Macbeth by William Shakespeare

No, this my hand will rather the multitudinous seas incarnadine, making the green one red" Macbeth Quote (Act II, Sc. II).

In Shakespeare play, Macbeth, Lady Macbeth’s character progresses in an interesting manner. Lady Macbeth is made to act as an incentive to Macbeth's immoral actions. Even though Macbeth is generally the person to have a final say before killing someone, Lady Macbeth plays the role of his “sidekick”. She mocks her husband if he worries over a sinful deed (which usually she instructs him to do), saying he would be less of a man if he does not follow through with their plan (I. vii. 56-57). She gives Macbeth a short lecture in deceptiveness when they are planning to kill King Duncan (I. vi. 73-78). She also prepared the daggers for Macbeth to kill Duncan in advance (II. ii. 15-16). Although her husband was still having doubts, she was always ready to go in for the kill. She did not think twice about it or feel any remorse. This shows that Lady Macbeth evolved into looking like a humble and quieter person on the exterior, but being an insane woman and criminal due to the events that have affected her.

Everyone has a quality that they do not like about themselves. Some people struggle to be social, others may be too controlling of people. The list goes on and on, but the point is that everybody has a particular quality that they must learn to control or else that particular quality can get out of hand. Of course, one could write a list of characters that have major flaws. There is no better example than William Shakespeare’s character, Macbeth, in The Tragedy of Macbeth. Anyone who has ever read it, could easily identify the fatal flaw that the character Macbeth possesses which is greed. Even though many readers can all agree that greed is Macbeth’s fatal flaw, the argument as to whether or not

She tells the sprits ‘Come to my woman breasts/And take my milk for gall’ so that she can get rid of all the kindness within her-blood and milk form her breasts- Shakespeare uses ‘direst cruelty’ to express the desperation running through Lady Macbeth and with this Shakespeare creates a very hell-like picture for the audience. However, eventually Lady Macbeth persuasion overcomes Macbeth and finally he agrees to kill Duncan. ‘Let light not see my black and deep desires’, this shows Macbeths ambitions are not of good intention and turns to the universe to express this ambition (about how great it is) It also shows that even though he wants to kill Duncan, the audience is still finding Macbeth arguing whether or not to do it. Shakespeare also uses alliteration to emphasize the amount evil involved in this deed. In relation, Shakespeare shows Macbeth willing to jump the hierarchy of position. ‘We’d jump the life to come’ show the willingness to jump the hierarchy, which instantly shows the relation to the archangel which went against God and the hierarchy of Heaven to create his own land of chaos which is better known as hell. Moreover, Lady Macbeth is shown with even more evil to represent her will for Macbeth to complete the deed, ‘I have given suck and know how tender ‘tis to love the babe that milks me: I would while it was smiling in my face, Have plucked my nipple from

‘Macbeth’ a Scottish play known as one of Shakespeare’s best plays was written in 1611 by William Shakespeare, during that time King James the 1st was the king of Scotland, the Jacobean times was a time where people had a fascination with witches and witchcraft, ‘Daemonolgie’ was a book written by King James the 1st himself, this was about ways to spot a witch, which intrigued people. Since ‘Macbeth’ has a Scottish theme Shakespeare may have written this play to please King James since there is references to Banquo which is a direct descendant of King James, also it is said that Banquo wasn’t a very nice man but Shakespeare presents him as very loyal and kind person

The women figure is often perceived as passionate and loving but it was used as a sign of trouble, jealousy, and evilness in old literature pieces such as the Homer’s Odyssey and Shakespeare’s Macbeth, where the storylines couldn’t take places without the intervention of a female character. Both pieces of literature share the appearance of intriguing actions of a female character more than once in the plot. In the Odyssey, we have the female appearance that make an impact to the story three time: Helen of Troy (cause of the 10-year long war), Calypso (kept Odysseus captive on an island for 7 years) and his wife Penelope (Odysseus longed for her, men wanted to marry forcefully to take over Odysseus castle). In Macbeth on the other hand we

The play, Macbeth, by William Shakespeare, presents many societal issues, such as the influence of superstition and the supernatural, as well as the continuous desire of the human race for progress and ambitious fulfilment. What a person chooses to do in order to fulfil those desires depends on the individuals themselves, and in the case of Macbeth, he turns to murder in order to advance his social and political standing. The audience’s perception of Macbeth changes throughout the play, beginning with feelings of admiration and approval of his deeds and character, and ending, with the play and as well as his life, as feelings of contempt and disgust at his treachery. This is achieved mainly through the progression of Macbeth’s character development, as well as through the dialogue of himself and other characters.

In Shakespeare’s Macbeth, the motif of night is aggressive like the murders they plot and commit. Night dominates day throughout the play since they commit murders which disrupt the natural order of the world. Macbeth “plays God” by taking someone else’s life and therefore they challenge the Elizabethan order of the world. Acts of chaos, like earthquakes and supernatural events, break loose. Macbeth and Lady Macbeth think the night will cover their treacherous deeds. At first, the idea of murdering Duncan frightens Macbeth, but after he kills the two guards, he begins to lose his humanity. In the beginning, Lady Macbeth feels no remorse for the deaths they are responsible for but as the play progresses, Lady Macbeth starts to feel remorse for her and her husband’s actions. Although Lady Macbeth and Macbeth hope the night will conceal their sins, instead it illuminates their actions and worsens their guilt. Their actions can never fully hide since they disrupt the natural order of the world and cause chaos.

