MWD Oedipus Rex

Oedipus the King is perhaps one of the most famous and influential of Sophocles' plays. It is a tragic play which focuses on the discovery by Oedipus that he has killed his father and married his mother. On the surface of this drama there is, without a doubt, a tone of disillusionment.

Considered one of the greatest dramas of all time, Sophocles’ play Oedipus the King follows the tragic life of Oedipus, king of Thebes. Considered a Satyr play, the Oedipus trilogy is perhaps the most famous of Sophocles’ plays. Oedipus the King, is an Athenian tragedy that was first performed somewhere around 429 BC in Athens, Greece. Originally, the Greeks referred to the play as simply “Oedipus,” as that was what Aristotle referred to it as in the Poetics. Perhaps what makes this play so memorable, is Sophocles’ uses of the tragic hero as the main theme. Sophocles uses characterization and conflict to portray Oedipus as an Aristotelian tragic hero.

This brings the audience to the third and fourth characteristics of Aristotle’s tragic hero: the reversal of fortune and the recognition that it was self-inflicted. In a rush of realization, Oedipus sees the truth that was in front of him and the audience throughout entire play. Oedipus, in utter agony, cries out and starts cursing the shepherd who had freed his ankles as a child. (lines 1481-1487) He then sees the correlation that marks him the killer of King Laius. The most horrifying realization to Oedipus was that he in fact had wed and procreated with his own mother. At this point heroic Oedipus has been

During the Ancient Greek period, Aristotle, a great philosopher, wrote a book called the Poetics to describe what makes a great tragic play. Using the Oedipus Rex by Sophocles as the basis for his book, Aristotle goes into great detail about plot, character, and much more, breaking up the components of a tragedy. Since Oedipus Rex had a huge part in the creation of Aristotle’s book, it fulfills many of the Greek philosopher’s requirements for a tragic play.

Later a herald from Corinth comes and tells Jocasta Polybus is now dead and the citizens of Corinth want Oedipus to be their king. Oedipus soon finds out his "dad" Polybus is dead and he did not kill him. Although he did not kill his dad, he still fears the prophecy he does not want to marry to his mother Meropi. So then The herald tells Oedipus that Meropi and Polybus are not his real parents. The herald explains that Oedipus was given to him when he was an infant the shepherd was supposed to leave him on mountain of Kitheron but instead gave him to Polybus.

Sophocles lived during the Golden Age of Greece. He is renowned as one of the greatest dramaticist of

Oedipus the King is a tragedy that displays irony throughout the play. In the play, King Laius and his wife Jocasta learn that in the prophecy their newborn son, Oedipus, will kill his father and marry his mother. In order to prevent the prophecy from occurring, they decide to bind and tie his ankles and then abandoned him. When Oedipus grew up, he eventually learned about this prophecy and decided to leave his parents. What he did not realize was that the parents who raised him were not his biological parents. On his voyage to Thebes, Oedipus ended up in a chariot accident

Reading through three related stories, we discover different motifs denoting author’s thought in different time.Without any doubt, the tragic essence goes through the Three Theban Plays. As Sophocles meditates the philosophy of the tragedy all along his life, the tragic essence expands from individuals in a society. The conflict in each play becomes increasingly complicated. In Antigone, we can clearly distinguish the conflict between Antigone and Creon, family and politics. However, in Oedipus at Colonus, the play merges all the conflicts happened to former plays and enhances the theme of the story. The later part of this trilogy, especially the ending of Oedipus the King and Oedipus at Colonus, reveals a darker and deeper phenomenon of Thebes and projects it to Oedipus. The prophet plays important role of forming the story line and tragic image of Oedipus, but the root causing the series of tragedy of the characters is not gods’ command. It is degeneration of people, which is pathetic to humanity. Finally, after suffering from family complex and exile, Oedipus is not only a victim of the society, but also the reflection of the twisted humanity of Thebes.

Sophocles ' play “Oedipus Tyrannus” is an enigma. His play includes incest, murder and self-enlightenment all leading into the main theme of fate. Athenians believed that fate is not left up to man, but that is provided solely on the whims of the gods. Because of his dramatic approach to his plays Sophocles was considered one of the most brilliant and creative writers of his time.

