The Oxford dictionary defines madness as “The state of having a serious mental illness”. Madness has been construed in several different ways throughout centuries and literature. Before and during the Middle Ages madness was mostly seen as a suggestion of sorcery/witchcraft or demonic possession, or an imbalance of the humors- blood, black bile, yellow bile and phlegm, or as an effect of the moon (since it was believed that madness was caused as a result of sleeping in a place where the moon beams struck a person’s head and thereby the word lunacy was derived from the Latin word “luna” for moon). However, some considered the mentally ill to be divinely gifted, that is, being gifted with the power of speech/words (poets, writers, etc) and thereby the treatment and attitudes towards the mentally ill varied from exorcism, confinement, trephination (used for people who were thought to be possessed by demons and involved drilling a hole in the person’s head to drive evil spirits out of the body), whipping, etc. The sixteenth saw the establishment of asylums and hospitals which accommodated and confined the mentally ill, destitute and vagabonds, the jobless and the outlaws. All the unwanted people or the undesirables were shunned by the society and sent to these institutions. St. Mary of Bethlehem in London which was popularly known as Bedlam and the Hopital General of Paris were two well known institutions that housed the mentally ill during the sixteenth and seventeenth
“Timeline: Treatments for Mental Illness” notes the history of mental illness; before the 1840s, being mentally ill was considered to be a form of religious punishment and demonic punishment by many cultures. In 1407 the first European establishment for mentally ill was established in Valencia, Spain. As time progressed it was shown that Europeans began to increasingly isolate the mentally ill; treated inhumanly, often kept chained to walls in dungeons. In the late 1700s some changes were made as concerns for the mentally ill people’s well being grew. After the French revolution Phillippe Pinel, a French physician, took over the Bicêtre insane asylum, forbidding the use of chains and shackles. He provided the mentally ill with better living conditions, sunny rooms and the ability to roam around the grounds. Though some things have improved, mistreatment in other asylums persisted. In
Madness is defined as the state of being mentally ill or having extremely foolish behavior. It is a condition in which is difficult to identify whether it is true or not. In William Shakespeare's masterpiece, Hamlet, there is confusion as to whether or not his madness is real. The ghost of his father asks Hamlet to avenge his death. While he tries to accomplish this, he puts on an antic disposition. The antic disposition reoccurs throughout the play, but is merely an act. Hamlet is mad in craft because he admits that he is not mad several times, he behaves irrational only in front of certain individuals, and he has many feigned actions.
Hippocrates was the first to recognize that mental illness was due to ‘disturbed physiology’ as opposed to ‘displeasure of the gods or evidence of demonic possession’. It was not until about one thousand years later that the first place designated for the mentally ill came to be in 15th century Spain. Before the 15th century, it was largely up to individual’s families to care for them. By the 17th century, society was ‘often housing them with handicapped people, vagrants, and delinquents. Those considered insane are increasingly treated inhumanely, often chained to walls and kept in dungeons’. There are great strides for the medical treatments for the mentally
Madness, the state of being mentally ill, exuberating extreme behavior, or a state of a frenzied mind. A definition which is a recurring major theme in Hamlet. By comparing and contrasting Hamlet to Ophelia, readers can see the different state of mind between the two characters.
It was believed that patients who suffered symptoms such as hallucinations, delusions, disorganized speech and behaviour, and other symptoms that cause social or occupational dysfunction; characterised as Schizophrenia in The Diagnostic and Statistical Manual of Mental Disorders (5th ed.; DSM–5; American Psychiatric Association, 2013), were said to be suffering from demonic possession, mental retardation, or from exposure to poisonous materials. During this time there was no social support systems such as community based treatment like we have today. In addition, treatments that where available where barbaric and ineffective in helping the
In her memoir, “Madness“, Marya Hornbacher takes the reader on a journey of her life with Type I rapid cycle bipolar disorder. She explains the disorder as “when you are mad, mad like this, you don’t know it. Reality is what you see. When what you see shifts, departing from anyone else’s reality, it’s still reality to you” (Hornbacher, page 118).
An individual can psyche himself or herself on believing that a prescribed drug given from pharmaceutical doctors are making them feel better. Madness in today’s world can be covered up by those medications, unless everyone is brainwashed in believing that it can. In present society, medicine given to people to “treat” them for certain mental illnesses is normal to see. In the nineteenth century, people who suffered from mental madness had to deal with the insanity, such as depression or hearing voices, without any help. They had to go through the pain, while everyone else watched them, and those who had no problems judged them. In the past, a person was looked down on if someone else noticed problems with that individual. This created many people to try and hide their madness, so others would think they were normal. Those who believed they were safe from this psychological illness had not received any detrimental problem in their life to unleash it. Erik Larson’s novel, The Devil in the White City, foreshadows the characteristic of madness in many of the characters. Larson reveals in his novel that it does not matter what type of individual you are because everyone has some sort of madness inside of her or him, waiting to be revealed.
