Loyalty is being faithful to commitments and obligations. On the other hand there are many ways to display loyalty. One can be loyal to a person, political party, country, religion, or cause. The list is seemingly endless. William Shakespeare’s play King Lear exhibits many forms of loyalty, but one that shines particularly is loyalty to ones selfish needs. However there is a limit to loyalty which most over look. The characters Cordelia, the emotional King Lear, and the vile Edmund all manifest their loyalty to their own self, and all meet their demise. The limit to loyalty is death.
Often said to be the exemplification of an angel on earth, Cordelia’s character is won over by so many readers’ hearts. However there is a side to Cordelia
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But all actions have a consequence and unfortunately the actions taken not only cost her banishment by the one person she loves, but also the death of both her and her father King Lear.
King Lear an imprudent, old man symbolizes selfishness like no other. What is most daunting is the fact that he is adamantly loyal to appearances and ranking in life. He carries a title which most can not even dream of attaining, but wants to give up the position and all the responsibilities that follow it. “ Know that we have divided/ In three our kingdom, and `tis our fast intent/ To shake all cares and business from our age” (1.1.37-39). It is quite understandable if he just wanted to end his reign as king, but it’s another thing when he also wants to bask in the glory of the title and be treated like he still owns it. This egotistical attitude of his is more annoying than anything else, for he brought forth all his problems upon himself, and also unto others. His most arrogant moment is at the very beginning of the play, when he demands his daughters to profess their love for him openly, “which of you shall we say doth love us most?” (1.1.53). The use of his words in this quote is disgusting, it exudes pride, self-importance, and flattery. It’s because of these very words, that Cordelia denied him his right to the, all so selfish public display of love. Although Lear made costly mistakes throughout the play, his love to Cordelia rang
Shakespeare's good characters, in the play King Lear, are considered good because they are loyal even when they are disguised from or unrecognizable by those to whom they owe loyalty. In addition, their loyalty does not waver even when they are banished or mistreated by those to whom they are loyal. Cordelia, Edgar and Kent are all characters that exemplify this goodness and unwavering loyalty.
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to
As I’ve said before, loyalty had both positive and negative outcomes. Romeo and Juliet might not have met if it weren’t for Romeo’s friends urging him to gatecrash the ball. As he was loyal he did not argue, however he probably had an ulterior motive: to catch a glimpse of Rosaline, who he thought he was in love with. If Juliet’s Nurse had not been devoted to Juliet, she would have told the Capulet’s which could have resulted in Romeo and Juliet’s end a lot sooner. On the other hand, you could argue that loyalty lead to both of their deaths, with the reasoning that had Romeo not been so attached to Mercutio he would not have killed Tybalt when Tybalt fatally injured Mercutio. If he had not slain Tybalt, he would not have been banned from Verona, and in turn they might have thought of a different plan than the one they eventually chose which was wrought with complications and took both of their lives. If Juliet had not trusted Friar Laurence so greatly, she might have thought of a more foolproof
Loyalty is the quality of showing constant and complete support to one another. It is about the people who stay behind your back like family and friends you can trust. Similarly, the play Romeo and Juliet written by William Shakespeare shows a great deal of loyalty by Juliet, Friar Lawrence and Romeo. Loyalty and disloyalty is shown by Juliet whom betray loyalty to her parents by loving the son of their enemy, Friar Lawrence whom stays loyal to his friendship with Romeo by helping them hide the relationship and risking his life and Romeo posterior the death of Mercutio.
Of the deaths in Shakespeare’s King Lear, the death of Cordelia and King Lear at the end of Act V are most significant in revealing the development of Lear and how his development contributes to the theme surrounding it. The dynamic King Lear is a tragic hero whose fatal flaw, arrogance, prompts his removal from power and eventually the death of both himself and Cordelia. However, by the time of King Lear’s death, his arrogance has been replaced with a compassion which allows him to mourn the death of Cordelia and die from his own grief. Besides redeeming himself for his flawed judgement, the compassionate King Lear of Act V recognizes the loyalty in characters like Kent and Cordelia, while also seeing through the dishonesty of Regan and Goneril which fools the King Lear of Act I. King Lear’s transition from disowning Cordelia because of his arrogance to recognizing her as his only faithful daughter is demonstrated through Lear’s death, which serves as the culmination of his development and a reversal of his character. Furthermore, his death elaborates the theme of how someone’s arrogance may blind them from the reality of others’ intentions, which can be seen through a more compassionate and humble lens.
Shakespeare begins by introducing the reader to Lear’s madness in the opening scene of the play: “Tell me, my daughters…Which of you shall we say doth love us most? That we our largest bounty may extend Where nature doth with merit challenge” (Shakespeare 1.1.47, 50-52). Lear’s initial intent of shifting power to his daughters is equitable to that of a retired old man, who wishes “to shake all care…while we unburthened crawl toward death,” (Shakespeare 1.1.38, 40). However, in the exact moment that Lear allocates his well-being to his daughters, the entire dynamics of their relationship has thus transcended from parent to child. His status has become situated to a lower hierarchy, and can be seen as a foreboding on his mind as well as his country. Rebecca Munson symbolically makes this connection when she states, “ any inversion of sovereignty, either in the body natural or the body politic, not only morrows but causes such an
The emotive grandstanding language illustrates the dynamic prominence of exercising power imprudently and in haste. However, in contrast to The Queen, Lear’s transference of political authority to his daughters is on the prerequisite of flattery with an over exaggerated speech which must appeal and appease his ego: “Which of you shall we say doth love us most, that we our largest bounty may extend.” (Act 1.1.45-50) Lear’s actions have afforded his daughters the opportunity to take advantage of him. This strengthens Shakespeare’s theme of power, that authority is nothing more than a show and a display of status through language and verbal praise.
