timeless novel rooted in journey and romance which uses subtle psychologic symbols to convey the overarching theme of cognition after abuse. Throughout the novel, Jane Eyre and Edward Rochester’s romance struggles through Brontë’s symbolic use of fire and her character’s gazes, as well as through notes of Jane’s own troubled past. Nina Straus’ “Gazes, Fires, and Brain-Body Repair in Brontë's Jane Eyre” effectively asserts that Jane’s past experiences are exemplified through fire and gaze, resulting in the clarity of Jane’s want for a mother, and the impact the loss imposed on her. Through analysis of Jane Eyre, gaze and fire are primary metaphors that indicate how visual experience connects mind-body to emotion, thus proving Straus’ idea that Jane’s psychological damage is a result of the death of her mother.

This is also an amazing kind of writing in which unrealistic text which changes with writings of mental findings which Brontë’s beautifully changeable story of veers between sardonic wit and stream-of-consciousness, in which the structure of passage bends and threatens to dissolve completely in the heat of madness, drug-induced hallucination of desperate desire.