Love vs. Lust in Andrew Marvell's Poem, To His Coy Mistress Essay

In many ways, this poem is unusual in its subject. It deters in several ways from a typical aubade, such as Donne's "The Sun Rising" or the internal aubade introducing the bird narrator in Chaucer's "Troilus and Criseyde." For this poem, it is important to note that rather than detailing the parting of lovers, this poem addresses a parting which has already taken place. The speaker is likely driving away from his love, having left her, and imagining her still asleep. The last line of the poem has a certain intimacy to it, that even though they are apart, in the speaker's mind they are still joined by this moment, as he seems to have an awareness or thoughtfulness regarding what she is doing as he moves further away. Also, the speaker in an aubade is usually discontented that he has to leave his love; this speaker is somehow consoled by the knowledge that a parting is never really a parting (his driving off is somehow symbolic of this.) It is also interesting to note that this aubade doesn't greet the sun; rather it mentions the moon instead.

The poem then transitions to the post-marriage life of the couple in stanza two. In lines eight through ten, the speaker states that she is too shy around her husband. Not only does she not smile, but also she does not answer her husband when he calls her. This shows that the speaker's life took a great emotional transition, as she is overly shy and feels uncomfortable around him. However, around the middle of the second stanza, the speaker transitions into another stage of

Love - an intense feeling of affection and care towards another person. Lust - a strong desire of a sexual nature. Shakespeare's Romeo and Juliet is a romantic tragedy that forms many questions and arguments. Romeo and Juliet’s relationship is very confusing. Were they really in love? Was it just lust? Was she just trying to avoid marrying Paris? These are all questions raised by this play. The theme of love vs lust is best addressed by Romeo’s soliloquy in Act 2, Scene 2.

In conclusion, the poem points the inevitable cycle of natural and emotional events and the power that love has to go beyond that cycle. This is why the speaker assures that the way he has loved is something that

Ever since the beginning of time, love has played an enormous role among humans. Everyone feels a need to love and to be loved. Some attempt to fill this yearning with activities and possessions that will not satisfy – with activities in which they should not participate and possessions they should not own. In Andrew Marvell’s poem, “To His Coy Mistress,” the speaker encounters an emotion some would call love but fits better under the designation of lust for a woman. In contrast, the speaker of Robert Herrick’s poem, “To the Virgins, to Make Much of Time,” urges virgins to marry, to make a lasting commitment in which love plays a

The first stanza appears to have a rhyme scheme in which the second and fourth lines rhyme. However, this rhyme scheme is not perfect as the remaining stanzas do not follow this pattern. As death is personified throughout the entire poem, lines 2 and 3 introduce him as a kind gentleman that has come the take the speaker for an enjoyable carriage ride. The second stanza shows their courtesy to one another by his patient towards her as he “slowly drove-He knew no haste”, and her giving up her “labor and..leisure too” to join him for a ride.

In the poem “Self’s the Man” he portrays Man to be more superior to women. His opinion of love’s initial excitement contrasted with the

At this point in the poem, the speaker takes a moment to explain that, beauty and the ability to enjoy life to the fullest fades with time, and that the two of them should show off or 'sport'; their love and beauty before time passes by and they loose there chance.

This poem talks about nature and death. William Cullen Bryant shares that nature can make death less painful. He says that when we start to think about death, we should go outside, and look around and listen to the natural earth sounds. This is supposed to remind us that when we die, we will mix back into the earth. The poem tells us that when we die, we will not be alone. We will be with every other person that has ever been buried, In the ground, which in this poem is called the “great tomb of man”. It also tells us that even those that are still living will soon die and join in the great tomb of man. This poem is meant to comfort those that are afraid of dying and death in general. At the end of the poem, we are told to think of death as

In the final stanza, he makes the reader sad as he assumes the inevitable will happen and she will die. He expresses this through metaphors such as a “black figure in her white cave”, which is a reference to the bright white hospital rooms and although he is the black figure he thinks she just sees a shadow which could be the grim reaper or even death himself, coming to end her journey. No one wants to deal with the sorrow of losing a loved one for good, as

Most of the poem is sweet, but also tells them to hurry and enjoy life right now before they run out of time. Also that their bodies are energized now and later on they won’t be able to do what they would do when they were younger. In comparison to “To His Coy Mistress” the author tells them to get married also because they have something that time will sooner, or later take away and that would be sad that they didn’t get to enjoy it just because they wanted to

The Poem begins with a personification of death as "kindly" (3). By doing this, the speaker introduces a portrayal on death that might have conflictions. Most of the times, death has a negative connotation. Whether it is an inevitable or tragic view, it opposes to what is seen in the poem. The speaker accepts death as a friendly invitation when the time is right, rather than something that is bound to happen. The speaker then joins immortality, personified as a passenger in a carriage. Immortality simply cannot be a passenger as it is a non-living thing. The reasoning for this could be that immortality ties together the link between the speaker and death, ultimately introducing the voyage to come. The first stanza sets a precedent of a meter to follow throughout most of the poem. The first line contains eight

I interpreted this poem as a very sad one. A love unrequited by the pursued. In the first two lines the poem tells you to forget about the love you share and hear a tale of this. Not to literally forget, but possibly put aside. The man is a winter breeze, cold and rough and sort of roams the land. The woman is a window flower, shut off from the outside. This sets up the separation.

The speaker in this poem seems frustrated; he delicately tries to inform his coy mistress that their death is near, and they still have not had sexual intercourse. In lines 17-33 the poem seems to lose the exaggeration sense and suddenly becomes serious. He (the speaker) reinsures his coy mistress that ³you deserve this state?(state of praise and high acknowledgment), ³But at my back I always hear, Time¹s winged chariot hurrying near? Andrew Marvell uses and interesting image in line 22 (the line mentioned above) when suggesting to his coy mistress that death is near. He substitutes the word ³death?for a more gentle, delicate term of ³Time¹s winged chariot? This term was probably used to prevent from frightening such a coy mistress. Marvell continues to involve the reader¹s imagination through unimaginable images. What do ³Deserts of vast eternity?look like? In fact, Marvell probably used such abstract images to suggest to his coy mistress that their future is indeterminable, and ³Thy beauty shall no more be found? Perhaps, beauty is what the coy mistress is so concerned with and the speaker in this case is trying to frighten her to have sex with him quicker. He continues to use intense imagery when describing to his coy mistress that even after death the ³worms shall try That long preserved virginity? The speaker now abstractly describes that holding on to your virginity for

What is the difference between love and lust? According to the dictionary, love is a feeling of strong and constant affection for a person. On the other hand, lust is a strong sexual desire for another (“Merriam-Webster”). The definitions of love and lust are complete opposites. Love is a constant feeling, while lust is impermanent. Yet, the two are always confused between people. This is because of the word “strong” in both of the definitions. When a person is deeply in love or is consumed by lust, the feelings are both strong. Therefore, it is sometimes challenging to differentiate. Banksy, a well-known street artist, realized the problem with love and lust, and decided to teach people a lesson by painting a piece of street art called “Waiting in Vain…at the Door of the Club.”