MKZ Advertisement Analysis

The Cigarette and Altima advertisements share the similarity of integrating the red, white, and blue colors amongst not only the background of the ad but amidst the products themselves. These colors help establish the patriotic feel, ultimately leading consumers to not purchase the product because of the product itself but because the desire to feel more Americanized. Moreover, each ad contains a symbol of the American dream amongst the advertisement. For the cigarette ad this symbol is the Statue of Liberty while for the Altima advertisement this symbol can be found in the advertiser’s choice to promote this car on the 4th of July weekend. These two symbols connect in that they both symbolize freedom amongst people of the United States. Associating their products with this idea of freedom immensely appeals to the consumers even if the product itself is incapable of directly providing it to the consumer. Focusing solely on attaining income, the advertisers fail to acknowledge that by using the American dream to sell their products they are sculpting the American dream into an idea more closely related to

In both the advertisements, there are two models, a man and a woman (Megan Fox). The models are both dressed up in formal attire with the man in a black tuxedo and the woman in a sexy black dress with a revealing back. Both of the ads include the models’ bodies facing each other at an intimate distance. This image displays a certain sex appeal which helps to connect the fragrance, “Armani Code,” to the idea of sexiness. The women’s fragrance ad shows the woman staring confidently at camera as a man is gazing towards her body touching her arm. This depicts the woman being desired. The men’s fragrance does the same with the man staring at the camera and the woman being entranced by the man. The two advertisements are marketed towards different sexes and use the main figure as the sexual object to be

“Advertisement R Us “is an analysis written by Melissa Rubin on a Coca-Cola ad that was printed in the 1950s. At the time of her analysis on the almost sixty-three year old ad, Rubin was still a student at Hofstra University. The ad that Rubin analyzed was from the August 1950 addition of the Bottler Magazine which was only given to employees of Coca-Cola. Most, if not all, workers of that time were Caucasian male, which explains why everyone in the ad are Caucasian and all but four are males. The four women in the picture are wearing dresses, which help demonstrate the time the ad was made versus how it would be made in the 21st century. In 1950 it was common for only Caucasian men to be portrayed in many ads because that was how the society

Jean Kilbourne’s film, Killing Us Softly 4, depicts the way the females are shown in advertisements. She discusses how advertisement sell concepts of normalcy and what it means to be a “male” and a “female.” One of her main arguments focuses on how women aspire to achieve the physical perfection that is portrayed in advertisements but this perfection is actually artificially created through Photoshop and other editing tools. Women in advertisements are often objectified as weak, skinny, and beautiful while men are often portrayed as bigger and stronger. Advertisements utilize the setting, the position of the people in the advertisements, and the products to appeal to the unconscious aspect

Being in a spiralling economy, the automobile industry must step up their games to produce attractive advertisements. Creativity is crucial to attract potential buyers and gain more sales. To target specific prospects through ads, the automobile industry usually apply rhetoric concepts to enhance their product’s appeal in every way, and not just purely on the automobile designs. As men are the main target audience, car ads are usually being advertised as appealing and dangerous. Nevertheless, there are other important aspects to be highlighted as well, which can be perfectly marketed with certain rhetoric aspects. Although automobile ads always target the male audience, the industry also understands how partners or family can influence in purchase

In today’s mass media, it is quiet common for advertisers to assimilate class into their commercials. These advertisements portray a certain level of elegance because of the sophisticated choice to use classical background music and thick European accents. On the contrary, other advertisers take the common-folk approach by structure these commercials around the western concept. Both of these advertising tactics supports an American paradox. As argued in Jack Solomon’s “Master of Desire: The Culture of American Advertising”, the contradiction lies in the desire to strive above the crowd and the quest for social equality.

Free, new, 50% off- advertising, an immensely paramount aspect in today’s society, has the ability to promote or demote a newly developed product. With such a vast array of public notices, it’s crucial that they appeal to people psychologically, using rhetorical devices. During an expedition for the most complex, eye-catching ad, I was fortunate enough to stumble upon the 2010 Dodge Challenger. Astounded by the multiplex of this advertisement, my inner curiosity was enkindled. In this persuasive notice, the appeals to ethos, pathos, and logos are strategically used to persuade the target audience that the 2010 Dodge Challenger is the car for them.

