Mademoiselle Reisz Quotes

She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.

Another reason Mademoiselle Reisz is significant to Edna is because she is the only one who knows about and Robert and Edna’s love. Mademoiselle explains Robert’s love for Edna, “ It is because he loves you, poor fool, and is trying to forget you, since you are not free to listen to him or belong to him ” (95). Edna’s love for Robert is the reason why she quickly becomes uninvolved with her family and the life she is socially supposed to have. She does what she wants with disregard to anything her husband has to say.

A foil for Adele Ratignolle, Mademoiselle Reisz serves as a living example of an entirely self-sufficient woman, who is ruled by her art and her passions, rather than by the expectations of society. A small homely woman, unmarried and childless, Mademoiselle Reisz is a talented pianist and somewhat of a recluse. She represents the anti-mother along independence and freedom. The first time she is introduced in the novel she is introduced as being “eccentric and quarrelsome”, from that we are able to infer that she is unlike the other women. Later as the novel continues to progress from her house and manner of expression we are again able to infer that she is unlike the other Creole women. For her home is an apartment above everyone, with a view, that is disagreeable and often cold. Mademoiselle Reisz is the woman that Edna could have become should she have remained independent of her husband and children and lived to old age.

In Chapter 8, Madame Ratignolle pulls Robert aside and asks him to leave Edna alone. She explains that Edna,” Is not one of us; she is not like us. She might make the unfortunate blunder of taking you seriously.” Chopin’s use of repetition in Adele’s dialogue puts emphasis on Edna’s uniqueness and labels her as an outcast. Adele sees Edna drifting further and further away from the social norms of their accustomed society and wishes to stop her before its too late. Chopin also uses this scene to foreshadow Robert’s unwillingness to commit to Edna as he brushes off Madame Ratignolle’s warning, seeing his relationship with Edna as a fling rather than being the passionate lover Edna craves.

Mademoiselle Reisz is the epitome of what Edna wishes she had become, Edna is covetous of Mademoiselle’s lifestyle. Madame Reisz is a carefree woman who could not care less about what society thinks of her. Edna sees what kind of person Mademoiselle is through her music. “The woman, by her divine art, seemed to have reached Edna’s spirit and set it free.” Through Edna’s friendship with Mademoiselle Reisz, Edna starts to find herself as a woman. “She was seeking herself and finding herself in just such sweet, half-darkness which met her moods.” Mademoiselle Reisz shows Edna that she can be herself and be independent

A more obvious trigger for her sensual nature is Mlle Reisz, who upon playing for her at the beginning, affords that pictures be conjured up in Edna’s mind as she plays. After the reinforcement of Robert’s affections upon her, continuing to impart obsession into her mind, Mlle R’s playing hits the very core of her being, and we see that indeed her body and soul

Later on in the novel, Edna speaks about how Mademoiselle Reisz checks her shoulder blades for strength because “the bird that would soar above the level plain of tradition and prejudice must have strong wings” (Chopin 79). While many characters shut Reisz off because of how strange she is, Edna visits her because of their unspoken, mutual understanding of the significance of the potential power and precedence that her true, inner identity could hold if she let it fly free. At the end of the novel, Chopin describes a “bird with a broken wing” who circles “disabled down, down to the water” (108) to reflect how the strength of Edna’s inner identity breaks her because her spirit is too weak to maintain her desires alongside her realization that she could never be truly happy again in this time of unbreaking oppression and possession. Elz notes that if Edna continues to live that she will always be moving from relationship to relationship to satisfy her true desires, even though - in contrast - she wishes for her existence to not be defined by her relationships with men. “Like the mockingbird,” Elz continues, Edna “insists on her way” and therefore refuses to accept the roles society pushes on her and, in result, commits suicide as her inner identity wins and proves that she can not be controlled (20).

