Love In The Story Of A Short Story

Throughout the story, Chopin adds bits of foreshadowing to hint at the demise of Mrs. Mallard. On the opening page of the story, the first sentence states, “Knowing Mrs. Mallard was afflicted with heart trouble, great care was taken to break her...husband's death” (6). This sentence leads the reader to believe that Mrs. Mallard is already gravely ill. On the final page of the story, Mrs. Mallard argues with her sister, Josephine, who fears that Mrs. Mallard is making herself sick from heartbreak. Mrs. Mallard shouts, “Go away. I am not making myself ill” (8). This foreshadows that she is already making herself sick.

The doubt and misconstruction placed upon the women in the stories is a huge factor in the way their characters develop. Mrs. Mallard's sickness was misdiagnosed by both her family and doctor. They believed she suffered from heart problems but no evidence of this was produced during the story. When Mrs. Mallard was up in her room, her sister, Josephine, was worried that Mrs. Mallard would make herself ill because she was alone and suffering from her husband's death. Chopin gives the reader an insight as to Mrs. Mallard's thoughts by using a third person limited omniscient narrator, and by doing so, allows the reader to understand that Mrs. Mallard's family's ideas of her health were false. Near the end of the story the doctors and Mrs. Mallard's family believe that she has had a heart attack because she was happy to see that her husband was alive, while in actuality, she died because didn't want to live if she had to live with him.

In “The Autonomous Female Self and the Death of Louise Mallard in Kate Chopin’s ‘Story of an Hour,’” Mark Cunningham expresses his opinion on how he believes Mrs. Mallard dies in Chopin’s short story. “The Story of an Hour” was written in the late 1890s, during a time when it was controversial for women to be independent. The ending of her story has created somewhat of a dilemma among readers for years. Some people conclude one ending based on the details and clues Chopin wrote throughout the story, while others come up with a totally different opinion. Mark Cunningham writes a brilliant article on his view of the story’s ending, where he clearly conveys his take on Louis Mallard’s death. Although there are many times when he repeats the same information, Cunningham makes good use of textual evidence and authorities, as well as logic, which makes it easy to agree with his claim.

When it is revealed that she has “heart trouble”, her sister uses extreme caution when breaking the news about the death of Mrs. Mallard’s husband. Chopin makes use of certain things in the short story where things can be taken literally and figuratively. Mrs. Mallard’s heart condition can be looked at literally and figuratively because Chopin incorporates it as both a physical and symbolic problem. Mrs. Mallard did have mixed feeling about her marriage and the lack of freedom that she had. When Mrs. Mallard realizes that she has this

Mrs. Mallard’s heart trouble is symbolic of her broken relationship with her husband, Brently. Of all the possible health issues that Mrs. Mallard could have been battling, it is heart trouble that she if faced with. It is noted that Josephine speaks “in broken sentences; veiled hints” (Chopin, “The Story”), so that the news of Brently’s death is revealed to Mrs. Mallard as carefully as possible. However, the news of her husband’s death actually brings a new life to Mrs. Mallard: “Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body” (Chopin, “The Story”). Mrs. Mallard’s marriage has confined her to her home and has caused the loss of her freedom, which is represented by her heart trouble. Her death is not caused by the joy of seeing her husband like the doctors thought, but rather due to a loss of joy, as she loses her newly found independence upon seeing Brently walk through the front door. Chopin shares: “When the doctors came they said she had died of heart disease – of joy that kills” (“The Story”). The window in Mrs. Mallard’s bedroom also serves as an important symbol in the story, representing Mrs. Mallard’s freedom. Upon seeing the beauty throughout the streets as she looks out her window, Mrs. Mallard is finally able to realize that the rest of her life is full of countless possibilities (Rosenblum,

