M. Butterfly, Written by David Henry Hwang Essay

While many will agree that Shakespeare’s Twelfth Night is critically acclaimed to be one of the most entertaining and well-liked pieces that he has written, there tends to be a discrepancy over how the characters in the play are portrayed when it comes to the importance of gender roles. After reading James C Bulman’s article over the Globe’s more recent performance of Twelfth Night and Shakespeare’s original written version, I realized that there are many ways that this famous piece has been portrayed and each has its own pros and cons.

Femininity is a concept whose attributes are contingent on the culture it is in—what one culture may consider typically feminine traits could largely vary from what another culture views as being feminine. While theater can sometimes subvert theses ideals and present women who function in ways that are not typically feminine, theater can often present idealistic representations of women who exemplify that culture’s ideals of femininity. Take, for example, the female characters in both Guan Hanqing’s Snow in Midsummer and Hroswit’s Martyrdom of the Holy Virgins. While both texts come from largely different cultural contexts—Snow in Midsummer was written in thirteenth century China for a general population whereas Martyrdom of the Holy Virgins was written in tenth century Germany as a closet drama—both texts have female protagonists whose rebellions exemplify feminine ideals of the respective cultures.

The play focuses on three prominent stereotypical ideas that Western males hold concerning Eastern women: the submission of Asian women to Western males, knowledge in handling the female body, and their desires for masculine Western counterparts. Ultimately, M. Butterfly addresses culturally constructed stereotypes as powerful and limiting.

The Dominican Republic’s dictator Rafael Trujillo had thousands of people killed because of their disobedience to him. From the 1930s to 1960s the country was under the control of Trujillo. He had taken control of the Dominican Republic and used his power against people who decided not to follow him and his laws. The four Mirabal sisters, Minerva, Patria, Mate, and Dede were all risking their lives because of their involvement in the underground, against their harsh dictator. In the book In the time of the Butterflies, the four Mirabal sisters perspectives are impacted by the underground movement against Trujillo because of each of their involvement with the revolution.

     The monarch butterfly, as known as Danaus plexippus, is often called the milkweed butterfly because its larvae eat the milkweed plant. They are also sometimes called "royalty butterflies" because their family name comes from the daughter of Danaus, ruler of Argos. There are many other interesting facts about this butterfly including its anatomy and life cycle, where the butterfly lies on the food chain, the migration from Canada to Mexico, why the butterfly is being threatened, and lastly, what is being done to help the butterfly.

In conclusion, In the Time of the Butterflies, is a very touching and breathtaking book that embedded the historical event into a chronological story that showed the symbolic and thematic topics that occurred in the time periods the book was set in which was from 1930’s-1990’s where Dede was telling the

Each of the following excerpts, Act 2, Scene 2 from Siegfried by Richard Wagner, “Habanera” from Carmen (Act I, Scene 5) by Georges Bizet, and “Non So Piu Cosa Son” from The Marriage of Figaro (Act I, scene 4) by Wolfgang Amadeus Mozart, present many different reflections of gender and gender stereotypes. In this short essay, I will address how each piece uniquely reflects gender, by discussing elements such as character dress, orchestral accompaniment, timbre, and body language.

In David Hwang’s play, M. Butterfly, the story covers the superior attitude that Western white men hold toward Eastern oriental women which is shown through Rene Gallimard’s experiences. Throughout the story, Gallimard constantly brings up his favorite play, M. Butterfly, where an oriental woman, Butterfly, gives up and loses everything including her life for the white man she loves, Pinkerton, and despite Butterfly’s efforts, Pinkerton ends up marrying another woman causing Butterfly to commit suicide. Many white men enjoy this play because it portrays white men to look superior and gives them the assumption that oriental women would do and give up anything for a white man. Gallimard is also one of the white men who believe they are superior to oriental women and that no matter what he does, an oriental woman would never leave his side. Gallimard 's belief of racial superiority is what led him to his control over Song as if Gallimard was Pinkerton and Song was his Butterfly, this fantasy that Gallimard created for himself was false because in reality, Gallimard was the Butterfly and Song was the Pinkerton.

“Man cannot discover new oceans unless he has the courage to lose sight of the shore.” (Andre Gide) In the novel, In the Time of the Butterflies, written by Julia Alvarez, four sisters are led through a risk infested journey in which they must overcome hindrances with hollow consequences. This historical fiction novel takes us through a rollercoaster of events, incorporating everything from the partialities towards women, to life below the oppressive administration of the Dominican Republic’s dictator, Rafael Trujillo. The events painted by the four sisters give us some insight as to the positives and negatives of life in the Dominican Republic. As the novel progresses, we see the diversity in relation to the

Structure is salient, especially in literature. So much can be revealed solely through the way a novel is written. Two prime examples of this are Neverwhere by Neil Gaiman and In the Time of the Butterflies by Julia Alvarez. Alternating points of view are present in both, and that detail exposes connections between two seemingly unrelated novels. Although Richard Mayhew and Dedé Mirabal are two very different characters, they share the struggle of loss and a lack of ipseity, but are resilient and overcome their hardships, which is shown constantly throughout each novel.

In the Time of the Butterflies Essay During the setting in which In the Time of the Butterflies by Julia Alvarez is written—20th century Dominican Republic—a woman’s body was seen as a disposable object to men. However, the Mirabal sisters choose to go against this gender stereotype and instead express themselves in their own way, using it as a form of expression to show their involvement with the revolution. In Butterflies, Alvarez uses the female body as a symbol to fight against societal restriction placed on females—the more significant a change in the body, the more involved the sister was in the revolution.

The plot of both Susan Glaspell’s “Trifles” and Henrik Ibsen’s “A Doll House” provides scope for a few scenes that lack the presence of all or any men. These scenes, consisting of communication between the female characters, assist in developing the theme of women openly defying the fact that the society they live in is primarily run by men. All the power and authority in their society, no matter the situation, belongs to the men while the women are simply excluded. The women in these plays defy the norms set by society and manage to evade the expectations of their patriarchal societies.

M butterfly a play by David Henry Hwang has captivated audiences for many years! I love story with many twist and turns M butterfly describes an affair between a Chinese “women” and a French diplomat that caries on for 20 years only to discover that the Women was actually a man. A spy for the communist party sent to get information on the Vietnam war, but Gillard was to stubborn to see it until Liling the Chinese opera singer is sent to France where she is found to be a man in court. Through this we can see the relationship between Gender, capitalism and ethnicity/ nationality and sexuality.

In the book “Gender Trouble” (1990), feminist theorist Judith Butler explains “gender is not only a social construct, but also a kind of performance such as a show we put on, a costume or disguise we wear” (Butler). In other words, gender is a performance, an act, and costumes, not the main aspect of essential identity. By understanding this theory of gender as an act, performance, we can see how gender has greatly impacted the outcome of the play in William Shakespeare’s Othello. From a careful analysis of the story, tragedy in Othello is result of violating expected gender roles, gender performance by Desdemona and Othello, and the result of Iago’s inability to tolerate these violations.

A person may search their whole life for love. Some are lucky enough to find the perfect someone, and some are not. The one’s who are not as lucky can sometimes create their own idea of their ideal partner, but never actually find them. In D.H. Hwang’s play M. Butterfly, a man by the name of Gallimard creates his own idea of the perfect partner. He falls in love with a woman by the name of Song, who turns out to be not what he expected. Song is actuality a Chinese spy disguised as a woman. Hwang illustrates in the play M. Butterfly, people are not always who they perceive to be. Through Gallimards love for song, his portrayal for the East and West, and Gallimards obsession with