Macroeconomics of Middle Earth

Since the publication of The Hobbit in 1937, critical readers have argued over whether the book is a fantasy, a fairy tale, a fable, a romance, an epic, or a novel. Classifying the book is one way of explaining its strengths and weaknesses and understanding the immense appeal it has held for many decades. The Hobbit seems to be about much more than its surface narrative, but Tolkien was adamant that it was not an allegory and said he much preferred history, whether real or invented, to allegory. The book is not a novel in the tradition of the great realistic novels of the eighteenth and nineteenth centuries; it is much closer to the idea of a romance, a genre that accommodates the improbable and even the supernatural. It is probably most accurate

When most people think of J.R.R. Tolkien, they often think of his great imagination and his world of great dragons, warriors, orcs, hobbits, wizards, dwarves and elves. But most people forget about the deeper meaning behind his stories and his controversy towards society. Tolkien was a British, fantasy, writer during the mid-1900s. Through his love of languages, religion, and country, J.R.R Tolkien’s works of The Hobbit and The Lord of the Rings are controversial but masterpieces because Tolkien represents “good” as a fuller, more imaginative reality than evil.

Going forward, in this essay, topics such as heroism and transformity will be strongly analyzed through quotes directly from the book The Hobbit and opinions formed while reading. Through the book The Hobbit, J.R.R. Tolkien is able to show how a hero isn’t always the typical buff and boots with a cape on his back kind of person. Tolkien shows the reader that a hero is made by the struggles he conquers and isn’t just a perfect character thrown into the beginning of the story.

The Lord of the Rings by John Ronald Reuel Tolkien is a book widely known for its rich language, detailed imagery, and profound story that expands over three volumes and six books. The book is scattered with deep characters ranging in back stories and eventual character development. Motifs, key parts throughout the story, include lightness and darkness, eyes, jewelry, and sword. JRR Tolkien even creates his own language for the solemn race of elves in the lengthy three volume novel. A part of this length may be attributed to the unusual placement of many full-form songs and poems within the book, as a break between the usual story. These poems and songs have ranges of playfulness and thoughtfulness. With uses of made up Hobbit words and beautiful

The Hobbit is a classic example of a fool’s errand written as a children’s tale. Thirteen dwarves, a hobbit, and a wizard journey across Middle Earth to face a centuries-old dragon that decades earlier obliterated the combined armies of the dwarves. And yet, against all odds, this pack of misfits succeeds in their quest, reclaiming Erebor, killing the dragon, and renewing the line of Durin. The Hobbit is moralistic in nature; it never intends to showcase the literal triumph of the heroes over the dragon, but rather the victory of one set of values over another. The dwarves’ companionship, sacrifice, and heroism defeat the dragon’s antagonistic, materialist, and isolated nature. Many tales throughout the ages echo this classic theme: love

“In a hole in the ground there lived a hobbit,” writes J.R.R. Tolkien. Within Tolkien’s famous novel The Hobbit, Bilbo Baggins, thirteen dwarves, and a wizard named Gandalf embark on a journey to reclaim the dwarves’ long-forgotten gold. Although the story seems to be completely original and made of fresh ideas, it is actually influenced by previous literature, like other common novels. Many legends of King Arthur, with unknown authors, influenced J.R.R. Tolkien’s The Hobbit.

The Board of Governors, is an organization of the government that reports to and is specifically responsible to report Congress (see figure 1.2), gives general direction to the System and administers the 12 Reserve Banks.

“The Hobbit”, a thrilling novel with numerous amounts of varying characters, contains so many different archetypes. Ranging from dwarves to dragons, “The Hobbit” has such a large variety of characters starting with Bilbo Baggins who gets led into an adventure by a wizard named Gandalf. Along with the aid of dwarves, Bilbo must go on a journey to defeat Smaug- the large dragon who guards the treasure. Together they face many struggles along the way, but they finally defeat the dragon. And a large amount of characters and archetypes are introduced in this novel. They include Bilbo who shows growth and bravery, Gandalf who invites Bilbo to the hero’s journey, and Smaug who symoblizes fear and challenges Bilbo’s courage. In “The Hobbit”, Bilbo Baggins plays the

Throughout one’s life, one meets many different people, some of which seek to harm one, and some of which do not. This is also true for books: A variety of characters are introduced. Characters assume different roles of varying importance, and some seem “benevolent,” while others become labeled as “wicked.” Some guard an item or area, and yet others’ intentions are impossible to discern. These concepts especially apply to The Hobbit, written by J. R. R. Tolkien, which is an excellent example of The Hero’s Journey. The Hobbit showcases many archetypes, including Bilbo Baggins as the hero, Gandalf the Wizard as the mentor, and Smaug the Dragon as the shadow.

J.R.R. Tolkien’s epic novel The Lord of the Rings showcases his affinity for what is small and how its measure contradicts its significance. Tolkien crams undetected, potent potential into unlikely vessels—vessels that seemingly lack the capacity. The reader sees this in Tolkien’s protagonist and antagonist, the hobbit and ring respectively. The measure of each conflicts with its significance. With a closer look, the reader also sees this in Tolkien’s word choice. In his essay “On Fairy-Stories,” Tolkien claims “How powerful, how stimulating to the very faculty that produced it, was the invention of the adjective: no spell or incantation in Faerie is more potent.” Throughout The Lord of

The Dangerous Consequences of Possession in J.R.R. Tolkien’s The Hobbit and “Farmer Giles of Ham”

2."JRR Tolkien." JRR Tolkien. N.p., n.d. Web. 14 Nov. 2013. http://www.tolkien-online.com/. “It was conceived that Tolkien was always writing some type of interesting writings. They were often conceived with a fantasy as a profound or powerful form at literature with intense philosophical and spiritual meaning, serious purposes, and eternal appeal.” 4.Tolkien, J. R. R., Mary Salu, and Robert T. Farrell. J.R.R. Tolkien, Scholar and Storyteller: Essays in Memoriam. Ithaca, NY: Cornell UP, 1979. Print.

Tolkien, J.R.R. “131 To Milton Waldman.” The Letters of J.R.R. Tolkien. Edited by Humphrey Carpenter assisted by Christopher Tolkien. George Allen & Unwin, n.d., p. 178. London. Written [1951?] https://timedotcom.files.wordpress.com/2014/12/the_letters_of_j.rrtolkien.pdf. Accessed 3 November 2017.

"Three Rings for the Eleven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his Dark throne, In the Land of Mordor where the Shadows lie. One Ring to rule them all, One ring to find them, One ring to bring them all and in the darkness bind them, In the Land of Mordor where the Shadows lie(Tolkien)." Master of storytelling J.R.R. Tolkien continues the lives of the fictitious creatures that he introduced in The Hobbit, in his modern classic The Fellowship of the Ring. He artfully illustrates the truths of the evil that plague the hearts of man. He tells a story of greed, destruction and how mortal men are enslaved by

Tolkien scholarship has focused on the literary, linguistic, and historical inspirations behind his stories. Linguistically and literarily, Tolkien was known for making reference to Old English poems like Beowulf and Sigurd and Gudrún, two of many medieval texts in Tolkien’s repertoire. Tolkien’s historical inspiration comes from his life as an academic and as a veteran of the Great War. This leaves little room for in-depth investigation through the lens of other disciplines. An interdisciplinary approach could assist where the current scholarship falls short. For the purposes of this project, I will examine The Hobbit through the lens of a human geographer. Human geography at its simplest is the relationship between a people or a person and their surrounding