M. C. Escher Art Works

1942 – March 9, 2016. He spent 74 years on this earth. He had become a respected and

M.C. Escher occupies a unique spot among the most popular artists of the past century. While his contemporaries focused on breaking from traditional art and its emphasis on realism and beauty, Escher found his muse in symmetry and infinity. His attachment to geometric forms made him one of modernism’s most recognizable artists and his work remains as relevant as ever.

Three dimensional art was accomplished during the early southern renaissance by the use of the technique linear perspective. Linear perspective is type of perspective in which the relative size, shape, and position of objects are determined by drawn or imagined lines converging at a vanishing point on the horizon. An artist with the name of Masaccio created a new movement in Florentine painting with his fresco, or a painting done in watercolor on wet plaster on a wall or ceiling, Trinity. The artwork gave an illusion of a stone funerary monument and altar table set in a framed niche on the wall. The use of the vanishing point located at the eye level of the viewers of the church allowed for the viewers to see the art as if they were looking

The artist, Wolfgang Hutter, was an Austrian fantastic realist painter. Hutter was born in 1928 and passed away at the age of 86 in 2014. Hutter’s artworks seemed to focus on botanical theme. His works “…explore themes of the fantastic and magic, featuring playful takes on subjects such as gardens and dolls” (Neuendorf). Fantastic realism is magic realism, which offers a “…calm admiration of the magic of being, of the discovery that things already have their own faces” (Ríos). It helps to influence one’s imagination.

James Sturnfield is an American artist from the Chicago land area that works in multiple forms of art, but focuses his attention to Pop Surrealistic paintings. Born 1996 in Bellwood, Illinois James lived his early childhood with a hearing disability that after eleven different surgeries was fixed. Unable to form words or sentences he wasn’t able to learn any English in till he was four years of age. Growing up in a family of seven James is the youngest of five children. James’s family moved to Hoffman Estates by 2003 in search of improved jobs and a appropriate education for their children. James just as other young minds was never grateful for his schooling he found it dreadful and he didn’t enjoy his time there what he did enjoy was doodling

Escher gladly did so, as he had only taken up architecture to please his father. Escher studied under Jessurum de Mesquita from 1919 until 1922. After he had concluded his studies, he traveled extensively, mostly in Italy. Escher took up residence in Rome from the early twenties until the mid-thirties. While residing there, he made it a tradition to make a journey to the Italian countryside every spring. He traveled long distances on foot in many areas of southern Italy that were not popular for travel at the time. During these explorations, Escher made drawings of whatever interested him, mainly the Italian countryside and the architecture, which fascinated him to draw. During the winters, he would convert the drawings and rough sketches into woodprints. In 1935, the rise of Fascism caused Escher to leave Italy and move to Switzerland. A year later, he made the last of his long study trips, this time on an ocean freighter along the coast of Italy to Spain. On this trip, he encountered several prints created in Spain in the Middle Ages that held a special interest for him and later inspired many of his tessellation pieces. In 1937, Escher moved to a small town near Brussels, returned to Brussels in 1941, and moved a final time in 1970, to Laren, located in the Netherlands. After 1937, Escher traveled a great deal less frequently, leaving home only for vacations, to visit his children living abroad, or on lecture circuits. His

When observing Elizabeth Murray and M.C. Escher their styles were similar. Once viewing Murray’s art noticeably, she creates layers on flat planes or canvases by painting and drawing. “The Beer Glass 1986” displays a flat surface with four caves layers to create abstract description of bar scene. Escher typically drew his work without color displaying some reflections portraits. “Hand with Reflecting Sphere,1935” exemplifies his work were Escher draws a self-patriate, creating the illusion of reflection through a glass ball. In addition, both artist typically utilized Fine art with Two dimensional elements. However, Elizabeth Murry exploits more shapes compared to Escher using realistic objects. Nevertheless, both artists created abstracts

Continuing with my self promotion pieces to get PalbergWERX Design + Photography noticed in this over stimulated communications age, I began work on my second famous artistic image in history. You can read Part 1 in this series HERE.