She realizes this by analyzing Chevrolet’s Facebook page, for example. She recognizes that because the company decided to use interracial couples in their advertising, purchase consideration and the perception of the company itself has escalated with the lesbian, gay, bisexual and transgender (LGBT) community. This then leads into her realization of the “overriding takeaway” from such campaigns. It’s not about why these brands are worth investing money; it’s about the companies being diverse and accepting. This analysis concludes her article by emotionally capturing her readers. Television has an extraordinary amount of power and because these ads caused such a stir, Zmuda used that to appeal to the emotion of readers who either relate to the issues discussed or feel for those who

The space I chose to observe and write about for this essay is ULTA Beauty in the Greenwood Mall. In this analysis, I will be focusing on the impact of advertisements and products within class, gender, and beauty through the study of semiotics, connotation, and denotation. ULTA sells haircare products, skin care products, perfumes and cologne, high end makeup brands, and drug store makeup brands as well.

Today’s world is dominated by the great influence of advertising media, which often depicts the objectification of women. The film Killing Us Softly 3, discusses how influential the negative portrayal and misrepresentation of women is throughout advertising media. The Versace advertisement I have chosen to analyze displays a slim, scantily clothed woman of color guarded by a shirtless, muscular man. Based on concepts from the film and the course’s text, it is clear that this advertisement sets a particular feminine beauty standard and, nonetheless, illustrates women as solely being sexual objects of men, having little to no power. This fashion ad influences the way women view their physical appearance, along with their position and function in society.

Advertisements are supposed to grab the attention of its specific group of interest. They can appear to the reader or viewers’ logic, emotions, or ethical appeal, and usually car companies use ethos to show show the credibility of their cars and service. Nissan succeeded at appealing to the viewers’ emotions, but the emotions were not in favor of their product. The advertisement was an overall failure due to its misrepresentation of African American culture, promotion of ignorance about the Black Experience, and neglect to push Nissan’s product.

Perfume advertisements are made to illustrate an atmosphere and personality for a scent that you cannot smell. In the Daisy Trio by Marc Jacobs perfume advertisement femininity, purity, and youthfulness are used to create a persona for the classic daisy scent. In the airy meadows of the countryside on a sunny summer afternoon the director, Sofia Coppola illustrates the idea that being young is sexy and desirable through the elements included in the commercial. The clothing, makeup, body language, and camera techniques are used to sell the Daisy perfume, but also, youth and desire.

On July 8th 2010, Lebron announced the world on national TV that he was leaving Cleveland. Later that night, he told ESPN that he would be playing for the Miami Heat teaming up with Dwyane Wade and Chris Bosh (Scott, 2010). It was at this time where Lebron’s image in the media began to change. He went from the hometown boy beloved by his fans, to being a “sell-out”. The reactions from the local people were mostly negative, a Cleveland blog posts, “The king should never leave his throne, when you do, that means you are dethroned. He turned his back on us (Scott, 2010)”.

In the All-New Volvo XC90 commercial the first words to appear on the screen is “What is Luxury?” In this commercial it appears that luxury can only be afforded by primarily white, rich males. The media in the United States has made a lot of progress towards showing gender and racial equality on TV but America still has a long way to go. As of 2015 white men still have a patriarchal ranking in media compared to women and minorities. This essay will be discussing how intersectionality, such as gender, race, and class, play a key part in gender roles in TV media today.

Smoking tobacco has been a part of American culture since its very conception. Throughout our history, tobacco has been advertised as a simple pleasure for those who seek it out. Whether you are sitting on the porch with a couple of friends or in a dimly lit jazz club, tobacco ads give off a false sense of comfort, power, and success. Until around the mid-1900’s, smoking cigarettes was not considered unhealthy. It was only later that the public realize the detrimental health consequences that came with smoking tobacco. To spread this information, specific advertisements were aired to help inform the public of the dangers of smoking. While these ads have changed over time, the same message and warning still remains evident.