Lucinda Matlock

“Carpe diem” is a Latin phrase that is commonly translated as “seize the day.” Many poems contain ideas that are similar to that of carpe diem. They discuss how one must cherish every moment of his or her life because life is limited and will eventually come to an end. Andrew Marvell’s poem, “To His Coy Mistress,” is an example of a carpe diem themed poem. Through the use of invigorating imagery, multiple tones, and thought-provoking metaphors Marvell develops an allegory for living every second of life to its fullest.

As Wendy Martin says “the poem leaves the reader with painful impression of a woman in her mid-fifties, who having lost her domestic comforts is left to struggle with despair. Although her loss is mitigated by the promise of the greater rewards of heaven, the experience is deeply tragic.” (75)

In literature, themes shape and characterize an author’s writing making each work unique as different points of view are expressed within a writing’s words and sentences. This is the case, for example, of Edgar Allan Poe’s poem “Annabel Lee” and Emily Dickinson’s poem “Because I could not stop for Death.” Both poems focus on the same theme of death, but while Poe’s poem reflects that death is an atrocious event because of the suffering and struggle that it provokes, Dickinson’s poem reflects that death is humane and that it should not be feared as it is inevitable. The two poems have both similarities and differences, and the themes and characteristics of each poem can be explained by the author’s influences and lives.

Opportunities for an individual to develop understanding of themselves stem from the experiences attained on their journey through life. The elements which contribute to life are explored throughout Gwen Harwood’s poems, At Mornington and Mother Who Gave Me Life, where the recollection of various events are presented as influences on the individual’s perception of the continuity of life. Both poems examine the connections between people and death in relation to personal connections with the persona’s father or mother. By encompassing aspects of human nature and life’s journey, Harwood addresses memories and relationships which contribute to one’s awareness of life.

There are many poets that have been writing some of the most amazing poems in the world for years upon years. Poetry is a great way to write about some of the most meaningful things in one’s life, without directly having to state what you’re trying to say some of the times. A lot of poets write about events within their lives as well as things in everyday life in the lives of everyone in the world. The poems “Do Not Go Gentle Into That Good Night” by Dylan Thomas (1914-1953) and “Psalm of Life” by Henry Wadsworth Longfellow (1807-1882) both use great diction and varying tone in their poems to portray their individual perspectives about life.

With the major differences in these works of writing, there are also many similarities among the two. Both Shakespeare and Frost are trying to say death is inevitable. It takes place at different times and under different circumstances for everyone, but none-the-less, it cannot be avoided. Everyone also deals with death in their own way. Macbeth almost discards the news of his wife’s death, as he talks about life itself and how he feels about it. The people in Frost’s poem are also unfazed about the death of the boy. Another similarity is that in both poems, the people move forward with their lives. This is a reflection of human nature; most of us don’t grieve forever, but eventually find a point where we’re able to accept the death a loved one.

Two literary pieces, “Do Not Go Gentle into That Good Night” by, Dylan Thomas and “Because I Could Not Stop for Death” by, Emily Dickinson are both poems that discuss the topic of death. While there are some similarities and comparisons between the two poems, when it comes to the themes, both poets writing styles are quite different from one another which makes each poem unique. Thomas and Dickinson both use identical figurative language devices and other literature symbolisms as they explain their main themes which contrasts the differences to the concept of death. These distinct variations between poems are apparent in both the form, and how the choice of words is used in the poems. Both of the authors have presented two very different ideas on death. The poems are well distinguished literature devices, they share minor similarities and differences between each other and how they present the meaning of death to a toll.

Not everyone’s life is filled with happiness. Granny Weatherall, in “The Jilting of Granny Weatherall,” by Katherine Anne Porter, and Addie Bundren, in “from As I Lay Dying ‘Darl’,” by William Faulkner, are two dying poor women who recall their lives in their minds when they are laying in beds. Their tough and harsh lives are similar in several ways. Granny Weatherall and Addie Bundren both had two men in their life. Granny loves her husband, John, and George.

In the poem “Carpe Diem” the speaker, Horace, is giving advice to the reader in a very serious manner. He is advising the reader to live life to the fullest and never take anything for granted. Meanwhile, Robert Herrick is giving the same advice but in a more light-hearted manner. Furthermore, in “Carpe Diem” and “To the Virgins, To Make Much of Time, symbolism and different tones are utilized to portray the theme of living in the moment.

When writing a collection of poems, most poets chose to focus on maintaining certain themes throughout their literature and Cornelius Eady is not an exception. Cornelius Eady’s collection of poems in Brutal Imagination focus on issues such as racism, family crisis, internal conflict, and death. The first part of the collection circles around a servant who works for Susan Smith and is the caretaker for her children. The story centers around the perspective of the servant who is also the overarching narrator. The story describes old version of United States when racism was still bluntly present and affected individuals identities and financial opportunities. Based off the information presented in the collection, the servant can possibly be male. The general plot follows deeply into the difficult life of the male servant through examining the issues he faces. The first poem within the collection set-ups the rest of the story with context for the readers giving them a few expectations about what they should look forward to reading further. Eady draws the reader through integrating an origin for the male servant and his connection to Susan Smith’s family.

The Spoon River Anthology, written by Edgar Lee Masters in 1915, was a unique piece of work in both style and structure. There are over two hundred “stories” told by the dead people who once lived in the town of Spoon River. The lives and dreams of these people are written as poems. The poetry itself is an excellent example of early modernist style.

Published in 1997, Marie Howe’s anthology of poems, What the Living Do was written as an elegy to her brother, John, who passed away due to AIDS. Howe’s anthology is written without metaphor to document the loss she felt after her brother’s death. Although What the Living Do is written as an anthology, this collection allows for individual poems to stand alone but also to work together to tell an overarching story. Using the poetic devices of alliteration, enjambment, repetition and couplets, Howe furthers her themes of gender and loss throughout her poems in her anthology.

This is expressed by the multiple examples of old men whom regret certain aspects of their lives and defy death even when they know their time is up. The speaker is urging his father to fight against old age and death. The meaning and subject of the poem influence the tone and mood. The tone is one of frustration and insistence. Thomas is slightly angry and demanding. His words are not a request, they are an order. The mood of the poem is is serious and solemn due to the poem focusing mainly on the issue of death. This mood and tone is created by words such as “burn”(2), “Grieved”(11) and “rage”(3) along with phrases such as “crying how bright”(7), “forked no lightning”(5), “near death”(13) and “fierce tears”(17). The insistent feeling is also created by the repetition of the lines “Do not go gentle into that good night”(1), and “Rage, rage against the dying of the light”(3). The figurative language used also affect how the meaning, tone and mood are interpreted.

Most authors write their poems based off their experiences with family and love or happiness, whereas Dickenson preferred to be alone for her writing. She is also well-known for writing poems questioning the nature of life and death. Some of Dickenson’s most famous poems include “‘Hope’ is The Thing with Feathers; I Taste a Liquor Never Brewed; Because I Could Not Stop for Death. Each of these poems is about expressing her current feelings and emotions, and nothing and nobody

Carpe Diem is another major theme never found in courtly love poetry, but rather in cavalier. Cavalier poets urge young lovers to “seize the day”, enjoy the present moment because youth and beauty will fade soon and forever. The theme of brevity of life also serves the carpe diem, since the best in life ends “Corinna’s Going a Maying” insists on enjoying youth and love and not to be shy, because all pleasures of life come to an end when death comes. [Cavalier poets did not take life seriously, because this life is too short, so one should enjoy it.