Compare And Contrast The Machiavellian Principles Of Macbeth

Ambition is often the driving force in one’s life. It is supposed to be the motivating factor that drives one towards success. Society also deems ambition a necessary quality of their leader. It can be said that Macbeth exhibits this quality of ambition. He is the strong, valiant warrior who has won in battle and brought victory to Scotland. However, Macbeth’s quest to acquire more power-his ambition-ultimately leads to his tragic demise. How can one allow himself to be destroyed by such a thing? Before Duncan’s murder, Macbeth questions and second guesses his ambitious tendencies and actions. Despite his anxiety, he succumbs to these tendencies and finds himself in an increasingly precarious situation, with his back against the wall and growing ever closer to his almost inevitable end.

Even though they associate themselves through contradictory manners, they demonstrate what a prince should avoid when ruling. After receiving the crown, Macbeth rules with characteristics that belong to a tyrant which created fear in his people. In Act 3, Scene 6, Lennox refers to MacBeth as a tyrant, “His presence at the tyrant’s feast” (Shakespeare 115). At this point, the lords have become to hate him. This foreshadows his downfall according to Machiavelli, “...one of the most efficacious remedies that a prince can have against conspiracies is not to be hated and despised by the people, for he who conspires against a prince always expects to please the by his removal” (1). He can also be compared to Antoninus, a Roman emperor who killed so many people that in return he was killed. A prince who commits “such-like deaths, which are deliberately inflicted with a resolved and desperate courage, cannot be avoided...because any one who does not fear to die can inflict them”(4). This suggested by Machiavelli that he should rule so that his state respects him with a healthy dose of fear but has surpassed that showing the lordes resentment.

The play Macbeth written by William Shakespeare is based upon old Scotland and this is used as the general time frame. During this time, Monarchy still existed and Scotland is in war with Whales. There are many emotions that arise throughout the play, but the most important of all is ambition. “Ambition is the desire for personal achievement. Ambitious persons seek to be the best at what they choose to do for attainment, power, or superiority” (“Ambition”). The motif of ambition in the play is that being ambitious leaves one blind to certain areas and can drive one insane to reach the intended goal. Numerous characters that showed this trait throughout the play were Banquo, Macduff, Lady Macbeth, and Macbeth.

It is in human nature that the more power one desires the more corrupt actions one must do to attain it. In Shakespeare’s tragedy of Macbeth, a Scottish noble's craving for power leads him to do terrible deeds that leads to his demise. Shakespeare shows that power corrupts by using Macbeth who corrupts under the thought of have power over others. Macbeth becomes corrupt under the thought of becoming king and gaining almost complete control over the people that he rules. Macbeth wants the power badly enough to do horrible deeds such as commit regicide. Lady Macbeth becomes very ambitious and allows herself to become seduced to the

In William Shakespeare’s Macbeth the reader watches as Macbeth changes gradually as the play endures. He are transforms from a loyal person with a loving and loyal disposition with other people, into a tyrants who are willing to kill in order to keep himself on the throne. He is tormented with fear, regret, and guilt. When someone does something they know is wrong it causes them to fall prey to their own emotions.

Shakespeare effectively focuses on the cynical repercussions of ambition in 'Macbeth' and how it can lead to one's failure. Macbeth is shown as a wellborn protagonist after being regarded as "Noble Macbeth" by the King of Scotland, King Duncan after slaying the Thane of Cawdor and winning

Macbeth, an ironic tragedy of the 17th century, is perhaps one of the most appraised works by renowned playwright William Shakespeare. Such fame, though, can be justified through the play’s effective utilization of themes and their evocative subtext; however, Shakespeare particularly focusses on the theme of power and has done so with intent. Macbeth visualises power in two forms, being that of divine and supernatural. The play forms a representation that, alike with the socio-cultural beliefs of the Elizabethan era, divine power should not be tampered with. Otherwise, the consequences can be detrimental, as demonstrated by the painful ends of characters Macbeth and Lady Macbeth. Both individuals use the process of illegitimate power to

