Ludwig Mies Van Der Rohe: Definition Of Modern Architecture

Question 1. Choose an architect or practice whose work is covered by or relevant to this course and discuss critically one or more of their design projects or drawings or urban proposals as precedent case-studies. Selectively situate this work in relation to their body of work, and against the practices and concerns of the period. Focus on the architectural qualities of a specific key aspect of the design of the projects. Selectively consider how they might relate to the historical situation, cultural values, theoretical concerns and design practices of the time. This may involve a selective analysis of compositional design practices, material fabrication production and the experiential reception of built outcomes of the projects.

This essay will focus on how those works are informed by both regional and international course. In this context, Sydney Ancher and his strong Miesian simplicity as well as Peter Muller’s affinity with Frank Lloyd Wright’s organic architecture principle.

This concept of space being defined pertains to the ideas of modernism in reference to the importance of space, and exactly how to efficiently utilize it. Similar to that seen in the courtyard in front of Wiess Law, the large open space helps create a more communal and interactive area for the visitors to be more aware. Such as Mies embraces the idea of creating areas for individuals to become more contemplative about their surroundings, William Watkin had similar ideas when designing the original building and its landscape. This concept coincides with the building itself and its architectural

Mies is widely regarded as a pioneer of modernist architecture. Mies was also very influential to the many of the communities where he designed for but Chicago in particular is a city where he has many great works that influence the city and architecture. Both the Lakeshore Drive Apartments and the IIT College serve as projects that influence the city of Chicago but also play a significant role in defining modernism. In analyzing the influence these two projects had on the city it is important to also know and understand Chicago before and after the buildings were constructed. Before Mies migrated to the United States, Chicago was a city which

Alvin Boyarsky was born in 1928 in Canada and graduate with a degree in architecture from McGill University. After working in several offices through London and Montreal; Boyarsky took a second degree as an Urban Planner from Cornel University. His experience and achievements in the field allowed him to create a unique insight into architecture defining it as not only being a profession, but a wide field that

Leon Krier was criticised for publishing a costly monograph on Albert Speer’s architecture (1985)in which, while acknowledging the crimes of the Nazis and the man, Krier nonetheless claimed the book’s only subject and sole justification was “Classical architecture and the passion of building” (cited by Jaskot, ‘Architecture of Oppression’, 2000). Discuss this claim, the controversy and the issues (historical, philosophical and ethical and possibly others) they raise. Can architecture, Classical, Modern or otherwise, be autonomous from politics and valued independently of the circumstances of politics and history that adhere to it?

Peter Behrens is one of the most influential German designers. At the beginning of the century, he brought forth amazing works in architecture, graphic design, and painting, which began to influence in all these various fields, opening uncharted territory for the generations to come. He is viewed as the founder of modern objective industrial architecture as well as modern industrial design. From the late 1800's he worked as a graphic artist in Munich, where he joined the Jugendstil movement. He produced woodcuts, colored illustrations, designs for book bindings and craft objects. Peter Behrens designed china, glass objects, and patterned linoleum flooring. This fused Graphic Design and Architecture.

His goal was to create a building that was timeless, that could last without any imposing function. Stripping back the building to its essentials of structure, craftsmanship and style, he created not just objects, but symbols of everything Meis stood for in design “If buildings may be judged as embodiments of a viable system of ideas, the buildings of

Architects have a major importance in characterizing a city through their concept and building design. As time goes on, a lot of architect are creating new styles and new methods of construction; these architects get inspired by different things and create their own concept and style, sometimes there are similarity between architects' styles. One architect who stood out of the crowd and created a very distinctive style is Antoni Gaudi. Gaudi was a Spanish architect whose work is very identified as it can be known through its organic structure, colors, and materials. What really differentiate Antoni Gaudi is his controversial new style.

There is often some confusion when people start talking about the post-modernism and modernism in architecture in terms of  their philosophical terminology differences. Modern architecture is known for its minimalism (Linder, 2004); buildings were functional and economical rather than comfortable and beautifully decorated. The post-modernism architecture, however, is called a “neo-eclectic, significantly assuming the role of a regeneration of period styles for designing houses, and a never-ending variety of forms and characteristics, asymmetrical designs for commercial buildings” (Fullerton Heritage, 2008). An example of these two polar opposites, “Less is more” made by Mies van der Rohe in 1928 (Blake, 1976) and "Less is a bore" made by

Internationally, Frank Lloyd Wright was a prominent figure in mid-century modern architecture (as was Mies van der Rohe, Walter Gropius and Le Corbusier)

Villa Tugendhat, was designed by the modernist architect Ludwig Mies Van Der Rohe, bornin 1886 march 27, he worked under the art nouveau architect Bruno Paul. only at 20 years of age he got his first job of philosopher to create a plan. he later worked under the architect peter berhens then opened his own practice in 1912. Mies was well known for his modern architecture from moving away from the movement art nouveau of his first boss, Mies is famous for the saying “less is more”.

Different architects have different styles because they are trying to get at different things. Architecture is not just about making something beautiful anymore, it is about trying to get across a set of ideas about how we inhabit space. Two of the most famous architects of the twentieth century, one from each side, the early part and the later part up until today each designed a museum with money donated by the Guggenheim foundation. One of these is in New York City, it was designed by Frank Lloyd Wright. The other is in bilbao, Spain, and it was designed by Frank Geary. My purpose of this paper is to interrogate each of these buildings, glorious for different reasons, to show how each architect was expressing their own style.

The construction stage had many complex construction methods that had to be implemented to construct the extremely unique façade and framework of the buildings, along with the sites famous “Labyrinth” and well know platform “The Deck”.

"Bauhaus" is a German expression, which is meaning house for building, or we can say Construction House. The economy in Germany was declining after a crushing war in 1919. This school includes design, architecture, and applied arts that existed in Germany. Walter Gropius was the founder of the Bauhaus school. Architects in this school wanted to use basics of classical architecture in their most pure form functional, without decoration of any kind. The Bauhaus school originated in Weimar, Germany (1919), moved to Dessau, Germany (1925), and disbanded when the Nazis rose to power. Bauhaus leaders like Walter Gropius, Marcel Breuer and Ludwig Mies van der Rohe migrated to the United States. The term International Style was applied to the American