Macbeth's Lady in William Shakespeare's Tragedy, Macbeth Essay

Lady Macbeth in William Shakespeare’s play ‘Macbeth’ is a character who suffers greatly in because of her human weakness, which is her vaulting ambition. This ambition is not for her, but for her husband. This woman, who seemed so in control at the beginning of the okay, only cared for her husband and his success, later becomes so consumed with guilt and remorse that it results in her tragic death. Through the discussion of characterisation and lkey scenes, I shall reveal that Lady Macbeth’s human flaw is  not only a major contributor to the ruthlessness of her husband but creates a huge influence in how the play unfolds.

Macbeth, a tragedy written by William Shakespeare and edited by Maynard Mack and Robert Boynton, displays the many ways in which guilt manifests itself and the effects it has on its victims. Throughout the play, characters including Lady Macbeth are deeply affected by guilt in ways they had never expected. Macbeth takes its audience on a journey through the process in which guilty gradually eats away at Lady Macbeth and forces her to do what she thinks is best. Though Lady Macbeth may have initially seemed unaffected by the murders she had been involved in, her desires eventually faded and were replaced with an invincible feeling of guilt which eventually took her life.

During the famous sleepwalking scene in Macbeth, Lady Macbeth’s true feelings towards Duncan’s murder are revealed: “Out out damned spot I say! One: two why/ then tis time to do’t. Hell is murky! Fie, my lord, fie,/ a soldier and afeard. What we deed we fear who knows it when/ none can call our power to accompt” (174. 31-35). An established author, Thomas Thrasher, analyzes Lady Macbeth’s sinful actions. He evaluates, “Whatever the case of Lady Macbeth’s ambition, she ultimately succumbs to the guilt that he feels over Duncan’s death” (Thrasher 77). In the result to King Duncan’s death, Lady Macbeth’s failure to resist being violent led to a guilty conscious and unstable feeling. The corruption that Lady Macbeth has experienced and brought onto herself has led to her

Lady Macbeth states, “Glamis thou art, and Cawdor, and shalt be what thou art promised. Yet do I fear thy nature; It is too full of the milk of human kindness to catch the nearest way. Thou wouldst be great, art not without ambition, but without the illness should attend it” (1.5.16-21). Lady Macbeth depicts her husband as being ambitious, but he is also too kind to murder Duncan and take the throne for himself. She also says, “Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe topful of direst cruelty…”(1.5.41-44). In this quote Lady Macbeth is praying to the spirits to literally deprive her from her femininity because she desires to take the initiative in seizing power for her husband. Another example of reversed gender roles is when Lady Macbeth says, “O,proper stuff! This is the very painting of your fear. This is the air-drawn dagger which you said led you to Duncan. O, these flaws and starts, impostors to true fear, would well become a woman’s story at a winter’s fire, authorized by her grandam.Shame itself!”(3.4.62-67). In this quote Lady Macbeth yet again takes on the dominant role in a relationship and tells Macbeth that he is yet again hallucinating just like he did with the floating dagger that led him to Duncan and he is also acting like a woman. This quote further connects to the thesis in which the roles of the Lady Macbeth and Macbeth is reversed in

In Shakespeare’s Macbeth, the title character Macbeth and his wife are both exceptionally ambitious, often taking rather radical measures to accomplish their goals. While this ruthless drive to power is seemingly prosperous at first, it quickly crumbles to naught as guilt infects their minds with grim consequences to follow. Macbeth transforms from a noble general to a guilt-ridden and despaired murderer, while Lady Macbeth’s usually stoic and masculine persona deteriorates into a pitiful and anxious shell of her former self. The feeling of remorse quickly plagues the two characters and overpowers ambition through manifesting itself through nightmares, ghosts, and paranoia, and ultimately leads to their demise.