3. 157-159) Macbeth’s arrogance is made apparent with the immediacy of his thoughts of becoming king and it is clear that the supernatural has given him arrogant ambition as Macbeth is already beginning to think of how he will be crowned king. Macbeth eventually decides he will show his “Black and deep desires” (1. 4. 58) and murder Duncan, the current king of Scotland. This is a shift from Macbeth showing loyalty to Scotland and the king as he now has arrogantly, for the benefit of himself becoming king, murdered Duncan, the king of Scotland. Duncan was greatly admired and respected by the population of Scotland. Macbeth himself describes Duncan as “meek” (1. 7. 17) and being “so clear in his great office” (1. 7. 18). When Macduff first realizes the death of Duncan, he describes the scene as: “O horror, horror, horror!” (2. 3. 73) Macbeth acknowledges that the reaction to Duncan’s death would be mournful before murdering him: “Pity… / Shall blow the horrid deed in every eye, / That tears shall drown the wind” (1.7. 21-25). However, Macbeth’s only goal is to become king, not to please the population of Scotland who admires their king greatly and sees him as a righteous person. After tempting Macbeth with the idea of becoming king, the supernatural gives Macbeth arrogant ambition, forcing him to contrast his loyal and courageous personality, which motivates him to kill Duncan.

William Shakespeare’s Macbeth is a tragedy in which the main characters are obsessed by the desire for power. Macbeth’s aspiration for power blinds him to the ethical implications of his dreadful acts. The more that Shakespeare’s Macbeth represses his murderous feelings, the more he is haunted by them. By analyzing his hallucinations it is possible to trace his deteriorating mental state and the trajectory of his ultimate fall. Throughout the play Macbeth is never satisfied with himself. He feels the need to keep committing crime in order to keep what he wants most: his kingship. The harder Macbeth tries to change his fate the more he tends to run into his fate. His ambition and struggle for power was Macbeth’s tragic flaw in the play.

Prior to deciding whether or not conflict is central to the dramatic development of MACBETH, one must consider all the dramatic factors that contribute to the Shakespearean play. The gradual decline of the protagonist , the role portrayed by characters and the order in which the events occur, greatly influence the direction in which the development of the play takes place. After reading the text MACBETH, by Shakespeare and viewing the film version, directed by Roman Polanski, it is logical to see that ambition and the deceptive appearances of what really is, is central to the dramatic development of

Shakespeare is one of the most influential and famous playwrights of modern times. A major reason his work is loved by so many is because of his insightfulness into the human mind, and one of Shakespeare’s greatest works demonstrating this is Macbeth. This famous play is about nobleman and military man Macbeth and how his tragic choices lead to his inevitable demise. The first and most trying choice that Macbeth has to make is whether or not to kill Duncan, the king of Scotland. Macbeth has to make this decision while being pulled in different directions by two conflicting forces. The force pulling him away from murder is his loyalty and humanity towards Duncan. The other force pulling him towards murder is his loyalty towards Lady Macbeth

In Macbeth ambition plays a huge role in character devolvement. Ambition affects four of the major characters. The characters are Macbeth, Lady Macbeth, Malcom, and Banquo. The sisters are the source of Ambition. It is as if they control ambition. The ambition the sisters’ control is negative ambition. Ambition is, wanting to have more then you have and wanting it now.

Macbeth’s exceptional devotion to instinctively secure the king’s survival, earned him his new title and high regard. His manliness attributes has thus then portrayed him as the perfect role model for the other men.

In Machiavelli’s The Prince, he stats that it is better to be feared than loved, but that one should avoid being despised and hated. With these concepts at hand we can compare these philosophies to one of Shakespeare’s most famous plays Macbeth. This play can be analyzed through two important characters Macbeth and Duncan. They both have their own tragic flaws and how they came to power. But Macbeth had gained his title illegitimately.

In life, there are two types of people: those who do the right thing and those who don’t. In the play Macbeth, by Shakespeare, the main character Macbeth is given a prophecy by three witches that says he will become king; however, there is no descending line of kings of his own blood. With the knowledge of the Witches’ prophecy, Macbeth’s ambition, and manipulation from his wife, Lady Macbeth, Macbeth is quickly dragged into a never-ending, bloody murder rampage to obtain the crown and get rid of those who stand in the way of obtaining it as well. Macbeth constantly battles with his moral dilemmas; however, he easily falls victim to influences that go against his morals. Influences on major characters emphasize how easily one’s decision making can be negatively affected, resulting in one going against his or her morals/integrity.