Lucy Vs Dracula Analysis

Since the beginning of time vampires have been categorized into different "types” and are portrayed in different ways throughout several books. This paper will focus on three vampires from the following books: Dracula by Bram Stoker, and I am Legend by Richard Matheson. Dracula is considered to be the traditional vampire, where it all started, and the vampires in Matheson’s book, follow somewhat Stoker’s concept, but is more of a modern “type” of vampires. Certain vampire elements have been presented, but others have been completely removed or altered. In addition, elements along with appearances are used to infer if the vampire is a form of “the other”. There are two types of vampires; the traditional or modern vampire which can be distinguished based on the elements present in their storyline.

The 1992 movie adaptation of Dracula is quite loyal to the book. However it made quite an exaggeration in Dracula and Mina’s connection. Also there are fabricated parts in the movie, particularly the way it begins having the origin of Vlad the impaler that is not technically found in Stoker’s writing. Character of Dracula is not that scary as it was in the book than being projected visually in the screen. Perhaps to have a more impact in viewers’ emotions. Some scenes were also fractured in the movie, for instance is Mina’s and Lucy’s stay in Whitby which never occurred in the book. Even so, the film had interpreted the book well and it although some scenes were fractured, it did not depart much

In the novel, Dracula, by Bram Stoker, we are introduced to two specific ladies that are essential to the essence of this gothic, horror novel. These two women are Mina Harker and Lucy Westenra. The purpose for these two women was for Stoke to clearly depict the two types of women: the innocent and the contaminated. In the beginning, the women were both examples of the stereotypical flawless women of this time period. However, as the novel seems to progress, major differences are bound to arise. Although both women, Lucy and Mina, share the same innocent characteristics, it’s more ascertain that with naïve and inability of self control, Lucy creates a boundary that shows the difference between these two ladies and ultimately causes her

Bram Stoker’s Dracula is not only a classic story of men and monsters, but a dramatic reactionary work to the perceived threats to Victorian society in nineteenth century England. In modern times there have been many film adaptations of the novel, each developing a unique analysis or criticism of the literary text within the framework of the society and time period in which it was created. The 1972 film Blacula is one of the most culturally specific variations on the story of Dracula, and highlights many of the themes and messages found in Stoker’s original text. Among the primary similarities between the novel and the film is the portrayal of race, sexuality, nationality, and culture, and the characterization in each work speaks to the

they hunt people to drain their blood. they also hide in dark places and wait for their next victim by emerging themselves into the darkness then they attack. they love it when their victims scream for help. they can also live for an eternity without aging a day.the first vampire was marcus corvinus. These are some of the characteristics of a vicious monster.

Bram Stoker’s Dracula is a commonly referenced novel in modern society, a classic gothic story. From the count on sesame street to the likeable Cullen family of the series Twilight, Dracula has become the model for all modern vampire novels. Few people are aware though that Bram Stoker based Dracula off of a real person. Real life Dracula was not a vampire, however there are many connections both subtle and obvious between the horrifying character that Bram Stoker created and Vlad Tepes, prince of Wallachia, violent ruler of Transylvania. Specifically, there lies parallels between Dracula in Bram Stoker’s novel and Vlad Tepes in the origin and connotations of the name “Dracul”, their affinity for playing games with their victims, and their

in so much as she has taken on the body of an innocent teenage boy

The Dracula poster fits into the horror genre while the The Rough Riders, Arizona Bound is clearly a western. The Dracula poster conveys horror through the artistic use of dark colors and, the emotion that is visible from man fleeing away from Dracula. The Rough Riders poster embodies the western genre through the use of the iconic cowboy/Midwest attire and horses. The Rough Riders poster convey a sense of approaching danger, while at the same time conveying protection for the man in the mustard color jacket. Danger and protection are the moods that the creator of the Rough Riders poster was trying to evoke.

In the novel's world, Dracula has many mystical powers, some which has been shown only on several occasions and some which he uses for his daily life. Dracula also has a very unique personality, which could tempt women and make them vulnerable. This means, Dracula could dominate every human being individually, not as a group. His powers and personality has something in common. Count Dracula uses his powers and unique abilities as a tool to ridicule religions and God's decisions and as a great threat to the mainstream society.

Vampires may represent selfishness, abuse, and a refusal to regard other individuals' freedom, while, ghosts may represent something other than themselves.

Mentors feature prominently in the Gothic genre. From Dr Van Helsing in Bram Stoker's Dracula, who leads the young heroes into their quest to annihilate the Count, to Rupert Giles, the Watcher in Buffy the Vampire Slayer, older and more experienced adults have provided essential guidance for the younger protagonists of the genre. The differences in media of expression and the subsequent adaptations from novel to television series has not affected the presence of this character, more than a hundred years after the publication of Dracula in 1897. What also unites the novel and the series is their fin-de-siècle resonance.

In everyday life, as in literature, there will always be an opposing force to evil. In the novel “Dracula,” by Bram Stoker, Professor Van Helsing acts as Dracula’s main antagonist. An antagonist is the character who acts against the main character, which increases the conflict of the story and intensifies the plot. Through the use of theme, characterization and specific events, the author shows readers how Dr. Van Helsing effectively fits the role of Dracula’s most threatening adversary.

Vampires have aroused a perennial fascination within humanity since their fictional materialization into history. However, it is over the course of the last century that these creatures have become an iconic symbol of mystifying horror and inexplicable desire. Recently, the vampire has undergone a significant reconstruction of physical appearance, behaviour, and surroundings, along with, extensive modifications to its super-natural disadvantages. These distinct character adaptations are imperative when considering two of the most notable vampires ever fashioned: Count Dracula and Edward Cullen. The dissimilarity between Bram Stoker’s 19th century, Count Dracula, and Stephenie Meyer’s 21st century, Edward Cullen, is a complex reflection of the contrasting societies from which these vampires emerged.

The public can not know about the vampires, demons, or forces of darkness or there could be chaos. The majority of the issues with vampires or darkness in general occur in California, especially in Sunnydale. Sunnydale is on top of a hellmouth and this causes there to be more strange occurrences there. There is multiple circumstances where there is an apocalypse or the world is ending and the Slayer is there to save the world. This is how the Slayer can help solve problems in America today.

The epistolary form of the novel consists of a narrative based on letters, diary entries, newspaper clippings and other documentary records. It helps to bring realism into the narrative by lacing it with personal and historical references. It helps to add believability by incorporating a variety of perspectives on the events and characters in the novel. This form works for Dracula because the log of the ship captain and the diary entries of Jonathan Harker provide personal witness accounts to prove that the events are real as opposed to imaginary. Daddy-Long-Legs by Jean Webster are a novel composed nearly entirely of letters by the orphan Jerusha Abbott to her benefactor John Smith. The form helps to record the growth of the character over the years.