    A second similarity is that Edna and Nora each had an awakening about her own marriage.  Edna's awakening took place early in the novel, while Nora's awakening occurred at the end of the play.  The realization that she was not happy taking care of her husband, house or children began Edna's awakening.  Represented by the quote, "An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her whole being with a vague anguish" (Chopin 14).  Edna feels the entrapment of her marriage that has been present subconsciously, and it fills her mind and soul with pain and hurt.  At the end of "A Doll's House," Nora announces to her husband the need to leave the marriage due to the oppression caused by his power over her.  Nora feels as though their marriage has never been a true marriage, and that Helmer and herself never truly knew

“The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, and inviting the soul to wander for a spell in the abysses of solitude; to lose itself in mazes of inward contemplation." (Chopin 13). Edna was a person that found passion within arts of life, her admiration to her most intimate friend who had the gift of writing, a personal way of expressing, as well as Mademoiselle Reisz who played the piano with a passion that broke tradition for which Edna was the only one to appreciate it, Mademoiselle Reisz music evoked a waking with Edna 's body and soul that could not compare to nothing else - "But the very passions themselves were aroused within her soul, swaying it lashing it as the waves daily beat upon her splendid body. She trembled, she was choking, and the tears blinded her"(Chopin 27). Approximating the end of the summer Edna also nears a personal growth within, she learns to swim, simply ineffable to Edna but ordinary to many other people would not care for its gift, she learned to swim and she went as far into the ocean where no woman had swum before, a point in Edna 's life that prepares her to open herself up for new choices. She choices to find shelter in a man that had aroused herself as a young beautiful woman, she choices to dream and long for Robert Lebrun like the other forbidden men in her childhood, but its only when she returns to her charming home on

When Edna receives gifts from Mr. Pontellier she is forced to realize that she loves him, yet what she also realizes is that she truly does not love him. In her romance with Robert, she feels great affection and love for him. He as well feels that same for her, yet he cannot corrupt the union of marriage by being with Edna so he decides to leave and not further the relationship. Edna’s inability to attain

When Edna returns home later that day, she finds out that Robert is leaving for Mexico. She is rather upset with this news and afterwards leaves to go home. "She went directly to her room. The little cottage was close and stuffy after leaving the outer air. But she did not mind; there appeared to be a hundred different things demanding her attention indoors." (42) She tries to ignore that his leaving and not telling her affects her so much. Yet she declines an invitation from Madame Lebrun to go and sit with them until Robert leaves. When Edna sees him leave it tears her up inside that her companion, the one person that she felt understood her, is leaving: "Edna bit her handkerchief convulsively, striving to hold back and to hide, even from herself as she would have hidden from another, the emotion which was troubling - tearing- her. Her eyes were brimming with tears." (44) Edna's life is not complete when Robert leaves:

Mademoiselle Reisz is first introduced at a party when she plays the piano for Edna Pontellier. Edna is described as being "very fond of music."(25) Music is described as having a way of "evoking

Lastly, Edna explores self-expression in her own physical passion. Her romantic relationships with Alcee and, most importantly, Robert, give her the means to express love and passion she had preciously repressed. When Edna first explores these sexual feelings she, as Davis states, "succumbs to the seductions of a roué, Alcee Arobin, without

Edna’s indulgence in art exemplifies the importance she has placed on personal fulfillment, an attribute of feminist ideals. Edna characterizes herself as an artist. This demonstrates her desire to be set free from the familial expectations placed on her. Art represents a freedom of expression. Edna’s association with her artistic passion, not necessarily ability, foreshadows her desire to break free from society’s norms. Edna seeks the guidance of a liberated woman, Mademoiselle Reisz, who is the ideal feminist woman that Edna aspires to be. Reisz connects with her artistic hobbies through music. Her music inspires and provides her with the strength not to live under the maternal expectation. Edna enjoys painting although she does not consider

Due to the restrictions put on Edna not only by her husband’s dedication to appearance, but by the society that encourages women to be viewed almost as property in a marriage instead of an equal participant in the relationship, Edna grows increasingly dissatisfied with her lifestyle, and feels as if she has been living two separate lives. The reader can sense this duality within Edna, even before she meets Robert leading the reader to believe that while the affair was the lynchpin for her awakening, there was always some dissatisfaction with her role in society. Chopin illustrates this when she describes Edna’s duality, stating: “Even as a child, she had lived her own small life all within herself. At a very early period she had apprehended