Luhrmann The Great Gatsby

The Great Gatsby is a novel which critically discusses the ideals of the American Dream and recapturing the past. In the film adaptation, producer Jack Clayton stays very closely to the plot and even quotes the novel verbatim but fails to capture the essence of the themes portrayed in the novel. The text did not translate well into film; some facts are distorted, the depiction of the characters are different, the general ambience of certain settings do not match, and the movie is weighted towards the beginning of the book, with half of the movie based closely on the first two chapters of the book.

The Great Gatsby, by F. Scott Fitzgerald, is told from the perspective of one of the main characters, Nick Carraway. Nick tells the story of a man named Jay Gatsby, who is his neighbor in the West Egg. Fitzgerald portrays Gatsby as a man who everyone wants to know and copy but deep down are very envious of him. Gatsby trusts few people and those whom he trusts know his life story. To everyone else, he is a mystery. Everyone seems obsessed with Jay Gatsby. For this reason the novel revolves about rumors of Gatsby rather than the truth.

Romeo and Juliet, written by William Shakespeare, is a tragic love story about two young lovers who are forced to be estranged as a result of their feuding families. The play is about their struggle to contravene fate and create a future together. As such, it was only a matter of time before Hollywood would try and emulate Shakespeare’s masterpiece. This had been done before in many films. Prominent among them were, Franco Zeffirelli’s 1968 “Romeo and Juliet” and Baz Luhrmann’s 1996 “William Shakespeare’s Romeo & Juliet.” Both films stay true to the themes of Shakespeare’s original play. However, the modernised Luhrmann film not only maintains the essence of Shakespeare’s writings, Luhrmann makes it relevant to a teenage audience. This is

Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.

The Great Gatsby is too concerned with conveying a picture of 1920s American society to have relevance to modern readers.

Fitzgerald writes a story with a character that is considered “larger than life”; he throws massive parties, is in love with a married woman, is rich and goes by the name of Jay Gatsby. Nick is the narrator who is sees a different side of Gatsby that sees him “great” aside from his wealth and corruption. Nick grew up in the Jazz age and it was replaced with the vitality, and favor of the artificial American dream. Gatsby’s life was full of winnings along with failures that followed him into death throughout the novel; never the less he achieves a form of “greatness” because of his morality in Nick’s perspective.

One strong theme of modernism in literature is the attack and or decline of The American Dream. The American Dream is the idea that everyone, men, and women, have an equal opportunity to achieve wealth, success and or happiness through determination, and hard work, in other words, the pursuit of happiness. Two writers that illustrate this theme of modernism are F. Scott Fitzgerald, author of The Great Gatsby, and Ernest Hemingway, author of The Sun Also Rises.

"'Her voice is full of money,' [Gatsby] said suddenly. That was it. I'd never understood before. It was full of money- that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals' song of it...High in a white palace the king's daughter, the golden girl" (127). This jarring reference to the intoxicating allure Daisy Buchanan holds over Jay Gatsby is the essence of F. Scott Fitzgerald's The Great Gatsby. Gatsby, throughout the novel, is utterly infatuated with Daisy in an extravagant, idealistic, and narcissistic fashion. Gatsby's former lover from his days as a military officer in Kentucky, Daisy – radiant with glamour, prestige, dignity, sophistication, social grace, and all the blessings bestowed by the gods

In the novel, The Great Gatsby, Gatsby is seen as a mysterious character that’s not called great or bad. The Great Gatsby takes place in the 1920’s during the “roaring twenties” or called as the “Jazz Age”, a period ending the Great Depression and an era where jazz and dancing become trendy. Gatsby does not seem to be fit to be called “great”, instead he is fit for being called a determined man. Some may not call Gatsby “great” because of his lies and some will call him “great” because he is a man who is determined to get Daisy back from Tom or because Gatsby is a nice man who does not have much ignorance like Tom. An example why Gatsby do not deserve to be called a “great” man is because he is a liar and a “great” man does not

T - the introduction of Nick Carraway as a recovering alcoholic in conjunction with the film opening as a reflection on a memory is a stark contrast to how Nick, the narrator of the text, is introduced to readers in the novel.

Charles de Montesquieu says that "to become truly great, one has to stand with people, not above them". Throughout F. Scott Fitzgerald's novel The Great Gatsby , protagonist Jay Gatsby progresses as a hero through his dedication for love, his youthful dreams, and his Christ-like persona. His passion for love reflects in his greatness; for he proves commitment, dedication, and a loving soul for others. Jay Gatsby lives the model of the American Dream in a youthful and undertaking way. Extravagance combined with dreams for success comes greatness. Gatsby also is considered a vision of Jesus Christ as the novel uses different biblical allusions to prove his greatness as a relatable leader.

“Life, Liberty and the Pursuit of Happiness" is one of the most influential and famous phrases in the United State’s Declaration of Independence. The Declaration of Independence encapsulates the original conception of the American Dream – the notion that every individual, regardless of their social upbringing, could have the opportunity to reach their full potential and live a comfortable lifestyle. F. Scott Fitzgerald’s The Great Gatsby takes place during the early 1920s--a time period that demonstrates the pursuit of happiness, opportunity, freedom, equality and finally the American Dream. Myrtle Wilson, a significant character in The Great Gatsby, tries to pursue

In the book The Great Gatsby, by F. Scott Fitzgerald, Daisy Buchanan is a perplexing character. She is charming and pretty, yet her personality is almost robotic. Daisy has no sincere emotions; she only knows social graces and self-preservation. A materialistic society makes Daisy a jaded person who lacks any real depth.

The 2013 movie adaptation of ‘The Great Gatsby” certainly steps out of the cozy boundaries of the novella of less than two hundred pages by F. Scott Fitzegerald with its gaudy attitude and fast-paced scenes that at the same time is quite picturesque and full of details reproduced to match the prose that has been written. Some lovers of the classic might be horrified at the big top-esque film that Baz Luhrmann has made it into, for this director is no stranger to flashiness and taking risks, as shown in his past films “Moulin Rouge!” and “Romeo + Juliet”; and the same desire in the both of them is still present in his installment of “Gatsby”: the want to capture the contemporary audience, even if it

Juliet wants to extend her present, as her future prospects with Romeo are bleak and Gatsby wants to create a beautiful future by restoring the past. Baz Luhrmann is known for his distinctive style especially in films such as Romeo and Juliet, Moulin Rouge and Strictly Ballroom. Also known as ‘The Red Curtain Trilogy’, there are many similarities between all three of these films with The Great Gatsby. Baz Luhrmann is able to keep his pompous signature style that has made him the director that he is today. The extravagant parties, modern music, dramatic deaths and star crossed lovers were just a few of