One of the most well-known pieces is his piece, Hand with Reflecting Sphere (m.c.escher.com, 2015), competed in 1935. In this piece we see a self-portrait of Escher as he holds a mirrored sphere. He captures the distortion of the reflection while keeping perfect proportions throughout the piece. An interesting fact about this is piece is that Escher was in fact left handed and contrary to what it appears, he is in fact holding the sphere with his right hand (Aaron Art Prints, 2015). Along with the illusion of how he holds the mirrored sphere, Escher has also placed himself at the center of the piece. According to the Aaron Art Prints article, the point in between Escher’s eyes is absolute center and is the center regardless of how you position yourself (Aaron Art Prints, 2015). Upon closer examination of this piece, we can see Escher’s fine attention to detail in the realistic hand holding the sphere. There is perfect control of shadow and tone that make up every line and structure of the human hand which is then carried into the mirrored part of the piece. This is truly a

proper geometric shapes.Edward Hopper’s paintings usually center on the same theme: isolation. This is a

The artwork that got my most attention would be Giovanni Battista Tiepolo’s “An Allegory Representing the Glory and Magnanimity of Princes”. The painting started as a fresco on a wall, then later transferred to a canvas. When you see it in real life its very immense in its linear height. The work includes two life-size human sculptors standing on a monolith or obelisk that is pointing to the heavens. One of the sculptors of a man was represented as a warrior, because Tiepolo paints him with armor while sitting on a scared looking lion. This show the prowess and superiority over a great beast, a beast the usually creates fear in humans. Then Tiepolo achieves balance by painting a sculpture of a woman next to the warrior. The painting of the woman can be interpreted as being elegant and appropriate compared to the sculptor of the man. This can easily be seen on the painting, as the woman is standing above the man and being look down on. The most noticeable element of the artwork is the amazing eye popping illusion that makes your brain think its third dimensional. By giving contrast and shadowing it elevated this affect that made

This was also applied in other mediums, for example elongated shapes were used in furniture or vases and paintings or stained glass windows were produced on long and slim formats; the floral motifs as well as human figures were unnaturally elongated and thin. Additionally, as well as elongating the shapes and figures, there was a tendency for rounding and breaking sharp edges, this can be easily recognised in the architecture, where straight lines and angles were alleviated, forming curves to ease the overall

Maurits Cornelis Escher, according to me, is an artist who can show you a complicated building or a wonderful landscape look perfectly real, for example, Castrovalva. And he is also capable to create an impossible world by using something actual. The reasons I have been amazed by his art is because since I was a child, I loved doing math. I think the parts I did appreciated was because it was precise, you can only two possibilities either you are right or wrong, and the geometric shape. For this assignment I wanted to choose an artist who both pays attention about details and whose art had no resemblance to what I saw before or that people usually think when they are thinking about art, and I assume Maurits Cornelis Escher suits the description.

M.C Escher, also known as Mauk, lived from 1898-1972 and is one of the world’s most famous graphic artists. He was born in Leeuwarden, Holland and studied at the School for Architecture and Decorative Arts in Haarlem. He played with architecture, perspective and impossible spaces. His art continues to amaze and wonder millions of people all over the world. He used only simple drawing tools and the naked eye, but was able to create remarkable mathematical pieces that beautifully combines art with math. His drawings caught the eyes and looked possible by perception, but are mathematically impossible. Some of his more famous or well-known works are Ascending and Descending,

Frank Stella is an Abstract Expressionist and Minimalist artist who is known for several elements of his painting style such as his shaped canvases and his famous saying “what you see is what you see.” In the mid-1960’s, Stella created a series of paintings, the “Protractor Series,” which are prominent for their semi-circle shaped canvases that resemble a protractor. Despite Stella’s popular motto, “what you see is what you see,” Stella did, in fact, have an inspiration for his famous masterpiece.