Shakespeare tragic hero; Macbeth is undoubtedly conveyed as one of literatures greatest fallen heroes. Initially presented as an admirable hero, he self destructs from external and internal forces. The witches ignited Macbeth’s ambition and temptations prove too strong for the one admired war hero, whilst Lady Macbeth prays up on his exceptional being of vaulting ambition. Throughout the essay, the factors influence Macbeth’s downfall will be explored.

Blood appears in only two forms, but many times in Macbeth by William Shakespeare; between the war scene at the beginning of the play and the lifting of Macbeth’s severed being lifted by Macduff at the end. It can be said that Macbeth could have been written in blood that there is such a large amount. What is unique about blood in Macbeth is that the “imaginary blood” or the guilt that the murderer feels plays more of a role of understand and amplifying the theme of the play, that blood is guilt and self-corruption. That however doesn’t mean that the physical blood is any less important, it just is more outright in its presentation and meaning to the audience. There are multiple instances where guilt and blood go hand-in-hand to describe what is happening in the play. The exorbitant amount of blood in Macbeth reveals that blood is just as much a way to represent guilt as it is death, suggesting that blood shed can have be used as a means of describing what the murderer is feeling.

On the other end of the spectrum, Macbeth must deal with the moral uncertainty of the actions he does commit. When he goes to kill Duncan, the dagger appears, which he judges to be “A dagger of the mind, a false creation /Proceeding from the heat oppressèd brain” (II.i.38-39). It is something that has materialized because he has a humoral imbalance. This is the “psychic distress” Roychoudhury says, “threatens often to undo the protagonists” (218). Because his mind is not right, Macbeth goes down a path of self-destruction. Macbeth does not murder all of his possible enemies at once, it takes four separate murders until he is finished. This goes against Machiavelli’s prescription in The Prince: “Violence must be inflicts once and for all; people will then forget what it tastes like and so be less resentful” (32). Though the audience does not get a chance to see whether the people are resentful, Macbeth is resentful of himself. He has “terrible dreams / that shake us nightly” (III.ii.18-19), violent nightmares, because of his guilt from murdering Duncan. His own rumination contains the same idea: “If it were done when ’tis done, then ’twere well / It were done quickly” (I.vii.1-2). The repetition of the “w” sound evokes the madness behind Macbeth’s thoughts. This is not easy to get out when spoken. His words are more than his tongue can handle, he cannot manage to get everything done all at once. The state Macbeth usurped to obtain is in trouble by Machiavelli’s standards

In Macbeth, Shakespeare first builds Macbeth’s character as a courageous and capable warrior through the wounded captain’s account of his valor on the battlefield. However, this perspective is complicated as a result of Macbeth’s interaction with the three witches, in which the notion that his physical courage is accompanied with an insatiable yet empty ambition and a tendency to self-doubt becomes known. These three attributes: bravery, ambition, and self-doubt, struggle for mastery of Macbeth throughout the play. As the story progresses, Macbeth’s ambition spurs him into regrettable action in which self-doubt and guilt cause him to undergo intense inner conflict between right and wrong, causing a domino effect which evidently leads to more malicious actions and the death of his wife. Macbeth may be classified as irrevocably evil, but his weak character separates him from Shakespeare’s great villains—Richard III in Richard III, Edmund in King Lear, Iago in Othello—who are all strong enough to conquer guilt and self-doubt. Macbeth, despite the great warrior he is, is ill equipped for the psychic consequences of his actions. In Act 5, Scene 5, Shakespeare uses Macbeth to demonstrate the dreadful effects that empty ambition can have on a man who lacks strength of character, using a temporal tone to highlight the futility of life and answering the question: can a lust for power lead to loss of humanity?

Although not as evil looking as the witches, Lady Macbeth can also be perceived as one. In the same way that the witches sabotage the order of religion and that of society so does Lady Macbeth. She does this by trying to overwhelm her husband and have more power than he does. She also performs several deeds that imply that she is evil and like that of a witch. This includes her challenging her husband’s manhood through attempting to appear and act more aggressive and masculine than he is. This desire for masculinity is expressed when she says: “Come, you spirits. That tend on moral thought, unsex me here, And fill me from the crown to the tow top-full Of direst cruelty” (Shakespeare, 1996), casting

One of Lady Macbeth’s greatest strengths is her drive and determination to succeed in life. Moreover, she was willing to do anything, even kill her own child and “dash’d the brains out” of it to get what she desired. Consequently this shows the immense lengths to which she is prepared to go to and it is also highlights of the fact that sometimes you have to make sacrifices in order for your objectives to be realised. The greatest sacrifice which Lady Macbeth makes is to that of her feminism, “Make thick my blood, stop up the access and passage to remorse.” This imagery of blood is an extreme example which shows that Lady Macbeth is willing to stop being a woman because of her great ‘male’ ambitions. However, as with all the recurring blood imagery throughout the play, it is also a show of that fact that she will not feel any guilt for committing the atrocities she does nor will she regret the fact that she abandoned her womanhood. Consequently, the reason Lady Macbeth has been developed in such a way by the author is to show the cosmic power of females. Women have historically been oppressed and so Lady Macbeth would have had to fight her entire life in order to achieve greatness, whilst men like Macbeth get everything handed to them on a golden platter. Social constraints would have denied Lady Macbeth the

Macbeth is a tragedy written in the 17th century that shows what the desire for power can do to a man. Macbeth is expressed as being the villain. But, Macbeth is in fact a tragic hero, doomed by fate from the beginning into the madness he put himself in. If it not been for meeting the witches and persuasion of his wife, the play would have had a very different ending.