Essay on Lycidas

The mood of the speaker changes to guilt as the speaker and her mother realize they would "crawl" with "shame" and leave an "emptiness" in their father's heart and yard. The author negatively connotes "crawl," "shame," and "emptiness" to invoke a more serious and shameful tone. The beginning of the conveyed a more matter-of-fact and pragmatic tone, but changes into a more sentimental one by the end to convey family is more important than the money. The symbol of the tree represents the family, and connects it to their father's hard work and dedication to the family. If they were to cut it down, it would be symbolic of their betrayal. Imagery of the tree is used to describe the freedom and beauty of the tree as it "swings through another year of sun and leaping winds, of leaves and bounding fruit." The tree represents their family bond and how strong it is even through the "whip-crack of the mortgage."

symbolizes in the story that death will come to everyone. No one can hide, and there is no escape.

This can be seen in the poem “Brothers and Sisters” in which the literal and figurative levels of reality are joined. Wright does this through the use of pathetic fallacy, ensuring that she moves beyond simple description, to show that every aspect of the siblings’ lives is reflective of the environment that they live in. This is represented in the metaphor ‘the road turned out to be a cul-de sac, stopped like a lost intention”. Wright implies that the dead end of the street is reflective of the lack of fertility both in and outside the house, there is no movement forwards as the lives of those within it have ceased, the siblings are unmarried with no children, thus there is no new life being created. Wright has done this to ensure that that audience is aware of this process, rather than providing simple descriptions which can often be misleading. Neither the surrounding environment or the siblings are taking part in the evolutionary process of creating life, this sense of fruitless passing of time is furthered through the employment of the simile “years grew like grass and leaves” suggesting, although hindered there is an emotional connection present. By representing their lives as slow- growing and little- moving it continues to showcase the similarities between the landscape and its inhabitants, demonstrating that the environment grows old just as they do. Yet another representation of the landscape within the characters is seen in the inevitability of death, for the landscape and its inhabitants. This can be seen through the use of direct speech “There is nothing to be afraid of. Nothing at all”. This repetitive reassurance demonstrates their fear of death and the destructive nature of it, as witnessed in the landscape. The irony here is that with each

In ‘I kneel to pick frail melancholy flowers among ashes and loam’ a tone of loneliness and sadness is established as the persona enters. Harwood describes the violets as ‘frail’ and ‘melancholy’, terms that arn’t usually associated with flowers. This is also explored in the juxtaposition of ‘ashes’ and ‘loam’. Ash is symbolic of death and decay which contradicts the ‘loam’, symbolic of life and birth. The persona’s dark and unpleasant perceptions reveal their uncertainty and state of mind. The present tense indicates the persona’s adulthood and their sense of longing and unsatisfaction conveyed through the nostalgic delivery of

Life can feel like lounging on the sand, staring into the cities of roses, however, with such happiness comes a deep, cruel truth called death. In this passage, Oliver’s style conveys the complexity of her response to nature by the double-meaning between the owl, the lie behind the “immobilizing happiness”, and the cold truth of these roses. Oliver’s style strives to show how nature is all but an illusion of life and death.

Trees are important not only physically but also spiritually and for many this fact is lost. Physically trees provide humans with beauty and a healthy ecosystem. Spiritually trees provide humans a connection to nature. Their importance has been lost in our modern times as humans further separate themselves from nature. While forgotten by many, their actions still resonate. The two modern poems “The Tree Agreement” by Elise Paschen and “Living Tree” by Robert Morgan trumpet the value trees hold in comparable ways. In the poem “The Tree Agreement” the speaker argues for the benefits of the Siberian Elm against a disagreeing neighbor. By structuring the poem in this manner, the poet highlights how people are blind to the services trees provide while simultaneously highlighting said services. The tree is portrayed almost as a friend or ally to the speaker. The speaker describes not only to the significance of the tree to humans like the neighbor and the speaker but also to the other living creatures surrounding them. The poem “Living Tree” focuses on the actions performed by trees in cemeteries. This poem follows a more spiritual route when compared to Paschen’s poem. This poem describes the process those who have been buried go through and the role trees play in this process. The trees in this poem are portrayed as lightning rods for the chemicals and spirits of the dead. This relationship is portrayed positively, as the trees are a monument to the passing of life. These poems

In the beginning of the short story, as Brother reflects on Doodle’s life, the author uses personification and foreshadowing to create a mood of remorse. As he gazes out of the window into his backyard, Brother states that “the graveyard flowers were blooming. ...speaking softly the names of our dead” (Hurst 1). The flowers provide flashbacks of the past, and foreshadow a loss of life. The loneliness felt by Brother causes readers to consider how they would feel if their loved one was gone. As Brother observes the seasons, it is noted that “summer was dead but autumn had not yet been born” (Hurst 1). The personifications of the seasons as stages in the cycle of life and death creates an unsure and uncertain mood. The shift between seasons creates an idea of change and uncertainty of events to come. Hurst creates a mood of remorse through

