Love Song By John Kolvenbach

True love’s path is paved with every step. Through the assistance of fanciful elements as well as characters Puck and Oberon, the true message of love in William Shakespeare’s A Midsummer Night’s Dream is revealed. The four lovers know the direction in which their hearts are inclined to turn, but when the love potion is administered, the bounds of their rectangle are thrashed without knowledge or consent. The rapid shifts in affection between the play’s “four lovers” is representative of the idea that love isn’t a conscious choice, but a cruel game in which we are the figurines, being controlled by whomever the player may be, relating the characters’ karmic fates.

"it's all you need, and live will hold us together" is sung by Matt Maher in his song titled "Love will Hold us together" I have heard the song exactly four times. My initial reaction to song was a snide remark about the how cliche and unrealistic its message was. In my life up to that point, I had not experienced an overwhelming sense of love or happiness. I was happily perched on a throne of cynicism with no desire to change. That was until I heard the song for a third time during my sophomore year of high school.

One of his plays, ‘A midsummer’s night dream’, includes the themes of love and magic,where love is represented as a force that makes people act in irrational ways to entertain the audience in a comical and dramatic way. He used different techniques throughout the play to create a tumultuous and intriguing factor. The storyline of the play follows various couples such as Hermia and Lysander and Oberon and Titania. These couples show examples of irrational behaviours with love and magic throughout the play.

Stella isn’t as happy as it may seem to be. Even in scene 2, Stanley’s

“Love on the B-Line” by Adam Kraar gives us an understanding of how to write a play. He gives us great examples of structure, character development, and dialogue that can help young or novice writers understand the basics of making a play.

Love is an unconditional commitment to give selflessly, protect fiercely, communicate truthfully, behave compassionately, and forgive endlessly. In The Bean Trees by Barbara Kingsolver all of these traits of love are shown flawlessly through the relationships of Taylor, Turtle,Mattie, Lou Ann, Estevan, and Esperanza.

To provide some context, Shakespeare’s A Midsummer Night’s Dream interferes with love through the deception of fairies. When Hermia’s father insists she marry Demetrius, she runs away with Hermia and Lysander. Contrastingly, Helena chases after an uninterested Demetrius, helplessly in love. The fairies meddle with these two couples by accidentally casting a love

Love is such an abstract and intangible thing, yet it is something that everyone longs for. In Shakespeare’s play A Midsummer Night’s Dream, the difficulty of love is explored through the obstacles that characters have to face while pursuing their loved ones. Those characters that are in love in the play were conflicted with troubles; however, the obstacles of love do not seem to stop them from being infatuated with each other. The concept of true love is examined throughout this play. By creating obstacles using authority and a higher power, Shakespeare examines the power of love. Through Hermia and Lysander’s loving words, it is reasonable to conclude that love conquers all if you believe in it.

In Twelfth Night, Feste asks the “most simple and at the same time most complex of questions,” “What is Love?” (The English Review). Some people believe that love is easy, effortless, and leads to fairytale endings. However, in Twelfth Night, Shakespeare shows the other side of love. Love is not a simple feeling, and it is a confusing emotion which leads to heartbreak, or pure happiness. These two polar opposites are derived from either true or false love. Shakespeare portrays the idea that love is not always easy, and differentiates between false and true love in Twelfth Night.

The couple's feeling is stated to the audience by Shakespeare as of pure love, whereas who knew him best, such as the friar, stated otherwise, "For doting, not for loving, pupil mine"

By doing so, Shakespeare further implies that it is not the physical perfections, or having a voice as lovely as music that make up love, but rather personality and more skin-deep qualities that make up true love. The utilization of excellent diction, and the use of paradox and allegory techniques throughout conveys to the reader the admirable tone the speaker seems to have for his love, and the realistic point Shakespeare tries to prove in that love is not just simply looks, but character and quality of a person that form a truer and deeper bond.

A person may search their whole life for love. Some are lucky enough to find the perfect someone, and some are not. The one’s who are not as lucky can sometimes create their own idea of their ideal partner, but never actually find them. In D.H. Hwang’s play M. Butterfly, a man by the name of Gallimard creates his own idea of the perfect partner. He falls in love with a woman by the name of Song, who turns out to be not what he expected. Song is actuality a Chinese spy disguised as a woman. Hwang illustrates in the play M. Butterfly, people are not always who they perceive to be. Through Gallimards love for song, his portrayal for the East and West, and Gallimards obsession with

Consequently, this picturesque poetic device helped communicate the theme of lost love by helping the reader associate the personas’ thoughts and beliefs with their own.

The reader must participate in the making of the poem or story by digging the structure out and create coherence out of the seeming incoherence. Therefore, the search for meaning, even if it does not succeed, becomes meaningful itself.

The incessant search for reality within (through drugs, meditation and intense feeling) was a quest for authenticity that reason, it was felt, deadened. It called for the reconnaissance at the extremes of human experience, as far beyond the limits of reason as possible, thus placing uncommon stress upon subjunctive moods. (Merrill, 2)