Machiavelli 's The Prince By Niccolo Machiavelli

4d. According to Machiavelli, what must a prince prevent himself from doing to avoid hatred from his citizens and subjects?

In chapter XV Machiavelli discusses how it is important to appear as a virtuous ruler, but to not actually possess these qualities. He states, “ one is considered a giver, the other rapacious; one cruel, another merciful; one treacherous, another faithful; one effeminate and cowardly, another bold and courageous; one humane, another haughty; one lascivious, another chaste; one trustworthy, another cunning; one harsh another lenient; one serious another frivolous; one religious another unbelieving; and the like. And I know that everyone will admit that it would be a very praiseworthy thing to find in a prince, of the qualities mentioned above, those that are held to be good; but since it is neither possible to have them nor observe them all completely, because human nature does not permit it, a prince must be prudent enough to know how to escape the bad reputation of those vices that would lose the state for him” (The Portable Machiavelli 127). In this chapter Machiavelli is suggesting that a good ruler can’t be virtuous at all times because it would not be in the best interest of the people.

Machiavelli writes the ‘Prince’ while away in exile which by most people, is interpreted as his manual or guide on how to rule. It is quite clear that he demonstrates political interest and advocacy in his work through the many stories of past rulers he shares as examples of what to do and what not to do. An example of a ruler who came from a lower position, meaning no riches or status, was Agathocles (son of a potter, who became the King of Syracuse) (Machiavelli [1532] 2006) which is similar to the status of the man Plato speaks of, Socrates. However, Machiavelli speaks for power politics and the importance of the ruler being in total control since “a wise prince should establish himself on that which is in his own control and not in that of others” ([1532]

Niccolo Machiavelli, a Florence native, presented revolutionary ideas about leadership in his famous work “The Prince.” This sort of “how-to” handbook for rulers was written in a time when power was frequently changing hands, leaving nations in constant confusion (The Prince, 443). Machiavelli presented a way for these new leaders to maintain their power, encouraging such things as cruelty and fear as a means of governing the common people. This new concept was drastically opposed to the Christian ideals which had been taught for centuries. Despite its harshness, Machiavelli’s doctrine was accepted by many and has influenced some very popular men throughout history. One such person is none other than William Shakespeare. Multiple plays written by Shakespeare are stories of men in government who are either attempting to maintain their power or regain it. It is no wonder, then, why Shakespeare would refer to “The Prince” as a resource when writing these plays. One play in particular, “King Lear,” is evidence of Shakespeare’s acknowledgement of Machiavellian beliefs. Throughout this paly it may be witnessed how Machiavelli’s ideas on what a ruler should be were taken into account by the famous playwright, leading either to his characters’ success or downfall.

As this drama progresses, Oedipus begins connecting the dots and restoring his vision. When Jocasta explains how her husband died to Oedipus, he says, “I have a terrible fear the blind seer can see” (823). Oedipus is now suspecting that the prophecy is true because of the similarities between Laius’ death and the man he had killed. He begins to stop worrying about his ego and

Niccolo Machiavelli’s book “The Prince” speaks about what a great ruler should possess in order to have the loyalty and unity of his people. That to be a great Prince your people must see you as compassionate but behind the curtain you may act as your true self, even if that self is cruel. As long your subjects see you as a compassionate ruler, your rule will be a great one and known even after death.

A plague was slaying the people of Thebes, but Oedipus said to the people “sick as you are, not one is sick as I” even though

Moreover, Sophocles’ insightful word choice is used to further explore the themes of free will and fate. While Jocasta is trying to convince Oedipus to go no further in his quest to learn his lineage, she tells him in her dialog, “You’re doomed --/may you never fathom who you are!”(4-5). Sophocles’ choice of the word “doomed” is again a word implying an inescapable fate. However, since Jocasta knows the prophecy has already been fulfilled the ill-fated future that she foreshadows is Oedipus’ tragic fall. Thus it is of significance that with her next line in the script in response to Oedipus calling to a servant to fetch the shepherd, Jocasta says to Oedipus, “Man of agony--/ that is the only name I have for you,/ that, no other-- ever, ever, ever!”(10-12). This is a turning point for Jocasta, not only has her speech become reduced to short clauses, she has also come to the conclusion that Oedipus has inflicted his physical and mental trauma on himself by his choices. As Jocasta exits the stage to commit suicide after

Therefore if a prince wants to maintain his rule, he must be prepared not to be virtuous, and to make use of this or not according to need” (“The Influence of Machiavelli on Shakespeare”).