Life is a constant struggle against the ever present chill of death. Fear, betrayal, and cowardice all stems from life’s distaste of death. Human beings naturally rebuke the unknown, so it is only logical that people fight the inevitability of death. However, most people are ignorant of the reality of one day dying, prompting writer Virginia Woolf to write the essay, “The Death of the Moth”, in order to convey the frailty of life whilst also showing the awesome might of death. In the essay, her main purpose is to show that the moth embodies the human race, and that death is an inevitable fact of life no matter how much the human race struggles to stay alive. Woolf is able to get her purpose across by

The poem, “Gospel” by Philip Levine gives a vivid description of what the narrator sees around them. The narrator focuses their description on nature. They make many references to types of plants like lupine and thistles. Throughout the poem, nature can be seen as and abstract creature. Nature is giving and lively. The conflict in the poem is between the speaker and nature. The narrator tries to show how nature can give nice outdoor views and how the earth gives people a place to walk on while people give nothing back to nature. Levine’s speaker uses repetition and comparisons to show how nature is constantly pleading for the narrators attention yet they cannot offer anything to the relationship they have with nature. The poem slowly evolves

Cullen’s use of Simile provides the reader with vivid and specific details about the poem and what is means. These include phrases like “Your grief and mine must intertwine like sea and river,” where we can see use of simile to create vivid pictures of how humans should “intertwine” their emotions with others. Also, another use of simile in the text is when Cullen describes the pain of grief when she says “The ills I sorrow at not me alone like an arrow, Pierce to the marrow”. Through this passage we see the tone of grievance as well as the authors call for human togetherness and

In Toni Morrison's novel Beloved, each character holds a special connection to trees and each places different meaning in them. The motif of trees and plants represent a calming force, escape from hardship, and circle of life that can heal the wounds of slavery. Paul D and Sethe are two characters in particular who place unique meaning in plants and use them as a way to escape their painful memories and the horrors of slavery.

In this quote the “coffins of black'; symbolize the chimneys (554). Ultimately this all symbolizes the boys’ death because of their terrible life cleaning chimneys at such a young age. In the next stanza an Angel comes “And he opened the coffins and set them all free,'; which symbolizes the boys’ death and escape to heaven. All of these symbols cause feelings of sympathy in the reader, hopefully causing them to want to help these children escape their fate.

His previous “cold reprieve” has been warmed by the leaves that “burn red” before dying in nature. The short but beautiful life of the leaf is a metaphor for what life should be - beautiful regardless of the time given. This juxtaposition of life as a “cold reprieve” changing into the image of a leaf burning “red” shows how the voice’s view on life is changing throughout the poem by the echo’s prompting. Realizing that nature is beautiful in death, he now understands that life is a beautiful journey leading up to death that should be cherished in all of its beauty. Dying is a process that can bring “ecstasy” in its wake. Waiting for death is not so bad when a beautiful life surrounded by joyful experiences is so readily available to all that are willing to think positively. Regardless of the beauty that can come with life, it can seem to become a burden that people suffer through until death. The grief that comes with “life’s long disease” will be resolved in death. Death is not an “enemy” to be feared, but a natural part of life that must be accepted. In contrast, the worst enemy of the voice is himself - his own uncertainty and worry have caused all of his pain. All of the rhetorical questions that he asks display the extent of his worry about the unknown future, but his subconscious begins to soothe his worries and comfort him with the

Many people believe that this mimics Whitman's life. Living in a life of social separation much of the time, he still managed to succeed not only with his writing, but also in life itself. However, in line five Whitman goes on to say that he wonders how the tree could grow such joyous leaves while being alone. He himself says that he could not survive if put in the same situation. Whitman did however lead a joyous and happy life in many peoples opinion, even though he did not enjoy the social life many other had during his lifetime. His own opinion of himself not being lonely may be frayed in order to spare the image he proposes to the public in his writings. The next few lines are interesting because of the way they could possible spell out Whitman's life. In the poem, he breaks of a twig, wraps some moss around it, and takes it to he room and places it in plain view. This may parallel his life by way of his memory. The twig may represent pieces of his memory that were enjoyable to him. He then takes the twig and places it in his room signifying that he wants to be able to constantly see those fond memories. Again Whitman replies by saying he did not do this to remind him of his friends, but in reality he may have just said this to help keep a good report with his readers about his lifestyle.

This is significant because it emphasizes the melancholy and mournfulness that he depicts with imagery in the first stanza. Later on in the second stanza, he author describes the tree the narrator would have planted as a “green sapling rising among the twisted apple boughs”. The author uses visual color imagery of the color green to describe the sapling in order to emphasize just how young the newborn was when he died. Later on in the poem, the narrator speaks of himself and his brothers kneeling in front of the newly plated tree. The fact that they are kneeling represents respect for the deceased. When the narrator mentions that the weather is cold it is a reference back to the first stanza when he says “of an old year coming to an end”. Later on in the third stanza the author writes “all that remains above earth of a first born son” which means that the deceased child has been buried. They also compare the child to the size of “a few stray atoms” to emphasize that he was an infant. All of these symbols and comparisons to are significant because they are tied to the central assertion of remembrance and honoring of the dead with the family and rebirth.