Macbeth: Describe Macbeth as a Tragic Hero

Macbeth murders many to gain power. He causes the suffering of families and murders former friends. The violence starts with the murder of the king, Duncan, who’d trusted and honored Macbeth; Macbeth kills him to gain the position of king. Duncan’s death is the catalyst; Macbeth subsequently begins to use violence as a regular way to attain power. He murders his former friend, Banquo, refusing to accept that Banquo’s sons will be kings as prophesized by the witches. He says in regard to the prophecy, “Rather than so, come fate into the list, / And champion me to th' utterance.” Instead of accepting fate, he challenges the prophecy and orders Banquo’s death. His final homicide is the massacre of Lord Macduff’s family. When Macduff hears of the brutal slaughter, he cries, “That were most precious to me. Did heaven look on, / And would not take their

Amongst all of Shakespeare's tragedies, Macbeth is the most inconsistent and fragmented. Like the mental state of the protagonist, the tragic structure of the play is in disarray from the very onset. According to Aristotle, all tragedies must follow a certain set of characteristics, and the most important of these is the presence of a tragic hero. This tragic hero must possess a tragic flaw, or hamartia, which is a good quality taken to such an extreme that it now exhibits immoral behaviour from the hero. He must also draw sympathy of his plight from the audience. Macbeth, although the protagonist, is not a tragic hero because he does not possess this hamartia. This significant absence of a flaw leads to his actions being without

     Macbeth’s downfall begins when his ambition takes over his conscience and leads him to kill King Duncan. He gets tangled up in a web of death and lies. Once Duncan is murdered, it only leads to more ruthless crimes committed by Macbeth against his loved ones. He feels the need to kill off Banquo and his son because they know too much and are a possible threat to his regime.

In William shakespeare’s Macbeth,Macbeth is a classic example of a tragic hero in shakesperean work.Macbeth display the major characteristics of a tragic hero throughout the play until his tragic end.The play potrays Macbeth as a lost cause by showing how he fell from being a honest and just man who fought for whats right, to a cruel,superstitious,ambicious dictator.In william shakespreares Macbeth,Macbeth is a tragic hero because he compromises his honor and negates his moral values in order to obtain power which results with lots of tragic events such as character deaths leading to his tragic end.

Most people would consider a hero as someone who has impacted the world in a positive fashion, but doing a single positive action does not abolish all of the bad deeds that a person has committed. The great philosopher, Aristotle classifies a tragic hero through the principals hamartia and hubris, meaning a character in a dramatic tragedy who expresses a tragic flaw and excessive pride, conclusively leading to their downfall. In the tragic play “Macbeth” by William Shakespeare, the main character, Macbeth is a considered a tragic hero since he represents the principal hamartia through his tragic flaw of ambition and he exhibits the principal hubris through his excessive pride.

When Macbeth begins to talk about the murder and decides to commit it he says:

Macbeth is a tragic hero, in The Tragedy of Macbeth, as many people refer it as, has a main antagonist Macbeth who is by fault of character flawed and is destined to experience death, suffering, and downfall. And during the beginning of the play there was a supernatural force involved in giving Macbeth the temptation. And many can argue that the 3 witches in the beginning of the play made him do it but that’s not necessarily true they never forced his hand in the murder of King Duncan and the numerous murders he had involvement in. He did this on his own due to the lack of his loyalty, sanity, or whatever trait other people wish to give him. Regardless of what trait he lacks the story and Macbeth do follow in the criteria of a tragic hero.

After Macbeth had slaughtered King Duncan, he was filled with a guilty conscience, regretting his wrong. His wife however, thought he was infirm of purpose. This was the first murder that Macbeth had experienced, however after the first murder, killing seemed to be the only solution to maintain his reign as king. Therefore, it was Lady Macbeth who introduced Macbeth to murder, turning him into a murderous villain and leading him to his decadence. Macbeths ambition influenced his declining character and led to his demise. Although Macbeths ambition had not been strong enough to carry the motive to kill King Duncan, with the added contribution of Lady Macbeths influence, his ambition was intensified enough to drive him to obtain and maintain his title as King of Scotland at no matter the cost, even the life of his good and loyal friend, Banquo. Although Macbeth did not have the mental strength to murder King Duncan on his own, he had the black and deep desires hidden in his heart. It was this fuelled ambition that ultimately led to his downfall. All in all, it was the combined factors of the witches prophecies, Lady Macbeths manipulation and plan, and ultimately, Macbeths intensified ambition that all contributed greatly to the degeneration of his character, resulting in his downfall. Macbeth was never a tyrant to begin with, although as his desires and wickedness grew, so did he develop the