The differences in Josephine and Mrs. Mallard are evident in their reactions to the news of Mr. Mallard's death. Josephine cannot find a ray of hope in Mr. Mallard's death. She is overwhelmed with sadness. She is very careful how she tells Mrs. Mallard of her husband's death. Josephine uses broken sentences and veiled hints when telling Mrs. Mallard of Mr. Mallard's death. Josephine knows that Mrs. Mallard depends on her husband for everything. However, Mrs. Mallard's reaction to the news is very different. Mrs. Mallard loves her husband. She is saddened by the news, but she is able to see into the future. She is able to see a future with color and brightness. Mrs. Mallard feels set free from bondage. She no longer sees a world of restrictions but a world of opportunity and adventure. Her husband's death brings revival to her soul. Chopin says, Mrs. Mallard is "drinking in a very elixir of life through that open window." The news of Mr. Mallard's death is tragic but brings very different reactions from Josephine and Mrs. Mallard.

Marie tells the nurse that her husband went home to pick up their three children and bring them to the hospital. She states that she doesn't want her children to see her this way and asks the nurse to tell Mr. Wilson what has happened.

Outsiders Essay In the novel “The Outisders” by SE Hinton there are three themes, Family, Bravery and Death. The first theme is Family because the Greasers all treat each other like family and do anything to help. The second theme is Bravery because when the children got trapped in the church with a fire Johnny and Ponyboy help get the kids out of the building and Johnny gets badly burnt. The last and final theme is Death because Dally dies when robbing a supermarket with police after him.

The end to this story enhances Chopin’s explanation because once she finds out that her husband is not dead it puts her in so big of a shock that she dies herself. The story gives a reason for her death which said, “When the doctors came they said she had died of heart disease – of joy that kills”( para, 23).

In addition, the tone escalates and is based on the unexpected reaction of Mrs. Mallard’s joyful and positive attitude regarding her husband sudden passing. Chopin catches those caught up in the

Mrs. Mallard learns that her husband really didnt die in the train accident and she herself ends up dying of shock. Chopin leads the readers to think that she would rather die then be forced to live under the bond of marriage. " when the doctors came they said she had died of heart disease-of joy that kills" ( Chopin, 1894, 61).

After hearing about her Husband’s death from her sister, Josephine and Brently Mallard’s friend Richards, she grieved and left for her room alone. While sitting in the Chair, she realizes that she is now free, free from the burden and that in the coming years she could live for herself. “She said it over and over under the breath: “free, free, free!””(Chopin 3).

Marie’s predicament lies in loving and caring for her husband and her father whom, on paper, are enemies. Complicating these identities even more, the game introduces Freddie, a man who joins the French army to avenge the death of his wife (who was killed in a German bombing raid). Even though Freddie is French in the eyes of the military, he is ostracized by his comrades (besides Emile) and seems to ‘exists separately’ from

In “The Story of an Hour,” Kate Chopin describes to her readers a young woman’s response to her husband’s death, or at least his presumed death. The opinions readers will draw from this story will vary from person to person due to personal experiences. The experience and wisdom that I have gained through the trails and tribulations of my life help me to understand, relate, and even despise Mrs. Mallard’s character. On one hand, I feel pity for Mrs. Mallard. I think she felt trapped in a situation that she found to be inescapable. She felt lonely, restless, and did not know how to help herself. Yet, on the other hand, I do not feel sorry for

Frederic chooses to spend his time in the city rather than Abruzzi, although that is where he "had wanted to go…" (Hemingway 13). Frederic realizes that there is a moral and religious way of life, which the priest represents, and he respects these values of the priest. He acknowledges the fact that the priest has a code to live by. On the other shoulder sits Rinaldi, the satisfied, self-assured surgeon with whom Frederic also tries to identify. Rinaldi seems fulfilled, but as the war progresses he falls into a world of despair and disease. Although he cannot see it, Rinaldi too closely resembles Frederic's dilemma and therefore is unable to tutor him (Waldhorn 69-70). Tremendously significant, Frederic Henry's exchanges with the priest and Rinaldi play a strong role in his development because he is unable to solely identify with either of them.