Macbeth Character Analysis

As works of literature mature, the line between good and bad begins to become unclear. With Shakespeare’s works especially, things are usually not what they initially seem; a character may reveal to be the protagonist, antagonist, or even an anti-hero. A character may take actions that border on the antagonistic side, but still be the protagonist in which the audience is emotionally, though not always ethically, invested in. An anti-hero can be viewed simply as a protagonist who lies somewhere on the spectrum of villain and hero; never quite touching each end. In his play, Macbeth, Shakespeare makes it clear that Macbeth is really an anti-hero through his changing public appearance, his encounters with the witches, and his feelings concerning his own actions.

Macbeth’s character has developed significantly up to the second act. We are first introduced to Macbeth character in a way that we view him as powerful and Nobel. We get this idea from the quote “oh valiant cousin, worthy gentleman” which is what he is described as by Duncan, who at the time is the king. From this quote Macbeth is portrayed as a loyal and heroic figure who has done much for many, however as we know this was not a smart move for Duncan to make as it makes him come across and weak and seems like Duncan should be giving Macbeth a higher title, which is what the witches had told him before. In addition, this idea of the king complementing Macbeth about all the good that he has done seems to trigger the belief that Macbeth has the ability to be king, even in the eyes of Duncan who is so ecstatic what he has done for the county.

In the play “Macbeth” the author furthers the ideas of ambition, manhood and violence throughout the play using a gender lens, mainly for masculinity in men. In the play “Macbeth” ambition plays a big role in the man characters life; Macbeth. In Act 1 scene 3, lines 125-129, “And oftentimes, to win us to our harm; The instruments of darkness tell us truth.” (Shakespeare 1.3.125-129). This quote stated by Banquo foreshadows Macbeth further into the play. Macbeth ends up killing King Duncan because he wants to be in power over the kingdom. When Banquo questions Macbeth about the killing of King Duncan, Macbeth’s ambition to kill Banquo skyrocketed. Macbeth didn’t want anybody to think or know that he ended up killing King Duncan for power. This started a cycle of death for Macbeth’s ambition to kill to stay in power. This example of ambition from “Macbeth” has a very similar motif from the movie called “The Mask You Live In”. In the movie, George Orwell states, “He wears a mask and his face grows to fit it.” The idea of the mask he wear fits his face helps us further the reason for men’s ambitions. Men’s ambitions are driven by power and dominance over people and prized possessions. For men to be able to gain power, they need to prove how masculine they are to society. In doing so they are dehumanizing their biological thoughts and feelings and turning them into artificial ones in order to be seen more powerful or dominate to the public.

Whilst the character of Macbeth is initially portrayed as a noble kinsman, his ambition and motivation, directly influenced by the witches and Lady Macbeth, ultimately transforms him into a corrupt and ruthless tyrant. William Shakespeare’s most famous tragedy “Macbeth” clearly depicts this notion of change, illustrated through Shakespeare's utilisation of literary techniques. The tragic downfall of Macbeth is mainly attributed to Macbeth’s own greed and hubris.

Throughout the book, as Macbeth continues to progress in power, it seems as though his morals fade away while dark and destructive ideas spread through him quickly. While Macbeth contemplates his first evil deed of killing Duncan, he often talk’s himself into doing it, or gets outside persuasion to gain the courage that he is lacking. After talking to Lady Macbeth about how he has to murder Duncan, he exclaims, “I am settled and bend up / Each corporal agent to this terrible feat. / Away and mock the time with the fairest show. / False face must hide what the false heart doth / know” (1.7.92-96). Later in the novel we learn that Macbeth thinks that Banquo has become a threat to his power. Macbeth then takes this problem into his own hands and assigns murderers to kill Banquo. Macbeth then says, “So is he mine; and in such bloody distance / That every minute of his being thrusts/ Against my nearest of life. And though I could / With barefaced power sweep him from my sight/ And bid my will avouch it, yet I must not, / For certain friends that are both his and mine, / Whose loves I may not drop, but wail his fall who I myself struck down. And thence it is, that I to your assistance do make love, masking the business from the common eye for sundry weighty reasons” (3.1.132-142). Macbeth is saying that if he absolutely has to do this terrible deed he will, it doesn’t mean he wants to, but he is going to do it anyways. Macbeth uses the motif of appearance versus reality when he

Making poor choices and treating others with disrespect can affect you in the long run and can easily contribute to a downfall. Macbeth was fully aware of the choices he made with the inhumane torture and disrespect he had on the citizens of Scotland. Being a tragic hero is when one experiences an immense tragedy which leads to a downfall, but Macbeth never had a tragedy because his death originated from the choices he made and reactions he had while he had authority as king. Macbeth being selfish and only caring about himself creates an undeserving and improper image as king which brought chaos into the land of Scotland. In Macbeth, by William Shakespeare, Macbeth does not fit the formula for a tragic hero because he is not a moral

Shakespeare’s eponymous tragedy Macbeth explores the social mores of a Jacobean society by exploring ambition and villainy in the Scottish monarchy. Macbeth’s demise is perceived as inevitable and a direct consequence of being an iconoclast of the Jacobean attitudes, values and beliefs. Violating existing principles including the Divine Right of Kings and the Great Chain of Being – his transgressions cause the audience to deny Macbeth of sympathy, thus receiving harsh judgement. Despite this, Macbeth conforms to the role of a tragic hero by showing valour towards his demise, however, such acts were not inspired by virtue, thus were not substantial enough to re-evaluate his character.