24-29). When Macbeth decides not to continue with their plan to murder Duncan, his wife urges him to act on his desires or he will think of himself as a coward. She says, "Art thou afeard / To be the same in thine own act and valour / As thou art in desire?" (I, vii. 42-44). She then makes sure he will perform the deed by taking an active role in preparing for the murder. "his two chamberlains / Will I with wine and wassel so convince," (I, vii. 70-71) and cleaning up afterwards, "Give me the daggers: the sleeping, and the dead / Are but as pictures; 'tis the eye of childhood / That fears a painted devil. If he do bleed, / I'll gild the faces of the grooms withal, / For it must seem their guilt." (II, ii. 69-73).

Although William Shakespeare created the play, Macbeth, to be a tragedy, the tragic hero can hardly be considered to be one. For the entirety of one of Shakespeare’s most magnificent works, Macbeth is controlled and manipulated into committing atrocious acts that the witches and his wife desire. He is powerless to their tricks and through their sorcery/cunning words and his own morals (or lack thereof) “sustain[s] the central paradox–the heroic murderer” (Cusick). Despite the fact that he laments the loss of his king, Duncan, he still continues down his path of evil that only has one ending: his death. Although Macbeth gains a few insights on his inner self, his lack of ability to resist manipulation, willingness to kill, combined with his

A Tragic Hero is a common figure in many of Shakespeare’s works. A Tragic Hero is usually a figure of royalty, fame or greatness. This person is predominately good, but falls from prominence due to personality flaws that eventually lead to self-destruction.

He cannot even bear to look back upon it; “I am afraid to think what I have done; Look on't again I dare not.” This gives us an understanding of how he is only human and interestingly gives the audience a sense of sympathy.

Lady Macbeth brings out Macbeth’s tragic flaw when she proposes the idea of killing King Duncan and he states, “I have no spur . . . but only vaulting ambition” (1.7.25-27). Once King Duncan has been murdered, this flaw is revealed because his actions reflect on his ambition to stay king. Macbeth begins by planning on killing Banquo and his son because the witches told Banquo “thou shalt get kings, thought thou be none” (1.3.68). Macbeth must kill Banquo and his son, so no one will have the opportunity to take the crown away from him. When Macbeth sends murderers to kill them, Fleance can get away while Banquo is brutally attacked; however, luckily for Macbeth, Fleance is never heard from again. When Macbeth goes to visit the witches again and the first apparition tells him to “beware Macduff” (4.1.71-72), he then realizes he must eliminate any other obstacle that could potentially keep him from staying king. He says he will “give to th’edge o’th’sword his wife, his babes, and all unfortunate souls” (4.1.150-151) just to ensure his throne. By doing these horrible deeds, Macbeth proves he is willing to go above and beyond to remain king until his

Throughout a variety of Shakespeare’s tragedies, the audience is presented with a protagonist who appears to be a “tragic hero” in the overall play. In other words, this character is one who has made an error in his judgement, providing that this error eventually leads to their own ruin or destruction. Within Macbeth, Macbeth the character is regarded as a tragic hero, but with the distinct and evident explanation of his evil and the succession of his acts of violence, it may not be as clear cut as to whether he is a tragic hero or not. Though Macbeth does commit an error that leads to his eventual destruction, he knows that his judgement is evil and he is aware of the nature of the deed that he wishes to commit in order to reach his ambitions. His knowledge of the nature of his thoughts and actions first appears after an incident he experiences with his imagination and in fact, imagination plays a big role in the motivating identity for his will to commit regicide. Imagination begins by acting as a self-contradicting identity by providing a form of motivation, but also contributing to some hesitation towards the murderous act. As the play progresses though, it becomes solely a motivating identity towards the evil that contributed to the deterioration of Macbeth, and it is this resulting torment that becomes evidence of what evil does onto Macbeth’s mind and heart.

The tragic hero has been a major storytelling tool in recent years that makes the audience relate to, respect, and feel sympathy for a character which is undone by the end of the story. But can this title be given to Macbeth, the titular hero of the Shakespeare play by the same name? Yes, absolutely- Shakespeare’s Macbeth follows this plot path in numerous ways. Throughout the play, we are introduced to Macbeth’s belovedness, the crushing of said established belovedness, and his own undoing.