Lucia di Lammermoor mad scene Essay

Many people prefer the book version of a story rather than the film it tries to become. This is due to the fact that the author’s intent of his own story is much more intriguing and familiar to its readers than just another film version. However, some versions portray the story better than others. Hollywood seems to have taken up the responsibility of creating complicated and compelling characters on screen. Unfortunately, doing so can easily take away a story’s rich, necessary detail. For instance, Shakespeare’s Othello has a few different movie versions of his story. Both movies, the 1990 version by Trevor Nunn and the 1995 version by Oliver Parker, are great productions carried by strong casts. However, there are areas in which the movie and the play differ. These differences tend to interpret the film in a different way compared to what Shakespeare intended. The film portrayals of Shakespeare’s Othello by Parker and the other by Nunn both display the character of Desdemona in very different ways. The Nunn version of this play did a much better job of portraying Desdemona as Shakespeare

I will be studying the fight scene where Mercutio and Tybalt die, and comparing, the two film versions of the play, I will find differences and similarities as well as describing how each director / producer interprets and makes their version of the film. I will describe how eight different factors are present in each version of the film:

Two films, both alike in content, set in fair Verona, where the directors laid out their scene, one created by Franco Zeffirelli in 1968 and the other by Baz Luhbrmann in 1996. Both cinematic, both staying true to the plot and dialogue, each one radically different than the other, Zeffirelli sets his film within historical actuality, while Luhbrmann presents his with a modern twist. A story of love, revenge and death, revolving around a pair of star-crossed lovers, interpreted differently, but presented in the same form.

Mise en Scene are used in every aspects of filmmaking. The term refers to the overall look and feel of

Williams presents the conflict between old and new in Scene Two in different ways, such as the manner in which Williams portrays the three characters Blanche, Stanley and Stella, as well the added tension through the structure of the scene, and finally in the stage directions. Through the use of these techniques, an atmosphere of tension is seen and felt by the audience, and the contrasts of the characters motifs are clearly highlighted.

In Summary, with these three examples it is shown that the play and the movie contrast quite a bit. Most of the story line and the dialogue were very similar to the original story in the movie but some things were changed, possibly to shorten the story to be able to make

This director’s choice shows that both directors cherished and respected Shakespeare's written text. In Zeffirelli’s film, the dialogue fits in with the other aspects of the film, such as the costumes and set. since everything is traditional, but what is interesting is that the actors manage to sound very natural and comfortable with the dialogue. They managed to convey strong emotion with help of the text and entirely transformed into the characters. Since, Zefferelli's version both includes the traditional sets, costumes, and language it makes it easy for the audience to understand the original play, the film is straightforward and does not contradict the original play, making the film a credible resort for those who want to have a better understanding of the story. Unlike Zeffirelli’s version, Luhrmann’s costumes and set do not suit the dialogue, making the Shakespearean dialogue in his version both strange to watch and hear, another odd aspect is that at times the characters did not precisely mean what they were saying, for instance, when a character was talking about their sword, they were actually talking about their guns named sword, consequently, this made the dialogue confusing to follow at times. Nevertheless, the actors in both films managed to execute an admirable performance and did Shakespeare's text

The poem begins to wind down with the undressing of the newest generation, the daughter. Just like her dad used to as a child, she is getting tired. The daughter is old enough to understand that a person needs to remove clothing to get comfortable before sleep “she has learned, recently, to undress herself” (21). The narrator has passed the knowledge he has learned from Frieda to

As I drank my coffee, I had to call the night nurse to get report. The night nurse reported to have an overall quiet night, although she did receive a call from Mrs. Patsy’s daughter at two AM. The family reported that she was no longer eating, drinking or

of discomfort in her abdomen, and Dr. Hilbun was asked to examine her. On examination, Mrs.

The play ‘Othello’ written by Shakespeare in approximately 1603 is a Greek tragedy with the tragic hero as Othello who is associated with the other main characters, Iago, Desdemona, Cassio and Emilia. Similarly, a movie of the 21st century with the same story line that of the Shakespearean play, which was written by Tim Blake had been produced in the late 1990’s and published in 2001. The features of the play ‘Othello’ are delineated by the movie ‘O’ in a more contemporary approach with new characters in order to suit the modern viewers. Both the play and the movie depict the downfall of a good person (Othello and Odin) through some fatal errors or misjudgments, producing suffering and insight on the part of the protagonist and arousing fear

Giacomo Puccini has written a number of operas, including Turandot, Gianni Schicchi, and Madama Butterfly. La Bohème is said to be “one of the most successful and enchanting operas ever written.” Written in the romantic period, the text and score interrelations play an important role in an overall aesthetically and historically pleasing opera. In a story of love found and love lost, Puccini uses text and score to create empathy for the characters of La Boheme. Puccini does so particularly in the aria Donde lieta uscì, sung by Mimi towards the end of Act III.

The choice of the “Three women of Don Giovanni” can give a good understanding of the type of music which was used to create an opera in the 18th century Italy. The opera buffa was a comic opera with a funny story line and light music. Mozart wrote at different levels.

Lucentio is discovered by affection for Bianca at first perception, says that "he will die if he cannot win her heart", and thusly puts into movement a sentimental and capricious arrangement to do as such. Though cherish in the play is frequently moderated by monetary and entertaining concerns, Lucentio is cleared up in a dream of dignified affection that does exclude the useful contemplations of men like Petruchio. All through a great part of the play, then, Lucentio and Bianca's relationship seems, by all accounts, to be invigorating and unadulterated in contrast with the relationship amongst Petruchio and Katherine. Petruchio's choice to depends on his self-declared yearning to win a fortune, while Lucentio's depends on sentimental affection.

The opening scene in David Lynch's Blue Velvet portrays the theme of the entire film. During this sequence he uses a pattern of showing the audience pleasant images, and then disturbing images to contrast the two.