Would you kill someone if that’s the only way you can get what you really want? From the time the witches told Macbeth that he will be the king of the Scotland, Macbeth becomes greedy and started making plan on how he can be a king. Later he kills King Duncan with the help of Lady Macbeth (Macbeth’s wife) and afterward he keeps on killing people. He even kill his friend Banquo because he thought Banquo was suspicious of him. But at the end of the play, Macduff kills Macbeth. The play Macbeth by William Shakespeare incorporates the elements of hamartia, peripeteia, and anagnorisis to demonstrate Macbeth’s fall from hero to tyrant.

Macbeth Macbeth, a main character in William Shakespeare’s tragedy, proves to be a dynamic character throughout the play by his transition from noble to evil. He is introduced as a strong and noble figure of the community in the beginning of the play and drastically changes with help of the three witches, his wife, and his wicked conscience. Macbeth was not only a noble public figure but also a loving and supportive husband to Lady Macbeth. He was seen as a superior, someone that people could look up to, and someone that deserved the honor. What Macbeth later did was something that no one could have ever predicted.

Good morning fellow members of “Shakespeare reloaded”. My name is Oliver Phillips and I welcome you to today’s presentation of the exploration of one of Shakespeare’s famous plays, Macbeth. Was Macbeth a villain? Or was he a tragic figure who became a victim? Macbeth is a complicated character, who possesses both good and evil traits. This can be viewed throughout the progression of the play, the transition from civilised to savagery. However, even though Macbeth transformed in to an evil character, it was purely because he was a victim of powerful control and manipulation. Watching these influences manipulate Macbeth positions the audience to view the character

In the play Macbeth by William Shakespeare, trust is an important topic throughout the play and is displayed through the character Macbeth as he rises and falls from power. Shakespeare conveys the idea of trust though Macbeth. In the play, Macbeth may seem loyal and trustworthy, but he actually is a fraud and has evil intentions. He trustworthiness to other characters directly corresponds to the amount of power he has in the play. When Macbeth is talking to King about Macbeth’s amazing service to the King, he claims that, “The service and the loyalty I owe in doing it pays itself,” (Shakespeare, 1.4 25-26) Here, Macbeth claims that serving King Duncan in itself is a gift. This quote displays exemplary loyalty from Mr Loyal himself, Macbeth, as he is enthusiastic about serving the King. In this part of the play, Macbeth is trusted enough to gain power and move up the ranks, as he is trusted by all and doesn’t seem to be hiding anything.

The most interesting aspect of Macbeth’s character is that it is flawed. The audience can identify with his human frailties. Despite the fact that Macbeth commits evil and is drawn to the successes he thinks evil can provide him, one can tell he has goodness in him. Shakespeare reveals Macbeth’s moral development through the use of symbolism in the soliloquys which portray

The downfall of Macbeth, in the play Macbeth by William Shakespeare, can be attributed to a multitude of factors. At the beginning of the play Macbeth seems to be an honourable, honest man. But the paradoxical line “So Foul and fair a day I have not seen,” echoing the words of the witches, sets us up to believe that looks can be deceiving and all is not what it seems. So, as we would expect, as the play progresses, the influences of The Witches, Lady Macbeth and Macbeth’s own ambitions lead to his inevitable demise.

William Shakespeare's play Macbeth, written in the 1600's is a perfect example of Shakespeare's ability to manipulate his audience through creating a tragic hero. A tragic hero who, because of a flaw, tumbles from a well-respected hero to a cowardless murderer. It is through Shakespeare's manipulation of figurative language, dramatic conventions and social expectations of the seventeenth century, do the audience witness the demise of this mixed up man. Macbeth's persona of the tragic hero is enhanced even more when the characters around him influence his decisions, creating mayhem inside his mind and disorder throughout Scotland. Shakespeare positions his audience to respond to the central theme: the struggle between good and evil, by

Unmanly. Cowardly. Full of the milk of human kindness. Throughout the events of Shakespeare’s Macbeth, the protagonist’s wife is seen regularly attempting to compel Macbeth to unlawfully take and keep the throne of Scotland through insults and attempts at logic and reasoning. Her extreme ambition towards the throne is notable, most remarkably when she performs her famous soliloquy asking murderous spirits to “unsex [her] here” (1-5) so that she could be less like a woman and have a personality belonging to a man to commit murder. Consequently, some may think Lady Macbeth possesses the true determination behind the play due to her desire to place her husband on the throne. Nevertheless, it is clear when looking at how Shakespeare arranges the events of the play that the character holding the most ambition that drives the play forward is Macbeth himself.