Lust In Susan's Minot

The narrator in this novel, Esch, explains sex as being “easy” when she first started having it. She explains it as easy as swimming. Jesmyne Ward writes, “The only thing that’s ever been easy for me to do, like swimming through water, was sex when I started having it”(22). This comparison shows how Esch thought about sex after she started experiencing it at a very young age. Esch uses swimming in water, a skill that is also usually learned at a young age, to explain how “easy” sex was for her. This shows how she doesn’t treat sex as a serious matter and wasn’t considering the consequences that might follow. Because of experiencing sex at such a young age, it became easy to her. She thought of it as similar to something simple that you learn as a child, which in this case happens to be swimming.

This novel “is a book that truly speaks to adolescents in contemporary language and with teenage characters about adolescent sexuality” (Kaplan 27). Katherine is learning about her sexuality in the novel.

Thus, he treats her like a child and “laughs at [her]… ” and calls her a “‘...little girl’” (Gilman 90, 94). For these two female characters in “A Rose for Emily” and “The Yellow Wallpaper”, their struggles are a direct result of male dominance, and their coping mechanism escorts them away from the world that devalues them.

In stanza 12, she tells us that he has “bit her pretty red heart in two.” Next, she states that he died when she was ten, and when she was twenty years old, she attempted suicide - “…I tried to die, to get back back back to you.” In stanza 13 is where she starts talking about her husband. She says that instead of dying, her friends “stuck her together with glue,” and since she could not die to get back to her father, she would marry someone who was similar.

Lust is having a self-indulgent sexual desire. Susan Minot portrayed the mind of a promiscuous high school female perfectly. Lust is powerful and seductive, but it's inherently selfish and opposed to love. For many girls who are having sex with different boys they can identify with the desire to be needed. The characters in "Lust" are written in a way to highlight the dysfunction and disconnection of everyone involved. The narrator herself is nameless and faceless, making the reader believe that she has already somehow disappeared, just as the men in her life have made her disappear after having sex. Similarly, the men are listed in a brief and are identified only by their sexual acts or by other, easily objectified characteristics. What

In the mid-1920’s, there lived a young man named Tom in the rural area of Tennessee. He was the most popular man in his village because of his muscular body and his killing looks. He was handsome, smart, and muscular. Additionally, he was self-centered, hurtful, and lusty. In the town, every girl was attracted by his good looks and each one of them wanted to date Tom. He started dating the girls one by one, but once he had romanced with one girl, he would break up and move on to the next girl. Tom did not want responsibilities so he did not get married, instead, he wanted pleasure so he continued dating the girls. One day came, where he had dated all the girls in the town and still had the thirst of lust.

A more disturbing perspective that the poem can take on is that the speaker wants to be the slave to this woman he admires. As mentioned before, the speaker considers the girl as a confidante, but then follows on to say that he wants to undress and take her virginity. “O she’ll give pleasure! in future, no grown man will deny it! But tonight, to me, this chaste girl bares unthinking the delicate blush/Of a most secret landscape, her woman’s body” (9-14). These lines also gave me pedophilic vibes because he calls the female figure “a girl” and it was interesting

The jealous tone disappears at the end, however, and the poem ends wistfully and resigned stating that, “It’s an old/story—the oldest we have on our planet--/the story of replacement” (16-18). The speaker realizes that aging is part of the continuous life process, which starts at birth and ends at death. She understands that each phase of life has a specific purpose for maintaining the species. Her daughter must mature so she can create new life, just as the speaker did ten years ago. She knows that eventually her daughter will replace her and that the life process will continue to repeat itself for generations to come.

“Lust,” describes a young teenage girl who has mischievous meetings with many boys. The narrator, which is the young girl, attends Casey Academy which is a coed school. She is sexually active and does not fear pregnancy because she has been taking birth control pills since she was a young girl. The narrator describes her sexual expected gathering with the fifteen different boys she has been with, and when she talks about them she seems emotionally removed from the experience. The narrator’s parents don’t have a clue about what she has been getting herself into: “My parents had no idea. Parents never really know what’s going on, especially when you’re away at school most of the time. If she met them, my mother might say, “Oliver seems nice” or “I like that one” without much of an opinion...” (1029). The narrator’s parents do not show much interest in her life which can be a reason to why she craves

"They turn casually to look at you, distracted, and get a mild distracted surprise, you're gone. Their blank look tells you that the girl they were fucking is not there anymore. You seem to have disappeared.(pg.263)" In Minot's story Lust you are play by play given the sequential events of a fifteen year old girls sex life. As portrayed by her thoughts after sex in this passage the girl is overly casual about the act of sex and years ahead of her time in her awareness of her actions. Minot's unique way of revealing to the reader the wild excursions done by this young promiscuous adolescent proves that she devalues the sacred act of sex. Furthermore, the manner in which the author illustrates to the reader these acts symbolizes the

“Later that night when Thomas roller over and lurched into her, she would open her eyes and think of the place that was hers” this proves the point that she cannot even express herself sexually because she does not feel as if she has control in the situation.  Her mind wanders elsewhere, in a place where she is her own master, instead of what is reality. Additionally, the main character’s husband shows some selfish tendencies in the fact that he may not notice his wife’s discontentment with his affection.  However, this may also present the lack of communication between man and wife and therefore may cause a sense of isolation from her husband.

“If stories were depopulated, the plots would disappear because characters and plots are interrelated” (76). I chose to do my analysis paper over the short story Lust by Susan Minot, in this analysis I will be going over how the use of characterization in lust contributes to the message about relationships. The first-person narrator starts off by detailing her sex life likes it’s a grocery list or some kinds of list of things to do on the weekend. It just goes to show how meaningless these relationship with her sex companions mean. Although we do not know what the reader looks like we do how she thinks and feels. We can feel the narrator become more detached and emotionless towards the end of the story. Even though she is emotionally removed for the story at the end she also becomes more self-aware of what she is doing, and comes to the realization that she is looking for a relationship in all the wrong places.

As the girl continues on to grow up she is continually facing challenges with her confidence and thus affecting her emotionally and physically. For instance, one of the line states that “ she went to

To do so, Levy turns to the experiences of several young women whom she interviews. From her interpretations of these experiences, Levy reaches the conclusion that these women’s sexual nature revolves around their need

It not only threatens, but also breaks through. Betrayed by love once in her life, she nevertheless seeks it in the effort to fill the lonely void; thus, her promiscuity. But to adhere to her tradition and her sense of herself as a lady, she cannot face this sensual part of herself. She associates it with the animalism of Stanley's lovemaking and terms it “brutal desire”. She feels guilt and a sense of sin when she does surrender to it, and yet she does, out of intense loneliness. By viewing sensuality as brutal desire she is able to disassociate it from what she feels is her true self, but only at the price of an intense inner conflict. Since she cannot integrate these conflicting elements of desire and gentility, she tries to reject the one, desire, and live solely by the other. Desperately seeking a haven she looks increasingly to fantasy. Taking refuge in tinsel, fine clothes, and rhinestones, and the illusion that a beau is available whenever she wants him, she seeks tenderness and beauty in a world of her own making.