The play, Oedipus the King by Sophocles, bases its plot around dramatic irony. Dramatic irony is a literary device in which the audience is aware of a series of events or characteristics that the characters themselves are not yet aware of. This device was used to shape the tone of the work and furthermore the reader’s reaction to it. In the play, dramatic irony is used to tell the story and affects the reader's perception of the protagonists. These characters especially include Oedipus and Queen Jocasta. The writer depends on dramatic irony to set up the tragedy.

Early on in the story, Oedipus is the proud and confident king of Thebes; he is a man that is not to be underestimated or degraded. This once undisputed fact becomes more debatable the longer the play continues, however. The conflict begins with Oedipus attempting to lift a curse that has been unleashed on the kingdom of Thebes. This curse was caused by the murder of the previous king, Laius, and the only way for it to be lifted is for the murderer to be exiled from Thebes. Oedipus works fervently to unravel the mystery behind who Laius’ killer was. However, each new discovery ends up incriminating Oedipus as the killer instead. Along the way Oedipus discovers that his supposed parents, the king and queen of Corinth, are not his true parents. This revelation pushes him to begin a new search for his biological parents, a search that eventually leads him to one of Lainus’ shepherds. It is this shepherd that reveals to King Oedipus that his mother is Jocasta, his current wife. Consequently, Oedipus falls into a fit of despair in which he stabs his own eyes out and confronts the consequences of his shameful existence. By the end of the play, Oedipus has not only lost his status as the king of Thebes, but has also been exiled from the kingdom and has become an outcast for all of society to hate. The transition Oedipus undergoes

Sophocles is one of the three great Athens tragic playwrights in Greek history. He has written over 120 plays in which they were performed into three tragedies known as the “Oedipus the King”. Although he has written 123 plays there are only seven of his tragedies remaining and with only a few titles and fragments remaining. The seven tragedies include Ajax, Antigone, Trachinian Women, Oedipus the King, Electra, Philoctetes, Oedipus at Colonus, and Trackers. Sophocles was considered to be a master of character development and made several major and minor dramatic innovations to his plays.

Throughout Poetics, Aristotle describes what traits a tragedy must have to be successful. To support these choices, he makes use of a small analysis of many tragedies, including many of Sophocles’ plays; Oedipus Rex is one of the plays mentioned in Aristotle’s Poetics. Some of these traits include a successful plot structure, recognition scenes, and a correct choice for its hero. In Oedipus Rex, Sophocles fulfills all of these requirements.

In the Poetics, Aristotle provides an outline of how the artist is to portray or represent the perfect Tragedy. A Tragedy, of course, was nothing more than a drama, in which the characters appeared "better" than in real life (in a comedy, they appeared "worse," according to Aristotle). Aristotle's Poetics makes several references to other dramatic works to illustrate his points, but he most commonly calls upon The Odyssey to support his argument for how a dramatic structure should be designed. However, along with the Odyssey, Aristotle extensively references Sophocles' Oedipus Rex. Both poetic works were enormously popular in their time (the former had been passed down orally for generations, and the latter won the top prizes at the dramatic festivals). Therefore, Aristotle is comfortable using both to support his viewpoint concerning Tragedy and the Tragic Hero. This paper will analyze the standards that Aristotle sets out concerning the definition of the Tragic Hero and show how Sophocles' Oedipus exemplifies Aristotle's definition of a Tragic Hero.

Oedipus questions Jocasta about Laius "how did he look? Describe him" (817) until Jocasta can not answer any more questions. The messenger then arrives to tell Oedipus that his father, Polybus, has died. Ironically, while relieving Oedipus's fear of killing his own father, the messenger causes even greater fears by telling Oedipus that Polybus is not his biological father. Oedipus then discovers that he was brought to Polybus when he was an infant and the shepherd found Oedipus on Mount Cithaeron. The shepherd unwillingly admits that he knew that Oedipus is the son of Jocasta and Laius. Finally, Oedipus discovers all the facts about his true identity and that he killed his own father and married his mother.