Lady Macbeth is a master at manipulation. She tantalizes him [Macbeth] with his own self-image as a man who dares anything, for whom no limits of any kind exist (Bloom 39). Macbeth is afraid of the consequences of

Lady Macbeth’s strength of will persists through the murder of King Duncan as it is she who tries to calm Macbeth after committing the crime by declaring confidently that, “a little water clears us of this deed,” (2.2.67). Afterward, however, Lady Macbeth’s strong and ambitious character begins to deteriorate into madness. Her first sign of weakness occurred when she confessed that she could not have killed the king, revealing a natural woman’s feelings, “had he not resembled my father as he slept, I had done’t” (2.2.13-14). Just as ambition has affected her before more so then Macbeth before the crime, the guilt plagues her now more effectively afterward as she desperately tried to wash away the invisible blood from her sin, “Here’s the smell of the blood still: all the perfume of Arabia will not sweeten this little hand,” (5.1.48-49). Lady Macbeth’s

Not feeling any remorse, she is able to skillfully let go of guilt and skillfully get rid of evidence. As Macbeth comes back to her after the deed is complete he is very shaken up and extremely paranoid that someone saw him with the bloody daggers. Lady Macbeth tells him, “These deeds must not be thought after these ways; so it will make us mad” (2.2.34). By saying this she believes that you shouldn’t feel guilty about doing evil, you should just get it done and move on because thinking about it will only drive you crazy. Also she thinks when commiting violent acts such as murder make sure to get rid of any evidence that will lead people to believe you are a suspect. Frustrated and upset that her husband came home bathed in blood and the daggers in his hand she states, “Infirm of purpose! Give me the daggers.”(2.2.52-53). She is extremely disappointed in Macbeth for being so careless and cannot believe that he did not go through the well thought out plan smoothly. In her eyes he is still a coward and does not know how to behave calmy when feeling guilty.

Lady Macbeth is conscience only of her desire to gain power, and pays little attention to the consequences that are sure to follower her selfish actions. In order to control Macbeth’s guilt she says,” These deeds must not be thought. After these ways; so it will make us mad (Thomson).” She starts to put ideas in Macbeth’s head, and attempts to make him heartless about murder.

Lady Macbeth is a complex and intriguing character in Shakespeare’s play, Macbeth. She is a difficult character to embody as her personality seems split between two sides, one that is pure evil, sly and conniving in contrast to her softer, vulnerable, weak and feminine side. In the play we see her in these two main ways. The reader may feel a certain animosity towards Lady Macbeth throughout the first few acts as her personality appears more and more distasteful, in spite of this towards the end she has a serious breakdown over the guilt that torments her, even in her sleep, regarding her hand in Duncan’s untimely death.

William Shakespeare’s play entitled Macbeth is a bloody tragedy about ambition, evil, guilt and moral corruption. The story emphasizes a lot on the consequences or aftermath of the bad deeds that Macbeth and his wife Lady Macbeth do and the growing impact it has on them in turn. Lady Macbeth a woman driven by her assertiveness, boldness, strength and ambition for her husband could not escape the guilt that eventually caught up to her and destroyed her. In Act 5 scene 1, Lady Macbeth is sleep walking and goes insane due to the guilt and remorse that finally catches up to her. This scene is the most important because it changes the reader’s view on Lady Macbeth and Macbeth as characters and it also

The women in Macbeth, namely Lady Macbeth, contradict these expectations through their commanding, and ambitious tones. During that second half of act one Lady Macbeth is portrayed as the ruling figure in the house. Instead of being a grateful and fulfilling housewife she instead pushes and commands Macbeth to commit assassination. She berates him when he falters and asked if he would rather, “live like a coward in thine own esteem.” (Shakespeare)

In "Macbeth as the Imitation of an Action" Francis Fergusson states the place of Macbeth's ambition in the action of the play:

That night Macbeth ends up killing Duncan. Just before the murder Macbeth is walking down the hall when he has a vision of a dagger with a bloody tip, which is pointed for Duncan’s room. He thinks to himself, “Art tho not, fatal vision, sensible To feeling as to sight? Or art thou but a dagger of the mind, a false creation” (II.1.36-38). During the murder Macbeth makes a mistake that angers Lady Macbeth. He has forgotten to leave the daggers with Duncan’s guards, and she must now go and return them. Initially Macbeth is upset over the murder, but Lady Macbeth tells him it is as easy to forget about as washing the blood away with water. This first murder shows the strong character of Lady Macbeth and the influence she has over her husband.

The purpose of this essay is to describe Lady Macbeth’s role in the play and discuss why this makes her the most fascinating character. Her evil doings are the main reasons why she dominates the plot so greatly. These include the following: considers Macbeth to be a wimp not wanting to murder; letting Macbeth fulfill her plan; taking control over Macbeth’s thoughts and actions; turning Macbeth from a loyal man to a greedy, coldhearted human being. Also Lady Macbeth’s transformation in character and her relationship