`` Machine Man `` By Max Barry

Look around you, anything from the chair that you are sitting on to the phone in your pocket existed thanks to an engineer. We currently live in a world sculpted by the work of technologic professionals. As the significance of the choices made by engineers increases, it has become more and more important to ensure that these choices are ethically correct.Through analysis of Eric Katz’s Nazi Engineers, it is clear that societies ethics ultimately determine the direction in which society moves.

Carr utilizes the program ELIZA as an example of technology numbing human’s ability to differentiate man and machine. The connection between man and ELIZA goes so far as to cause humans to “imbue ELIZA with human qualities.” What’s easy to miss is that ELIZA was designed to be a therapist, and a key necessity of therapy is a seamless connection between the patient and the therapist. Thus ELIZA’s value as a therapist is established through this example. The imbuing of human qualities allows a deeper connection between man and machine, and actually points to a strength, not a weakness. The fact that man can begin to blur the edge of himself and his creation shows that man is capable of flawlessly integrating his creation in order to better utilize the machine. If man were always conscious of the numbing effect of technology, and thus stayed hesitant to integrate fully with the machine, man would be too worried to properly use the machine. Carr loses sight of this fact as he worries that human’s “wanted” to give ELIZA human qualities. His worry is ill place, as Carr fails to acknowledge the purpose behind

In his article, “What are People For”, Wendell Berry muses that technological progress serves no purpose in the grand scheme of things, cynically notes that the “higher aims of ‘technological progress’ are money and ease”. By condoning this materialistic outlook of life that afflicts society with a “cultish faith in the future”, Berry urges his audience to consider taking part in a community that appreciates life in the present. Berry heralds truth in his argument that technological advancement, even ones made with good intentions, inevitably contaminates society because it enables twisted misuse of power and serves to strain human relationships.

Through several years of technological advancements, we have become more associated and reliant on technology. In the short story “The Veldt”, Ray Bradbury describes two characters, Peter and Wendy, who are overindulged with material goods which causes them to lose their morals in life. An addiction to technology will cause relationships to disintegrate as one persistently attempts to secure technology for their own selfish fulfillment.

A machine determines what people will buy, how they will act or look and even date which could cause people to suffer from boredom and go tired of the same stuff as always. In the previous, society is controlled by a machine that surrounds their mind with the aspects they most like. When Tilly says “You are scheduled to attend the kickoff meeting for the Davis case at eleven, which means you’ll get a lunch paid for by the firm. I suggest you go light on the breakfast, maybe just a banana.” (Ken Liu, 1), When Tilly suggests Sai what to eat, reveals people possess a lack of thought, which produces people to become ignorant by being told how to act, they stop thinking how they live their lives. Society trust in what their phones tell them is best for them and what will make them happy, they believe and let themselves manipulate by artificial intelligence to feel they are making sure they are going to become happy with the decisions they make. The idea of people controlled by technology leads to depression after some time, because makes people feel alone. In Harrison Bergeron society tells the people how they have to look, when the author mentions And to offset his good looks, the H-G men required that he wear at all times a red rubber ball for a nose, “keep his eyebrows shaved off, and cover his even white teeth with black caps at snuggle-tooth random.”(Kurt Vonnegut) the previous reinforces the idea of a society manipulated and limited to look certain way, what the author says leads to loneliness because people can’t be themselves. People also have a lack of thought because they can’t have their own decisions which produces them to depend on

“I used to worry that computers would become so powerful and sophisticated as to take the place of the human minds,” expresses Lewis Thomas, the author of “The Corner of the Eye” [Thomas, 83]. A large part of Thomas’s fear of computers is due to the fact that “a large enough machine can do all sorts of intelligent things beyond our capacities” [Thomas, 83]. However, computers cannot replace us; he realizes computers cannot do some of the things that we can do, like being human. We like to be equivocal, imaginative, and self-conscious. Computers are the complete opposite of the traits that define us as human; or as Thomas states it, “they are not designed, as we are, for ambiguity” [Thomas, 83]. As witnessed by history, the present, and soon the future, it would be self-evident truth that computers will not take over us or be “us”.

In the modern society, technology has repeatedly shown its unpredictability and unreliability. Recently, many scary occurrences have aroused due to exceptional grade technology. “The Veldt” and “Marionettes Inc.” by Ray Bradbury, both warn of the dangers of trusting any artificial intelligence. These short stories support the theme that Ray Bradbury believed in, that technology hurts humankind.

The idea of Artificial Intelligence began as a mere philosophical idea, simply a puzzle that provided food for thought for curious minds. In the 1940's, however, with the invention of the first computers, the notion then had the means to transcend simple abstract speculation and became a rather alluring potential actuality and goal in the technological community. It was not until the 1950's, however, that the link between human intelligence and machines was really observed spawning a technological boom that would precipitate to immense proportions, entirely reshaping our daily lives. Today, "Researchers are creating systems which can mimic human thought, understand speech, beat the best human chess player, and countless other feats never before possible" (The History of AI 1). The rapid fervor to which the researchers latched on to the further development of this infant technology, coincides eerily to that of the intense desire Shelley portrayed in Victor as he literally emptied his entire soul and being into his obsession of creating life. As Victor so splendidly illustrates a quest of this sort and in this manner is blinding and for this reason scarily dangerous. For just as Victor stood dumbfounded and