Cordelia personifies integrity, honesty and love throughout the play. By her very nature she is unable to flatter or curry favour since dishonesty is not part of that nature. She represents the truth and it is against the backdrop of her loyalty and undying love for her father that we measure Lear’s arrogant behaviour.
Immediately after King Lear awakens, he sees his daughter Cordelia next to him and exclaims “Thou art a soul in bliss; but I am bound/Upon a wheel of fire, that mine own tears/Do scald like molten lead.” (4.7.46-48) King Lear feels a great shame and cannot face Cordelia after becoming aware of how much he has wronged her. Moreover King Lear’s wisdom allowed him to have a realization of the nature of his daughters as he expresses to Cordelia that “for your sisters/Have as I do remember, done me wrong:/You have some cause, they have not” (4.7.73-74). King Lear now recognizes that Cordelia is the one who truly loves him. King Lear is also in a state of humility as he accepts his status as simply Cordelia’s father by referring to himself in the first person instead of with the royal “we”. In his humility, King Lear also realizes how much he was wronged Cordelia and tells her that he will “kneel down/And ask of thee forgiveness” (5.3.10-11). Although King Lear acquires wisdom, he must now bear the burden of his past actions; he admits that he is “a very foolish fond old man” (4.7.60). He now understands that not only did his arrogance bring suffering to himself, he brought suffering onto others. When Cordelia dies, King Lear can no longer accept the grave consequences of his past foolishness and his heart ceases to beat. Unfortunately, King Lear’s wisdom arrived at a time where it was too late for him
At the beginning of the play King Lear has more power than anyone else, the feeling of power made him think it was okay to ask his three daughters who loved him the most. When his youngest and favourite daughter Cordelia did not give him the answer he wanted by saying, “Unhappy that I am, I cannot heave / My heart into my mouth/ I love your majesty / According to my bond, no more nor less” (King Lear 1.1.91-93). he started lashing out. Lear clearly values Goneril and Regan fawning over him over Cordelia’s sincere honesty. Out of pride and anger, Lear banishes Cordelia, as well as Kent for defending her. Lear splits the kingdom in half to Goneril and Regan which leads to the deaths of many people in the play. Throughout the play he becomes increasingly shocked when people do not obey him the way they did before and the lack of respect he receives. With his loss of power Lear often responds to these problems with anger saying things like “My curses on her!” (2.4.138). about his own daughter. By the end of the play he recognizes that he takes responsibility for both his own problems and for those of others. King Lear’s actions were the first step to the plays tragic outcome.
This reckless behaviour causes Lear to lose a valued and trustworthy follower. Without a doubt, Lear's rash behaviour contributes to the suffering he endures at the hands of others.
Shakespeare’s King Lear fabricated a world of its own, in which distinct virtues and vices were personified by individuals with diverse points of view. With each conflict in the play, the characters’ actions and decisions were parallel to the integrity of their heart and mind, exhibiting the virtue or vice they represented. With this strategy, Shakespeare shares that with trust should come discretion.
The most shocking and maybe also the most fatal sin of King Lear is the disinheriting and
The play, “King Lear” by William Shakespeare, starts with noblemen Kent and Gloucester having a conversation and the audience finds out that Gloucester has two sons. Edgar who is his heir, and Edmund his unimportant son. This info. leads to the mini-plot. Then, Lear enters to say that he is going to end his life’s tasks and problems. He then points to the map, he tells the people there that he will split his land into three parts. They are going to be given to his three daughters. The two oldest, Goneril and Regan, tell their father that their love for him goes beyond expectations. The youngest one, Cordelia, tells him that she loves him, but only as she should love her father. He is then
King Lear is a character who displays a great deal of anger throughout the course of the play, he often allows his anger to take over him. A lot of things that are said and during the course of the play are due to Lear’s anger which is a leading factor for his insanity. Lear loses his temper during a love test when his daughter does not give the answer that he was looking for, he disowns her calling Cordelia his, “sometime daughter,” (1.1.119) and gives her share of the land to her sisters. This in turn leads to his insanity because in his blind rage he does not acknowledge the sincerity behind Cordelia’s veiled words; unlike her sisters she does not try to flatter her father in order to receive more land, whereas her sisters have their secrets agendas and do not truly love Lear. In addition to this, King Lear is also enraged when the Earl of Kent who is a loyal follower of Lear, goes against the banishment of Cordelia and speaks up in favour of the youngest daughter. Lear is livid with Kent going against him and banishes Kent, as well reminding him that, “if on the tenth day