Frankenstein or The Modern Prometheus is chiefly considered to be a horror novel. The books author, Mary Shelley, masterfully weaves a story that has petrified audiences for centuries with its grotesque nature and disturbing events. However it is clear that both the characterization of Victor Frankenstein and his fallen angel, the Monster, portray an additional frightening aspect of the story; their mutual descent into hysteric madness.With a deft hand, Mary Shelley successfully conveys the gradual downfall of both her protagonist and his spawn.
The issue of madness has been touched by many writers. In this paper I will focus on two important writings which deal directly with the mental illnesses. The first one is "One Flew Over the Cuckoo's Nest" by Ken Kesey first published in 1962. The second is "Hamlet" written by Shakespeare approximately in 1602. Ken Kesey worked nights in a mental institution in California and his novel has a lot of truth in it. He faced patient's insanity every day and was confident that it was natural response to the overall madness of the corporate America. Shakespeare on the contrary, focused on the completely opposite side of the mental madness: through "Hamlet" he wanted to show that in degree of publicity mental disorders can harm observers.
Insanity in medieval Europe can be classified according to social and religious violations. Insane was one of the worst labels a man could get during the time of knights. By being labeled a madman, a respected man could become lower than trash. Whether labeled insane due to strangeness or for religious beliefs that differed from the norm, the fact remains that these individuals were all outcasts from society. Social Insanity Definition Insanity, in medieval Europe in the context of social violations, is the condition in which a man or woman acts in a manner deemed outrageous or illogical by the common man.
Madness can be defined as “mental delusion or the eccentric behavior arising from it,” but Emily Dickinson says, “Much madness is Divinest Sense, to a discerning Eye.” Dickinson was referring to the fact that madness is seen differently in everyone’s eyes. Society labels people “mad” based on the fact that a person doesn't conform to the values of everyone else in the world. Individualism is frowned upon in the world we live in. In the novel, One who Flew Over the Cuckoo’s Nest, by Ken Kesey, R.P. McMurphy did not care how he was judged, he just wanted to make a difference in the lives of the other patients on the ward. From the very beginning, you could tell that McMurphy was different. To people like Nurse Ratched and the orderlies, his
Modern society has a vastly different understanding of schizophrenia than the people of the Elizabethan era. Throughout the seventeenth century, civilization had minimal knowledge of mental health. As a result, all diagnoses, therapies and treatments developed during that period are considered pre-scientific to modern psychology. Consequently, humanity's lack of comprehension of people who suffered from schizophrenia were often accused of witchcraft and in effect tortured or murdered. In A Noble Insanity, Peckham explains the indicted “…were indeed sufferers of a variety of mental disorders, including senile dementia, compulsive anxiety, depression, and schizophrenia” (Peckham, 32). Throughout this era, the popular conception was that individuals
History is thought to be the past, but the past influences the present in many ways. Insane, lunatic, mentally deranged, madness, madman, crazy, mentally disturbed, troubled, these were just a few terms used to label those with mental illness and these labels are at times still used in society today. Although the shift of viewing insanity as a diagnosable condition did not reduce the use of such terms in 19th Century England, there was a historical event that changed the way those who suffered from mental illness were seen. This historical event came in 1845 with the enactment of the Lunatics Act and the County Asylums Act which were dependent on each other. Now, in order to comprehend what these Acts did it is important to first understand
In 1892 people with mental disorders were often misdiagnosed. Physicians often only understood physical symptoms. They did not understand mental illness or even wanted to believe it was real. Going mad is an illness that was often misconstrued, though symptoms would show their true colors at a blink of an eye in a multitude of ways.
The wethered issue of genius and madness has induced a long blank and a clinical hobby among researchers. Although amiableness has a different meaning than creativity when established in a social environment, it is difficult to imagine a non-creative genius (Fink et al 1-10). creativity of two oddities and the result is the key to pleasantness (Cropley 2-14). The thought of a relationship amid creativity and prosperity of mentally diseased has mostly been maintained with rare stories of incredible art use when involved people fought against the discouragement or liquor ill-use. Previous studies that focused primarily on schizophrenia and bipolar disorder have given some experimental evidence of the relationship between creativity and psychopathology.