A family of monarchy which tortured Machiavelli for months causing him great suffrage and sorrow. He writes to Lorenzo “May I trust, therefore, that Your Highness will accept this little gift in the spirit in which it is offered: and if Your Highness will deign to peruse it, you will recognize in it my ardent desire that you may attain to that grandeur which fortune and your own merits presage for you.” This enough is confusing because if this is the same principality that caused so much suffering why dedicate a book to let their reign continue into longevity? As to add to this confusion, Machiavelli explains how a prince should use cruelty and violence correctly against the people. To use cruelty and punishment all at once so that the people learn to respect you by fear. He includes that if you had a choice on either being loved or feared, be feared for love can change as quick as it came. Fear of punishment, people would avoid and be subservient. He also goes on to put out that a prince must be cunning like a fox yet strong and fearsome like a lion. To use Realpolitik, morality and ideology left out for the world is not these things as you should not be as well. Furthermore, Machiavelli explains what must happen when a new ruler overtakes a new city and the people in it. “And whoever becomes the ruler of a free city and does not destroy it, can expect to be destroyed by it,

Machiavelli discourages action to taken otherwise "...since men will always do badly by [the prince] unless they are forced to

When reading Niccolo Machiavelli’s The Prince, one can’t help but grasp Machiavelli’s argument that morality and politics can not exist in the same forum. However, when examining Machiavelli’s various concepts in depth, one can conclude that perhaps his suggested violence and evil is fueled by a moral end of sorts. First and foremost, one must have the understanding that this book is aimed solely at the Prince or Emperor with the express purpose of aiding him in maintaining power. Therefore, it is essential to grasp his concepts of fortune and virtue. These two contrary concepts reflect the manner in which a Prince should govern while minimizing all chance and uncertainty. This kind of governing demands violence to be taken, however this

Machiavelli goes on in Chapters Fifteen through Twenty Three to discuss his advice to the reader in the ideal behavior and characteristics of a prince. He mentions that doing good would only lead to the ruin of a prince’s kingdom. He claims that a prince should be stingy and cruel as opposed to generous and merciful. He then, of course, adds in examples of successful rulers who were both moral and immoral alike. A prince should break promises more than he keeps them, according to the author. He also suggests that, while behaving in the aforementioned ways, a prince should do his best to avoid being despised by leaving his subjects’ land and women alone and by undertaking great projects to boost his reputation. As suggested at the beginning of Chapter Nineteen, a prince should not be “fickle, frivolous, effeminate, cowardly, [or] irresolute,” (70). ¬¬¬He should also choose wise, as opposed to flattering, advisors.

Machiavelli in his work informs the prince that even if he does possess certain qualities he shall always appear to his followers as retaining all of these qualities as shown in the following quotation “A prince, therefore, need not necessarily have all the good qualities I mentioned above, but he should certainly appear to have them… He should appear to be compassionate, faithful to his word, kind guileless, and devout… He should not deviate from what is good, if that is possible, but he should know how to do evil, if that is necessary” (Machiavelli 57). Machiavelli highlights that image is extremely crucial for rulers and they must alter the perceptions of their people in regard to him in order to appear in control at all times for the purpose of maintaining and sustaining control. This idea is overturning

Niccolo Machiavelli’s abstract work of The Prince discusses politics and government and focuses in not only acquiring power, but also how to maintain it. Throughout his work, one of the most prevalent yet disputed themes is between the acquirement of states between principalities and republics. The Prince shows a predominant and constant debate on which group will excel in acquiring power. However, despite Machiavelli’s harsh criticisms on principalities, his work does not solely praise or focus on the excellence of republics. In fact, as Machiavelli continues to speak and provide examples about the successes and failures of both republics and principalities, it becomes clearer that the lone purpose of The Prince is to merely provide tactics in political governance, instruction on how to maintain power once it is acquired, and most importantly, advice on how to become a great leader.