Firstly, Charles wouldn’t have felt the sadness he felt when he found out about his ‘friends’ backstabbing him and then starting the petition. In his mind, he thought he had many friends who loved him for who he was but in reality they were just mocking him. “…Joe said Charles is a card when he is potted. I don’t know what that means but everybody likes me and we have fun” (p.13). After the surgery was terminated, Charles way of interpreting different angles of situations and circumstances advanced in a way that he was able to grasp the hidden meaning or truth behind a facade. Charles identified every single stunt and prank that his colleagues pulled on him. All those comments Joe and Frank made

Bernal published his book The World, the Flesh & the Devil. This book also carried many Transhumanistic themes such as the limitations of the body and the opportunities to enhance both the mind and body through advancements in science, technology and medicine. Specifically, he discusses how our bodies and minds will change physically as time moves forward. Bernal completely lacks faith in Haldane’s idea of divine intervention leading to the immortality of organic man. He goes so far as to claim "Normal man is an evolutionary dead end; mechanical man, apparently a break in organic evolution, is more in the true tradition of a further evolution." This mechanical man heavily embraces the use of technology in replacing parts of their bodies or enhancing others. For example, he theorizes the future modifications we will have made to our vision in that “the eyes will look into a kind of optical box which will enable them to alternatively look into periscopes projecting from the case, telescopes, microscopes and a whole range of televisual apparatus.” This is a primitive example of the beliefs and ideas of modern transhumanism more than anything else at the time and these ideas of wild technological innovation would become the cornerstone of modern Transhumanism. Though he recognizes similarly to Haldane, that negative consequences can still arise through man’s own morality, and that we need to make sure that we can handle the technology as a society before

Throughout history, people have made works of art both praising and criticizing the development of science and technology. The novel by Mary Shelley, Frankenstein, shows an older form of this type of work, while the film, Ex Machina, shows the modern version of this. In both of the stories a new being is created, and while in the film the consequences of creating life are somewhat more thought out, both result in the deaths of the creators and others. This paper is going to analyze how different aspects of these two pieces compare including: their characters, their stories, and the themes or morals of the works. Both Frankenstein and Ex Machina involve realizing the complexities of life. They highlight the strengths and weaknesses of man, and warn of the advancements of the sciences. While neither are outright saying that science and advancement is a bad thing, they warn of the consequences of new technologies as well as the lack of understanding and planning. In the end, both of these stories warn and teach the reader or viewer about the shortcomings of mankind.

Modern science has dramatically evolved over the past years, there is a concern on whether or not people will try to play God with such developments and what damaging consequences could occur. Body modifications, cloning, Genetic engineering, and various fields in biotechnology are prime examples of fields that are attaining great advancements in a swift manner that increase concerns over the consequences. Progress in science induces people to question what it means to be a human and their own human nature, just as it causes people to question the effects that scientific progress may have on their good fortune, happiness or common welfare.The protagonist of Mary Shelley’s Frankenstein, Victor Frankenstein is incited to advance the field of

Andy Clark, in Natural-Born Cyborgs, offers an extended argument that technology’s impact on and intertwining with ordinary biological human life is not to be feared, either psychologically or morally. Clark offers several key concepts towards his line of reasoning. Clark argues that a human being thinks and reasons based on the biological brain and body dynamically linked with the culture and technological tools transparently accessible to the human. This form of thinking and reasoning develops new "thinking systems" that which over time become second nature thoughts and reasons and are the basis of even newer "thinking systems." It is a repetitive cycle that continues forever being built upon previous systems.

Death is usually portrayed as both grim and darkly humorous in many pieces of literature and short stories is one of the forms that allows writers to do both. Machine of Death is a two book anthology series of stories, one page cartoons and illustrations edited by Ryan North, Matthew Bennardo and David Malki. These were written and drawn by them and several other authors and illustrators by conveying their own take on how they believe their character would handle it if they were forewarned and forearmed of their own demise. These stories are varied by genre, style, approach and technique but they all have two things in common. They all feature the titled “Machine of Death” which is a fictional device created by the editors (and a fictional team of scientists and engineers) that allows any of the characters involved to pay a fee (it varies from ten to twenty dollars depending on the story), stick their finger in a slot to have their blood taken and a card pops out to reveal exactly how they die and they are never wrong. However, if anyone expected it all to be as simple as that, this is where the added twist that ties everything together is used. These cards only reveal the “method” of how they die. For example, if a card said “CANCER” or “STARVATION”, that is all the information they receive. It does not state how these circumstances come to be or exactly when they die and that is where the existential crises of it all comes into play. These stories explain how

In her novel Frankenstein, Mary Shelley is trying to convey the message that science and technology can be dangerous in the wrong hands. She affirms this idea through the character of Victor, a cautionary tale, but dispels the idea that all pursuit of knowledge is bad through more traditionally romantic characters such as Henry Clerval. Shelley is complicit in her understanding that curiosity and experimentation are unbreakably tied to the human condition, and tries to warn the world of the evil that can come from this. However, the effects of the interpretation of this book can vary: it is an exemplary cautionary tale, and a much needed reminder of ethics in an increasingly technology-dependent world, but one could easily take these warnings too far and use her novel as a means to quell innovation or incite censorship. In a world of technology that would be unbelievable to Shelley, her work still remains relevant, notably in the field of genetic engineering. Frankenstein raises important questions about ethics, responsibility and censorship, and is applicable to modern technological issues such as genetic engineering.